A masterwork of the German Silent Cinema whose reputation has only increased over time, 'Diary of a Lost Girl' traces the journey of a young woman from the pit of despair to the moment of personal awakening. Directed with virtuoso flair by the great G.W. Pabst, 'Diary of a Lost Girl' represents the final pairing of the filmmaker with screen icon Louise Brooks, mere months after their first collaboration in the now-legendary Pandora's Box. Brooks plays Thymian Henning, an unprepossessing young woman seduced by an unscrupulous and mercenary character employed at her father's pharmacy (played with gusto by Fritz Rasp, the degenerate villain of such Fritz Lang classics as Metropolis, Spione, and Frau im Mond). After Thymian gives birth to the child and subsequently rejects her family's expectations for marriage, the baby is stripped from her care, and Thymian is relegated to a purgatorial reform school that functions less as an educational institution and more like a conduit for fulfilling the headmistress's sadistic sexual fantasies.
From acclaimed writer/director Sofia Coppola comes an atmospheric thriller that unfolds at a secluded girls' boarding school in Civil War-era Virginia. When a wounded Union soldier, Corporal McBumey (Colin Farrell), is found near the school he's taken in by its headmistress, Miss Martha (Nicole Kidman). As the young women provide refuge and tend to his wounds, the house is taken over with sexual tension and dangerous rivalries when McBumey seduces several of the girls. Taboos are broken and events take an unexpected turn in this gripping and haunting thriller also starring Kirsten Dunst and Elle Fanning.
The war's over but ex-POW Lt. Lawrence Gerard (Dick Powell) has a score to settle and he doesn't mean to do things by the book. His bride was in the French resistance; she was one of fifty freedom fighters murdered by shadowy Vichy collaborator Marcel Jarnac. People tell him that Jarnac's dead but Gerard doesn't buy it. He tracks Jarnac's "widow" to Argentina and discovers that his quarry is not only still very much alive but has got some powerful - and dangerous -guardian angels. Gerard's mission is more urgent than ever - but who can he trust?
In Melville's self-confessed 'love letter to Paris', the world-weary hero weaves his way through a stylised Parisian underworld, a failed gambler wearing a trench coat and a gentleman's code of honor. His pursuit of the ultimate heist takes him on a journey from the Sacre Coeur to Montmartre and Pigalle. Encountering betrayal, secrets and a dangerously seductive young girl, Bob Le Flambeur seeks to carry out his one final crime, despite warnings from L'inspecteur, his loyal friend yet adversary.
They double-crossed Walker, took his $93,000 cut of the heist and left him for dead, but they didn't finish the job. Big mistake. He - someday, somehow - is going to finish them. Lee Marvin is in full antihero mode as remorseless Walker, talking the talk and walking the walk in John Boorman's (Deliverance) edgy neo-noir classic filled with imaginative New Wave style, blunt dialogue and Walker's relentless quest that, one by one, smashes into the corporate pecking order of a crime group called the Organisation. Angie Dickinson plays the accomplice who uses her seductive wiles to ensnare one of Walker's prey.
Two bank robbers, Dennis (Hywel Bennett) and Hal (Roy Holder), are on the run from the police after a successful heist. Needing somewhere to hide the loot, they turn to a funeral parlour where they can stash the cash in Hal's recently-deceased mother's coffin. Taking the coffin, they turn to Hal's father (Milo O'Shea) and hide it in the bathroom of his hotel. Before long the hotel is host to the eccentric Inspector Truscott (Richard Attenborough).
American judge, Daniel Haywood (Spencer Tracy), presides over the trial of four German jurists accused of "legalising" Nazi atrocities. But as graphic accounts of sterilisation and murder unfold in the courtroom, mounting political pressure for leniency forces Haywood into making the most harrowing and difficult decision of his career. His actions - and those of the other trial participants - make for fascinating, poignant and continuously exciting entertainment!
Experience Orson Welles' timeless masterpiece, 'Touch of Evil', complete and uncut with restored footage for the first time ever! This exceptional film noir portrait of corruption and morally-compromised obsessions stars Welles as Hank Quinlan, a crooked police chief who frames a Mexican youth as part of an intricate criminal plot. Charlton Heston plays an honorable Mexican narcotics investigator who clashes with the bigoted Quinlan after probing into his dark past. A memorable supporting cast including Janet Leigh as Heston's inquisitive wife, Akim Tamiroff as a seedy underworld leader, Zsa Zsa Gabor and Marlene Dietrich as an enigmatic gypsy complete this fascinating drama engulfed in haunting cinematography and a magnificently eerie score by Henry Mancini.
Hollywood's best-known monsters collide in one of the great classic horror films of the 1940's. This terror-packed story features Bela Lugosi as the Frankenstein monster and Lon Chaney Jnr. as the cursed Wolfman. Beginning as a moody chiller, director Roy William Neill sets the stage for an unforgettable clash. The resurrected Wolf Man, seeking a cure for his malady, enlists the aid of mad scientist Patric Knowles, who claims he will not only rid the Wolf Man of his nocturnal metamorphosis, but will also revive the frozen body of Frankenstein's inhuman creation.
Zulu is one of the great movies, an epic adventure of courage in the face of incredible odds. Based on a true story it tells the amazing tale of 100 British soldiers who stood fast against an overwhelming force of 4000 of the Zulu nation's mightiest warriors in the defence of Rorkes Drift in 1879. Set amongst the stunning South African scenery, 'Zulu' is a landmark action film and a fitting tribute to some of the most magnificent acts of heroism in the history of warfare. Michael Caine's role as the arrogant but courageous Lt. Bromhead brought him international fame, and there are powerful performances from other great British actors including Stanley Baker and Jack Hawkins.
Big game trapper Victor Marswell (Clark Gable) has his hands full when the feisty Eloise Kelly (Ava Gardner) and a couple on safari descend on his company in Kenya...
Set in Marville, a women's internment camp in Nazi-occupied France, 'Two Thousand Women' is the exciting tale of a group of British women from varied backgrounds brought together under extraordinary circumstances. Forced to live together, the women have to put aside their social differences and band together to protect not just themselves, but three survivors from a British bomber shot down over France who bail out and land right in the middle of the camp's grounds. The women POWs swiftly hide the British airmen, but discovery is only ever seconds away and the tension mounting between them is palpable - especially when they discover that a Nazi spy lurks amongst them. When a lustful guard is killed by one of the airmen, a breakout seems the only option...
Jane Palmer (Lizabeth Scott) and her husband Alan (Arthur Kennedy) mysteriously have $60,000 literally dropped in their laps. The circumstances seem mighty suspicious to Alan, who wants to turn the money over to the police. But in a materialistic rapture, Jane won't let it go. She doesn't care where it came from, or what danger might ensue - not if it will bring her the luxury she craves. Enter shady Danny Fuller (Duryea, as cocky and menacing as ever), who claims the money belongs to him. Let the games begin! Roy Huggins' snappy script (adapted from his novel) is a complex, breezy and black-hearted homage to James M. Cain and Raymond Chandler. Rapacious housewife Jane Palmer is one of the juiciest female villains in Hollywood history, and Liz Scott's best role ever.
With the Nazi terror on the ascent, master filmmaker Max Ophuls fled to Italy in 1934 and made La signora di tutti (Everybody's Lady) - an exuberant, desperate melodrama that, although arriving early in Ophuls' body of work.
Isa Miranda, one of Italy's greatest stars, plays the role of a star revisiting her life in flashback after a suicide attempt leaves her comatose. From the record revolving on a turntable in the picture's opening moments, Ophuls sets into motion one of those roundelays with fate that he alone could pull off with such eminent elegance. A precursor to the romantic themes that would culminate in Lola Montes, Ophuls' vertiginous La signora di tutti serves brilliantly as both an empathetic portrait of the femme fatale, and as an elevation of her glacial femininity to the level of sublime fetish.
A sinister and enthralling mystery thriller adapted from the novel by crime and suspense writer Agatha Christie. Starring Hayley Mills as an affluent heiress who marries a mysterious and charming chauffeur. Soon after moving into their dream house strange things begin to happen, culminating in a tragic death. Murderous twists and thrilling turns with a stunning climax set to shock even the most devoted Christie fans.
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