Something hideous is changing law-abiding citizens into monstrous, hyper-violent psychopaths. A series of bizarre, inexplicable robberies and murders have L.A. police detective, Tom Beck (Michael Nouri) totally baffled. And it doesn't help when mysterious FBI agent, Lloyd Gallagher (Kyle MacLachlan) tells him that a demonic extraterrestrial creature is invading the bodies of innocent victims - and transforming them into inhuman killers with an unearthly fondness for heavy-metal music, red Ferraris and unspeakable violence.
Redford stars as Joe Turner, a junior analyst in the C.I.A., scrutinising published texts from around the world for coded messages. But once he discovers an unusual anomaly, his own existence comes crashing down, with every error carrying potentially fatal consequences.
The time is the present. The Driver (Ryan O'Neal) is the best "Wheel Man" for hire. His work in driving getaway cars are exhibitions in excellence, works of art. The Detective (Bruce Dern) is the top cop of the force. Nobody he tracks down ever eludes him. Except the Driver. As the Driver pulls off another job, the Detective lays in wait for him. But the Driver has already planted his alibi, and is one step ahead of him. Through his operative, the Connection (Ronee Blakely), he hires the mysterious young woman, the Player (Isabelle Adjani), to lead the Detective astray...
Teen speed-freak Amy Blue (Rose McGowan) and her dim-witted boyfriend Jordan White (James Duval) find their lives are turned on their heads when they meet the mysterious, charismatic drifter Xavier Red (Johnathon Schaech) who has a bad habit of killing people. The trio embark on a hell-ride of a journey fuelled by sex and violence that takes debauchery to new heights.
Ten years ago, yakuza mid-boss Ikegami (Shin'ichi Tsutsumi) led an assault against rival don Muto (Fumi Nikaidô). Now, on the eve of his revenge, all Muto wants to do is complete his masterpiece, a feature film with his daughter in the starring role, before his wife is released from prison. And The F#$* Bombers are standing by with the chance of a lifetime: to film a real, live yakuza battle to the death...on 35mm! Based on a screenplay he wrote nearly fifteen years ago, 'Why Don't You Play in Hell?' sees Sion Sono with his talent and unique vision completely unleashed. The result is a frenzied, gleeful masterpiece which he describes as "an action film about the love of 35mm". Endlessly irreverent and wildly, hilariously visceral, 'Why Don't You Play in Hell?' is a Tarantino-esque ode to the yakuza films of yore, featuring an over-the-top, blood-soaked finale for the ages.
From the mind of the legendary cult filmmaker, Alejandro Jodorowsky, comes an epic imaginary autobiography depicting both the wonders and the hardships of existing in the substance we all call reality. True to form, Jodorowsky takes us on a strange, mystic, fantastic and deeply surreal journey that no one else could, except this time the subject is his own early life, being raised by his strict, Stalin-adoring father who has plans to assassinate the right-wing Chilean president.
Senior Yakuza, Ozaki, appears to be going mad. What began as minor eccentricities have become major problems endangering not only himself but also members of his brotherhood. There is only one option left to the boss - to dispose of him. He orders Minami to take Ozaki to the Yakuza disposal dump in Nagoya and to report him once the job is done. On the way to Nagoya, Ozaki is killed accidentally. After Minami reports the news to his boss, he returns to the car to find that the body has gone. From here, we enter a surreal world of bizarre characters and unnatural goings-on, where the only people stranger than the lactating inn owner and the autistic spiritual medium are the mysterious cow-headed demon and the Yakuza who can't make love without a strategically placed ladle for added stimulation... If you thought you'd seen it all - think again.
A strange man known only as the "metal fetishist", who seems to have an insane compulsion to stick scrap metal into his body, is hit and possibly killed by a Japanese "salaryman", out for a drive with his girlfriend. The salaryman then notices that he is being slowly overtaken by some kind of disease that is turning his body into scrap metal, and that his nemesis is not in fact dead but is somehow masterminding and guiding his rage and frustration-fueled transformation.
At the dawn of the new millennium, Japan is in a state of near-collapse. Unemployment is at an all-time high, and violence amongst the nation's youth is spiralling out of control. With school children boycotting their lessons and physically abusing their teachers, a beleagured and near-defeated government decides to introduce a radical new measure: the Battle Royale Act. Overseen by a former teacher, (Takeshi Kitano), and requiring that a randomly chosen school class be taken to a deserted island and forced to fight each other to the death, the Act dictates that only one pupil be allowed to survive the punishment. He or she will return, not as the victor, but as the ultimate proof of the lengths to which the government are prepared to go to curb the tide of juvenile disobediance.
When Harry (Anthony Edwards) meets Julie (Mare Winningham) at the La Brea Tar Pits, it's love at first sight. But when Harry's alarm clock fails to go off, he misses their scheduled date by several hours. Alone on a street corner at four in the morning, he answers a ringing pay phone and picks up a garbled message that all-out nuclear war is set to begin in an hour's time. With the clock ticking and the city spiralling into chaos, can Harry somehow track down Julie and get them both to safety before Armageddon?
Based on the acclaimed novel by George V. Higgins, "The Friends of Eddie Coyle" follows an aging gunrunner's troubles at the peripheries of the local mob once he finds his options split disastrously between the threat of a fresh prison sentence or police cooperation. One of the best, most unexpected gangster films of the 1970s, 'The Friends of Eddie Coyle' is a gripping tale of low-lives and loyalties, presented with the director's trademark authenticity and naturalism, and an extraordinary array of performances, led by a never-better Mitchum.
After eight years of torture in a POW camp, Major Charles Rane (William Devane) returns home to receive a hero's welcome and is awarded a big cash prize. Struggling to re-adjust to his former life, Rane faces another ordeal as a sadistic gang of thugs set their sights on his prize, killing his family and destroying his hand in the process. Now living only for vengeance, he enlists the help of his war buddy Johnny (Tommy Lee Jones) to exact his own brand of justice.
The 1970's were a time of intense uncertainty and instability in Italy. Political corruption and widespread acts of left and right-wing terrorism, alongside a breakdown in social cohesion and a loss of trust in public institutions such as the government and police, created a febrile atmosphere of cynicism, paranoia and unexploded rage. Throughout this period, these sentiments found expression in a series of brutal, often morally ambiguous crime thrillers which tapped into the atmosphere of violence and instability that defined the so-called 'Years of Lead'.
Colt 38: Special Squad (1976)
In this Poliziotteschi, a commissioner (Marcel Bozzuffi) forms a secret motorized brigade in order to fight a dangerous terrorist (Ivan Rassimov) depositing bombs in the city of Turin.
Highway Racer (1977)
A hot-shot police driver has more guts than brains, often landing him in hot water with his middle-aged mentor, who was once a legendary police interceptor responsible for numerous large scale arrests.
Welcome to Shinjuku - city of darkness and corruption. Here rapid-fire shoot-outs and twisted acts of perverse violence provide the backdrop for a vicious war between the Japanese Yakuza and the Chinese Triads, and make for one of the most dizzying and spectular openings ever committed to film. Ryuichi (Riki Takeuchi) is a gangster who is driven by a desire for power and the memory of his deprived childhood. His younger brother, Toji (Michisuke Kashiwaya), has just returned from studying in the U.S. Between them, they are about to learn some harsh lessons about life on the wrong side of the law. Meanwhile, Detective Jojima (Shô Aikawa) finds himself drawn deeper into the world of the Yakuza as he continues to make dirty deals he hopes will help raise the money to pay for his daughter's life-saving operation.
Manni (Moritz Bleibtreu), who works as a small-time courier for a big-time gangster, is in huge trouble. He has accidentally left the cash from a mob deal on the subway, and he has only twenty minutes to deliver the 100,000 marks to his unforgiving boss. Desperate, he calls his girlfriend, Lola (Franka Potente), the only person who can rescue him from certain death. As the seconds tick away and the tiniest choices become life altering, Lola must try to reach Manni before the line between fate and fortune begins to blur. One story told from three different perspectives, 'Run Lola Run' is a veritable maze of intriguing plot twists and heart-stopping suspense in a high-octane thrill ride about one woman's desperate attempt to save her lover.
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