







Apparently Ernest Hemingway did not approve of this, the first screen adaptation of any of his novels. And that's understandable as this precode Paramount release is channeled more in the spirit of its director than classic literature. It's a Frank Borzage hyper-romance, a place of almost metaphysical melodrama- rather than a realistic vision of the Great War.
And on those terms, this is a triumph. Borzage has come into vogue, and his admirers will love this. There are great stars of the period with Gary Cooper as a volunteer US ambulance driver on the Italian front who falls profoundly in love with a beautiful, suffering English nurse- played by Helen Hayes. And their tragic devotion overcomes all obstacles, except death.
Even the remarkable difference in height! The stars inhabit the separated, anguished lovers with great sincerity. Cooper is still a raw actor at this time but well cast and handsome and Hayes is heartbreaking. Borzage's direction is innovative; there are no rules. What most enhances the soul of his ethereal, narcotic cosmos is the extraordinarily gorgeous photography.
Charles Lang won an Oscar for cinematography. It's an early talkie, but no matter; it got another for sound. This may be a little slow for many. But the main problem is it is in the public domain and most prints are poor duplicates. And usually of the 1938 Warner Brothers re-release which was heavily censored. Though the entire 88 minute Paramount version is actually out there on bluray.