Takashi Miike’s Dead or Alive kicks off with an absolutely bonkers opening—guns, strippers, noodles, and blood flying about in a whirlwind of pure madness. It’s like being thrown headfirst into a fever dream, and it’s honestly brilliant. Those first ten minutes set a tone of hypnotic chaos that the rest of the film tries to match, though it doesn’t always succeed.
The story follows a cop and a yakuza on a violent collision course. There are gripping moments and flashes of real style, but the middle stretches can feel meandering. Still, that strange Miike energy keeps things just about engaging, even when the plot goes off track.
Like the opening, the ending is completely berserk. It’s not for everyone, but it's worth a go if you like your films wild and unpredictable.
After an amazing five minute opening sequence, 'Dead Or Alive' quickly descends into an incredibly dull, mediocre Yakuza movie. There are a couple of Takashi Miike's trademark 'taboo shock' scenes, but even their inclusion feels forced and fairly pointless. Unless you are a hardcore fan of this type of Japanese action film then you're probably better off giving this a miss. If you're interested in checking out some of Takashi Miike's better work, give 'Ichi The Killer' or 'Audition' a try.