Too terrifying to even have a name, "It" is a seemingly invincible monster that is hell-bent on killing everyone on a mission to Mars. A rescue ship travels out to Mars to retrieve the only survivor of a space probe that has experienced some sort of cataclysm. That survivor, Col Ed Carruthers (Marshall Thompson), is accused of murdering his fellow crewmen. But Ed claims that the killer was a Martian monster, and hopes to prove his assertions by signing up for a second journey to the Red Planet. Before long, the crew members of this second expedition are being systematically killed off, and it looks as though Ed is up to his old tricks. As it turns out, however, Ed was telling the truth: there is a monster on board, the savage descendant of the once-mighty Martian civilization, who snuck on board when an irresponsible crew member left the door open. The monster stays alive by absorbing the vital body fluids of its victims - and there seems to be no way to stop this parasitic creature! Will they be able to destroy the monster before it manages to feed on them all?
Perhaps his most famous film, La Dolce Vita slices into the decadent amoral core of Roman society with Fellini's trademark attention to detail and spectacular photography. Marcello Mastroianni plays a gossip columnist (the term 'paparazzi' derives from the in a film) who aspires to be a more serious writer but knows he never will be, because like society, he is fascinated by the decadent hedonist pursuits which are seemingly everywhere. The Vatican was appalled by the film, but the public adored it, relishing the images Fellini fed them, most notably the now infamous scene of Mastroianni and Anita Ekberg frolicking in the Trevi Fountain.
A woodcutter experiences a horrific series of events - an ambush, rape and murder. In the telling of the tale however, each of the four participants give different views of what actually happened - is any of them telling the truth? Kurosawa's masterful film plays on the subjective nature of truth while unfurling a riveting tale of violence and greed.
October, 1957. "It" awakens and the small town of Derry, Maine will never be the same. Stephen King brings to life every childhood fear and phobia as seven children face an unthinkable horror which appears in various forms, including "Pennywise" (Tim Curry) - a clown who lives, hunts and kills from the town's sewers. Years later, the surviving adults who are brave enough return to stop the new killing spree, this time for good.
After a date and seemingly innocent sexual encounter, 19-year-old Jay (Maika Monroe) is left with an inescapable sense that someone, or something is following her. Jay and her friends team up to try and find ways to escape the traumatising horrors that are always right behind them.
Browning, a former circus contortionist, cast reai-life sideshow professionals. A living torso who, nimbly fights his own cigarette despite having no arms or legs, microcephalics (whom the film calls "pinheads")-they and others play the big-top troupers who inflict a terrible revenge on a trapeze artist who treats them as subhumans.
Marlon Brando gives one of the screen's most electrifying performances and was named Best Actor at the 1954 Academy Awards for this film. Ex-fighter Terry Malloy (Brando) could have been a contender, but now toils for boss Johnny Friendly (Lee J. Cobb) on the gang-ridden waterfront. Terry is guilt-stricken, however, when he lures a rebellious worker to his death, but it takes the love of Edie Doyle (Eva Marie Saint), the dead man's sister, to show Terry how low he has fallen. When his crooked brother Charley the Gent (Rod Steiger) is brutally murdered for refusing to kill him, Terry battles to crush friendly's underworld empire.
The Killing Of John Lennon is a chilling insight into the mind of Mark David Chapman, the 25 year old narcissist who gunned down John Lennon outside his Dakota apartment in New York in 1980. Meticulously researched and filmed on actual locations where events occurred, it is a gritty and imagistic examination of a celebrity stalker's mind leading up to the kill and a look into his descent into madness and exorcism. Independently financed and filmed over three years, The Killing Of John Lennon is unflinching in its presentation of the truth. It does not set out to condone or exonerate the shooting of Lennon or his killer's desire for fame.
Primetime Emmy and Golden Globe Award winner returns for the last time as Alicia Florrick, the "good wife" who went on to create an independent life of her own, in this final season of the acclaimed series. Savour every pivotal episode as Alicia transforms herself from harried bond court attorney into a partner with Diane Lockhart (Christine Baranski) at the firm where her career first took root. Along the way, Alicia meets a new confidant in Lucca Quinn (Cush Jumbo), explores personal boundaries with Jason Crouse (Jeffrey Dean Morgan), hears a stunning confession from Eli Gold (Alan Cumming) and supports her husband, Peter (Chris Noth), in both his run for the White House and possible return to the big house. See how everything comes frill circle in the shocking and satisfying finale of this gripping drama.
Blondie hit the stage on February 10, 1999, at New York's Town Hall for their first hometown gig in 17 years, kicking off their 1999 U.S. Tour, and as the New York Post declared, "They Had Arrived". Although many would argue that Blondie's music never left the scene, their re-emergence through touring and through their worldwide, multi-platinum album "No Exit" prove that the band Blondie are true ground-breakers in the music world. Originally broadcast as a 45-minute VH1 Special, this video adds nearly 45 additional minutes to bring you the band's complete set from this historic show, as well as a bonus video of "Nothing is Real But the Girl".
Tracklisting:
1. Dreaming
2. Hanging on the Telephone
3. Screaming Skin
4. Forgive and Forget
5. Shayla / Union City Blue
6. Sunday Girl
7. Maria
8. Call Me
9. Boom Boom in the Zoom Zoom Room
10. In the Flesh
11. Rapture
12. Rip Her to Shreds
13. X Offender
14. Atomic
15. One Way or Another
16. Heart of Glass
While his girlfriend Annie (Meera Rohit Kumbhani) is out of town, Dave (Nick Thune) decides to build a fort in his living room from cardboard boxes - only to be become trapped in a world that he himself created. It's up to Annie and an oddball group of friends to rescue him, avoiding booby traps, giant human-eating Tiki faces, a bloodthirsty Minotaur and fatally painful puns along the way.
As the 'body-count' genre stabbed its way into audiences' hearts in the early '80s, EuroTrash auteur Jess Franco was asked to create his own saga of slaughtered schoolgirls complete with gratuitous nudity, graphic violence, and gory set pieces. But just when you thought you'd seen it all, Franco shocked the world by delivering surprising style, genuine suspense and a cavalcade of depravity that includes incest, voyeurism and roller disco.
I'm not black, I'm not white, not foreign, just different in the mind. Different brains, that's all", explains Billy in this sensitive and humorous verite portrait of a 15-year-old outsider growing up in small town America. Jennifer Venditti's highly acclaimed, award-winning documentary, Billy the Kid is a coming-of-age story like no other, an odyssey into the soul of a shy but uniquely articulate teenager. Following Billy as he cycles through the quiet streets of his small town in Maine, we watch him traverse the frustrating gap between imagination and reality, grappling with isolation and first-time love. Through the director's sensitive direction we see the world from the point of view of an expressive and seemingly fearless outsider. Both exhilarating and unsettling, this portrait challenges the viewer to understand this triumphant teen on his own terms.
A romantic comedy about the adventures of an innocent dreamer in the weird and colourful landscape of the American West. Caught between childhood and adulthood he finds himself back in his hometown where he becomes involved with a wealthy widow and stepdaughter. Johnny Depp stars as the young man torn between the place he came from and the life he was making for himself.
Zonad is from space... probably. Or so the Cassidy family assume when they discover him passed out on their living room carpet wearing a latex suit, a visor on his helmet and a cholesterol level that's off the scale. Offering to put him up during his mission to earth, they make Zonad feel very welcome - and in the case of mother Mary and teenage minx Jenny, they make him feel very welcome indeed... Or at least they do until fleet commander Bonad arrives - all shiny and new in a blue satin jumpsuit - and then we're locked in a collision path of earth shattering proportions. Is Ballymoran big enough for both of them?
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