The Little Tramp punches in and wigs out inside a factory where gizmos like an employee feeding machine may someday make the lunch hour last just 15 minutes. Bounced into the ranks of the unemployed, he teams with a street waif (Paulette Goddard) to pursue bliss and a paycheck, finding misadventures as a roller-skating night watchman, a singing waiter whose hilarious song is gibberish, a jailbird and more. In the end, as tramp and waif walk arm in arm into an insecure future we know they've found neither bliss nor a paycheck but, more importantly, each other. The times and satire remain timeless in 'Modern Times'.
The government sends the most dangerous Super-Villains in the world - Bloodsport (Idris Elba), Peacemaker (John Cena), King Shark (voice of Sylvester Stallone / Steve Agee), Harley Quinn (Margot Robbie) and others - to the remote, enemy-infused island of Corto Maltese. Armed with high-tech weapons, they trek through the dangerous jungle on a search-and-destroy mission, with only Colonel Rick Flag (Joel Kinnaman) on the ground to make them behave. As always, one wrong move and they're dead - whether at the hands of the ultimate Kaiju, Starro the Conqueror; a teammate; or Waller (Viola Davis) herself. If anyone's laying down bets, the smart money is against them. All of them.
The film, based on actual events, tells the story of John Reed (Warren Beatty), American Communist, journalist and activist, whose love affair with writer/feminist Louise Bryant (Diane Keaton) unfolds against the explosive backdrop of the Russian Revolution.
"Triumph of the Will" may be the most enduringly controversial film ever made, justly both despised and admired. Is it disgusting propaganda? Absolutely. Is it a documentary record of a critical historical moment? Yes...but also no. Perhaps the only thing on which everyone could agree is that it is one of the most terrifying horror movies of all time. A shamelessly biased, unabashedly subjective rendering of the infamous 1934 Nuremberg rallies of the Nazi part, 'Triumph of the Will' was commissioned by Hitler from his favourite actress turned director Leni Riefenstahl. The power and purity of Reifenstahl's artistry is such that this incredibly perverse and corrupt film has its own kind of demented integrity. An essential document of Hitler the Orator and mesmerizer of the masses, this programme revels in the monumental architecture of Albert Speer, the formal precision of the marching cadres, and above all, the almost religious exaltation of Hitler as the mystical personofication of the dreams and ideals of his people, captured kinetically with a mastery of technique that is both breathtaking and revolting. It is a film no one who sees can ever forget.
Hutch (Bob Odenkirk) is a nobody. As an overlooked and underestimated father and husband, he takes life's indignities on the chin and never rocks the boat. But when his daughter (Connie Nielsen) loses her beloved kitty-cat bracelet in a robbery, Hutch hits a boiling point no one knew he had. What happens when a pushover finally pushes back? Hutch flips from regular dad to fearless fighter by taking his enemies on a wild ride of explosive revenge.
Two icons from the golden age of Hollywood, Oscar winners Bette Davis and Joan Crawford, take their famous feud onscreen in Robert Aldrich's newly restored thriller. In fierce, no-holds-barred performances, Bette Davis portrays aging ex-child star Baby Jane Hudson while Joan Crawford plays Blanche, the crippled sister Jane torments psychologically. As the sisters descend into madness, the tension builds to a shocking ending...
Based on the gripping true story of the Kursk submarine tragedy of 2000 in which 188 men lost their lives, 'Kursk: The Last Mission' is a tense submarine thriller from critically-acclaimed director Thomas Vinterberg. When a Russian naval exercise goes horribly wrong, the Kursk submarine erupts in flames killing most of the men on-board and sending the trapped survivors to the bottom of the sea. Time is running out for Russian Captain Mikhail Averin (Matthias Schoenaerts) and his crew, as fire engulfs the vessel, starving them of oxygen. Ignoring the advice of their own people, the Russian government refuses the help of the UK Navy operation headed by Commodore David Russell (Colin Firth). When they finally give way to mounting domestic pressure, it's too little too late...
'The Adventures of Prince Achmed' premiered in Germany on 23rd September 1926, hailed as the first full-length animated film in the history of cinema. Seventy-five years on, this enchanting film still stands as one of the great classics of animation - lively, delicate, inventive, stirring and romantic. Taken from "The Arabian Nights", the story tells of a wicked sorcerer who lures Prince Achmed onto a magical flying horse and sends him off on a flight to his death. The Prince foils the magician's evil plan, however, and flies headlong into a series of adventures - joining forces with Aladdin, doing battle with assorted ogres, monsters and spirits, and falling in love with the beautiful Princess Peri Banu.
Trickery. Deceit. Magic. In 'F for Fake', a free-form sort-of documentary by Orson Welles, the legendary filmmaker (and self-described charlatan) gleefully reengages with the central preoccupation of his career: the tenuous lines between illusion and truth, art and lies. Beginning with portraits of the world-renowned art forger Elmyr de Hory and his equally devious biographer, Clifford Irving, Welles embarks on a dizzying journey that simultaneously exposes and revels in fakery and fakers of all stripes - not the least of whom is Welles himself. Charming and inventive, 'F for Fake' is an inspired prank and a clever examination of the essential duplicity of cinema.
A chance meeting in a coffee shop between Harry (Lars Ekborg), a young errand boy, and Monika (Harriet Andersson), a wild and reckless girl who works in a nearby grocery shop, soon develops into a love affair. After a row with her father, Monika goes on a motorboat holiday. Their idyllic summer is soon shattered by the news that Monika is pregnant. Faced with sudden responsibility, Harry agrees to marry Monika and they set up home together in a small flat. Monika rapidly becomes bored with married life and looking after the baby. Soon Harry returns from a business trip to discover that his wife has been unfaithful with a former lover. A frank and tender portrait of first love, Bergman's film is also a realistic and uncompromising account of a disintegrating marriage.
On the day Lawman Will Kane (Gary Cooper) trades in his tin star for his beautiful bride (Gracy Kelly), news arrives that a killer he helped send to jail is returning on the noon train to seek revenge. At the behest of his friends and concerned for his new bride's safety, they quickly leave town to avoid a confrontation. But Cooper release they'll never run far enough away, and heads back to town to face the killer. But when Kane tries to drum up support, one by one the townspeople he had protected turn their backs on him...until Kane stands alone to face four killers on the deserted streets of town in one of the most famous showdowns ever!
Director David Cronenberg based this controversial and stylish psychological horror on a bizarre true story...Jeremy Irons delivers a disturbing performance as twin Gynaecologists Elliot and Beverly Mantle. Intrigued by the mysteries of sex and anatomy, the brothers grow from inseparable playmates to world-renowned specialists. Sharing their women, Elliot and Beverly seem inseparable. The entrance of Claire (Geneviève Bujold), an actress seeking fertility treatment, changes their relationship forever. Both twins seduce her but shy, sensitive Beverly falls in love and attempts to break free from his charming brother with catastrophic consequences.
In this Vincente Minnelli-directed backstager, Fred Astaire dazzles in numbers set in a train station (By Myself), a penny arcade, a backlot Central Park and a smoky cafe, the latter two with the incomparable Cyd Charisse. And when he, Nanette Fabray and Jack Buchanan play infants who "hate each other very much!" in the merry Triplets, it's one more reason to love this movie very, very much. As the hallmark song which originated here goes, That's Entertainment!
Herbert Ponting's official record of Captain Scott's legendary expedition to the South Pole, restored by the BFI and featuring a new musical score by Simon Fisher Turner, captures in breathtaking detail the alien beauty of the landscape, and ensured that the heroism involved would never be forgotten.
A tyrant schoolteacher - Delasalle (Paul Meurisse) in a seedy boarding school has both his wife (Vera Clouzot) and his mistress (Simone Signoret) looking for a way out as he maltreats them both. They decide to work together to murder their tormentor. The two women drown Delasalle in the bath then dump the body in a swimming pool. When the pool is drained and no body found they start to worry. When his suit is returned, cleaned, they start to panic. Is he alive? Does someone else know? A spiral of perfectly crafted tension hurtles you to an unparalleled conclusion and an ending you will never forget!
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