Set 200 years before the events of 'Game of Thrones', the series finds the Targaryens ruling over the Seven Kingdoms - and on the brink of a civil war within their own house. Prior to the birth of a son, King Viserys (Paddy Considine) sent shockwaves through the kingdom and declared his daughter, Rhaenyra (Emma D'Arcy), his heir. Once a healthy boy entered the picture, plans were afoot to make sure she would never sit on the Iron Throne. Now, with schemes hatched on both sides - and the kingdom in the balance - viewers will see the house that dragons built and learn how they tore it all down.
A brilliant, smouldering Nordic Noir, that grips as the mystery unravels in ways impossible to predict and terrifying to watch. Investigator Jan Michelsen (Kenneth M. Christensen) attempts to find the link between two abductions that happened ten years apart.
Who shot John Dutton (Kevin Costner)? That's the burning question that left fans reeling in the explosive season 3 finale. Following the brutal attacks on Kayce (Luke Grimes), Beth (Kelly Reilly), and John Dutton, and with fheir fates'unknown, Rip (Cole Hauser) and the other wranglers wield their own brand of justice to take revenge and defend the Dutton legacy. This season digs deeper than ever into the rich Yellowstone history, with flashbacks featuring Tim McGraw and Faith Hill (stars of the 'Yellowstone' prequel 1883).
After Earth is torn apart by religious differences and the human race teeters on the edge of extinction, an atheistic android architect sends two creations - Mother (Amanda Collin) and Father (Abubakar Salim) - to start a peaceful, godless colony on the planet Kepler-22b. 'Raised by Wolves' follows Mother and Father as they attempt to raise human children in this mysterious virgin land, a treacherous and difficult task that's jeopardized by the arrival of the Mithraic, a deeply devout religious order of surviving humans. As the androids make contact with this zealous and dangerous group, they struggle to control the beliefs of their fiercely self-determining children.
Adapted from the best-selling novel by Martina Cole, 'Dangerous Lady' is set in the gangland world of London in the 50's and 60's. It charts the rise to fame and notoriety of the Ryans, a poor Irish family, who become one of the foremost crime families in London, and is the story of the youngest daughter, Maura (Susan Lynch), who becomes the "dangerous lady" of the title. Maura is shielded from the criminal activities of her seven brothers. But after a failed love affair with a policeman, Terry (Owen Teale), and, as her adored eldest brother, Michael (Jason Isaacs), starts to lose his grip on the family, she is forced to take the destiny of the Ryans into her own hands, much to the concern of her mother, Sarah (Sheila Hancock). No one thinks a twenty-year-old girl can take on the hard men of London's criminal underworld, but together, Maura and Michael are unbeatable: the King and Queen of organised crime. But Maura's most difficult challenge comes as she grows disillusioned by the cycle of bloody revenge around her and resolves to change both her life and that of her family.
Sean Kane (Chuck Norris) is a cop in the San Francisco police department's narcotics division. When his partner is killed in a drugs bust, he leaves the division and takes the fight into his own hands, determined to track down the killers and extract revenge for his colleague.
There's only no way out...'Catch-22' follows the adventures and misadventures of a U.S. air squadron in Italy during World War II. Yossarian (Christopher Abbott) is a bombardier, whose frantic obsession every time he goes up on a mission is "to come down alive". The real enemy for Yossarian and his rag-tag bunch of friends is the bureaucracy of the military, inverting logic at every turn. The pinnacle of this is Catch-22, a military by-law which states that if you fly your missions, you're crazy, and don't have to fly them; all you have to do is ask. But if you ask not to, then you're sane, and so you have to fly them.
In the most explosive season of 'Yellowstone' yet, John Dutton (Oscar Winner Kevin Costner), and his family must protect their land from new and old enemies, lead by Wall Street maverick Roarke (Josh Holloway). Threatened by betrayals, bad blood, and lucrative business deals, the Duttons form unexpected alliances and confront dangerous measures to safeguard their legacy.
Whatever your option on love and relationships, one thing's for sure - Coupling will enlighten you as to how the opposite sex ticks. Frank and funny, coupling features 6 friends -involved with each other - who get down to the basics of what works in the love department. They find themselves in bizarre and compromising scenarios, revealing their deepest secrets, confusing the clearest secrets, confusing the clearest issues and generally making their way across the minefield that is love.
Episodes Comprise:
- Flushed
- Size Matters
- Sex, Death & Nudity
- Inferno
- The Girl With Two Breasts
- The Cupboard of Patrick's Love
The Coupling gang are back for another hilarious helping of sexual exploration and social humiliation. The third series begins a heartbeat after the end of the last-with Steve (Jack Davenport) and Susan (Sarah Alexander) splitting up - and the entire first episode is conducted in split-screen, each half following one of the sundered couple as they both head to 'The Temple of Woman', a beauty salon for Susan, a strip club for Steve. Life for their friends is no less complicated: Jane (Gina Bellman) has picked herself a religious boyfriend who doesn't believe in sex before marriage; Jeff (Richard Coyle) is propositioned in the stationery cupboard by a woman who wants to 'borrow' him from his girlfriend; while Sally (Kate Isitt) and Patrick (Ben Miles) have to face two scary prospects - a spider in Sally's bedroom and the possibility that they might want to be more than just friends....
Marie Antoinette (Emilia Schüle / Charlotte Angel) is just a teenager when she leaves Austria to marry the Dauphin of France. Arriving at Versailles, she must obey the numerous and complex rules of French court. Transforming from the young Dauphine to the Queen of Style and a true fashion icon, Marie Antoinette will attempt to recreate Versailles in her image: free, independent and feminist. But her successes will provoke jealousy and rivalry, as her opponents within the Royal Family will do everything they can to bring her down...
Dr. Alithea Binnie (Tilda Swinton) is an academic - content with life and a creature of reason. While in Istanbul attending a conference, she happens to encounter a Djinn (Idris Elba) who offers her three wishes in exchange for his freedom. This presents two problems. First, she doubts that he is real and second, because she is a scholar of story and mythology, she knows all the cautionary tales of wishes gone wrong. The Djinn pleads his case by telling her fantastical stories of his past. Eventually she is beguiled and makes a wish that surprises them both.
In the sixth season of 'Outlander', the Frasers strive to maintain peace and flourish within a colonial society which - as Claire (Caitríona Balfe) knows all too well - is unwittingly marching toward Revolution. Against this backdrop, which heralds the birth of the new American nation, Claire and Jamie (Sam Heughan) have built a home together at Fraser's Ridge. They must now defend this home - established on land granted to them by the Crown - not only from external forces, but also from the increasing strife and conflict in the community within their care.
'Female Perversions' is the provocative and stimulating story of Eve Stephens (Tilda Swinton), a successful attorney struggling under the tremendous pressures of power, promiscuity and a destructive sister. Consumed by wild sexual fantasies, she is unable to feel satisfied by either her male or female lovers. She uses them to fuel her all consuming desire for sexual fulfilment regardless of the damage she is doing to those around her. In a truly shocking exploration of female perversion, Swinton delivers a riveting performance that ranks alongside her stunning portrayal of 'Orlando'. Dare to let yourself go... where you've never been before.
With Donna down in 'that London', Gaz and Janet decide to properly couple up. But will the spirit, the concrete head or the biscuits of Jonny ever leave them alone? To earn Gaz's respect, Janet becomes a community policewoman, in return, he thinks of even more imaginative things to do with marmite. Then Donna returns - with Runcorn's first would-be-cockney market trader, Wesley, in tow. Is she really ready to divorce Gaz? Is she prepared to compromise her feminist principles and let him choose between her and Janet? Or will Wesley let Gaz's secret burst open like a pot of rancid yogurt?
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