Clark Gable and Robert Ryan battle outlaws, Indians, nature - and each other - in this sprawling western about a torturous cattle drive from Texas to Montana in the days following the Civil War.
The Allison Brothers, Ben (Clark Gable) and Clint (Cameron Mitchel) are ex-Confederate soldiers now trying their hands at bank robbery. But one attempt to get rich quick leads them into the company of Nathan Stark (Robert Ryan), a Texas cattle baron with a huge herd to get to market, and the beautiful Nella (Jane Russell), for whose attentions Ben and Nathan compete. A rugged and rowdy adventure where both bullets and fists fly, The Tall Men is towering entertainment.
A guitar-picking good ol'boy. A clean-cut all-American. A Navajo. A bookworm. A lumberjack. A slum kid. All enter Marine boot camp to be trained, hardened, ready to answer their country's Battle Cry. Scripted by Leon M. Uris from his own novel, directed by action master Raoul Walsh and starring a Who's Who of '50s movie stars, Battle Cry is an epic ode to World War II Marine heroism and home front sacrifice, a saga following recruits from boot camp to a New Zealand base of operations to the war they knew would someday come their way: the bloody invasion of Saipan. Enlist now alongside the fighting men and stalwart women of Battle Cryfor boisterous tenderness and gung-ho excitement.
Two eligible bachelors, Jack Worthing and Algernon Moncrieff (Michael Denison), are in trouble. Jack's unworthy habit of representing himself as his imaginary brother Ernest (Michael Redgrave) and Algernon's adoption of an equally fictitious - and perpetually sickly -friend has allowed them both a latitude in their personal lives that they would otherwise have not enjoyed. Their respective deceptions start to unravel, however, when both chaps become mortally wounded by Cupid's arrow -setting up a series of events which will change their lives forever!
Adapted from the controversial stage play by Jules Feiffer (Carnal Knowledge), this savage, nihilistic black comedy was the startling directorial debut of actor Alan Arkin. When a severely depressed fashion photographer (Elliott Gould) meets an optimistic young woman (Marcia Rodd), she is determined to save him amidst the series of random muggings, sniper shootings, garbage strikes and total blackouts that are ravaging the city of New York.
An ex-con, a corrupt cop, a reformed alcoholic, a wrestler, a sharpshooter and a pair of inside men: these seven men intent on executing the perfect robbery and taking a racetrack for two million dollars. But this is the world of film noir, a tough, sour place where nothing quite goes as planned... For his third feature Stanley Kubrick adapted Lionel White's 'Clean Break' with a little help from hard-boiled specialist Jim Thompson (The Killer Inside Me), and in doing so created a heist movie classic, one to rank alongside John Huston's 'The Asphalt Jungle' and Quentin Tarantino's 'Reservoir Dogs'. The robbery itself is one of cinema's great set-pieces, as taut a piece of filmmaking as you'll ever find, expertly controlled by Kubrick, who called 'The Killing' his first mature work . Starring Sterling Hayden, perennial fall guy Elisha Cook Jr. and Marie Windsor as his duplicitous wife, 'The Killing' is quintessential film noir, still as brutal, thrilling and audacious as it was almost six decades ago.
Proud, eccentric, and antisocial, Monsieur Hire (Michel Simon) has always kept to himself. But after a woman turns up dead in the Paris suburb where he lives, he feels drawn to a pretty young newcomer to town (Viviane Romance), discovers that his neighbors are only too ready to suspect the worst of him, and is framed for the murder. Based on a novel by Georges Simenon, Julien Duvivier's first film after his return to France from Hollywood finds the acclaimed poetic realist applying his consummate craft to darker, moodier ends. Propelled by its two deeply nuanced lead performances, the tensely noirish 'Panique' exposes the dangers of the knives-out mob mentality, delivering as well a pointed allegory for the behavior of Duvivier's countrymen during the war.
A gallery of high-living lowlifes will stop at nothing to get their sweaty hands on a jewel-encrusted falcon. Detective Sam Spade (Humphrey Bogart) wants to find out why - and who'll take the fall for his partner's murder. An all-star cast (including Sydney Greenstreet, Mary Astor, Peter Lorre and Elisha Cook Jr.) joins Bogart in this cracking mystery masterwork written for the screen (from Dashiell Hammett's novel) and directed by John Huston.
Donald Glourie (Robert Donat) shares his run-down home with the eighteenth-century ghost of Murdoch Glourie (also Robert Donat), who has been condemned to haunt the castle until he avenges an ancient insult by the rival clan MacLaggan. In order to clear his debts, Donald sells the castle to an American businessman, Mr. Martin (Eugene Pallette), who then has the castle - complete with ghost - transported to Florida where its rebuilt. In the meantime, Martin's daughter Peggy (Jean Parker), is falling in love with both Donald and Murdoch Glourie, thinking them one and the same...
An all-star cast and jazzy score highlight this charming comedy, a deft satire of classic caper films like Rififi. Big Deal On Madonna Street hilariously details the plight of a sad-sack group of bumbling thieves and their desperate attempts to pull off the perfect heist.
Bette Davis delivers a powerhouse performance as Charlotte Hollis, a reclusive spinster still mourning the savage murder of the man she loved some 37 years ago. When the state wants her property in order to construct a new highway, to help her resist Charlotte turns to her worldly cousin, Miriam (Olivia de Havilland), and an old friend, Drew (Joseph Cotten). That's when the scares and shocks start in this expertly paced chiller.
An aspiring poet on the verge of what he takes for a big break experiences a chance encounter with a beautiful woman in the street — and falls headlong into love and fantasy.
Henry Van Cleve (Don Ameche), an aged former playboy, has died and gone to hell. But the ruler of the realm of darkness, His Excellency, isn't convinced Van Cleve's come to the right place. Henry proceeds to recount his life story, from his first real stirrings of passion with a French governess, to the wooing and winning of his beautiful wife, Martha (Gene Tierney). Yet, though deeply in love, he found it impossible to remain completely faithful, and is convinced his punishment will be an eternity of damnation. As his story unfolds, and a lifetime of love fills the screen, it's up to His Excellency to pass final judgement on Henry. Set in a beautifully rendered turn-of-the-century world of high society, the timeless theme of love vs. lust is handled with wit, taste and sophistication.
Overworked true crime magazine editor George Stroud (Ray Milland) has been planning a vacation for months. However, when his boss, the tyrannical media tycoon Earl Janoth (Charles Laughton), insists he skips his hols, Stroud resigns in disgust before embarking on an impromptu drunken night out with his boss's mistress, Pauline York (Rita Johnson). When Janoth kills Pauline in a fit of rage, Stroud finds himself to have been the wrong man, in the wrong place, at the wrong time: his staff have been tasked with finding a suspect with an all too familiar description...Stroud's very own!
Deborah Kerr (in the performance of her career) plays the emotionally repressed vicar's daughter who takes up a job as a governess to two seemingly angelic orphans. Gradually coming to believe that the children are possessed by the perverse spirits of their former governess and her sadistic lover, she begins to see manifestations of the ghosts prowling the huge gothic mansion of Bly House. Director Jack Clayton sustains a superbly haunting atmosphere throughout the film, and like James' original work, cleverly retains the ambiguity of wether the ghosts are real or the products of the governess's fevered imagination. Aided by Freddie Francis's exquisitely inventive and atmospheric CinemaScope photography, we, like the governess, are never quite sure what unspoken horrors are lurking beyond the edge of the frame and are kept guessing until the film's tragic conclusion.
This rare Hitchcock costume drama unfolds in 1831 Sydney, Australia and concerns Irish noblewoman Lady Henrietta Flusky and her working-class husband Sam whom are escaping a secret and tragic past. Cotton has become a man of wealth but is not accepted socially and Lady Henrietta is a raging alcoholic and verging on madness, enter Hon. Charles Adare whom she had known in Ireland an a passionate love triangle ensues as their tragic past is revealed. Under Capricorn had a troubled production due to Bergman's infamous love affair with the Italian director Robert Rossellini which resulted in her exile from Hollywood, but nevertheless it is an underrated masterpiece that is surely on of the best 'costume' films of the 1940's.
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