There's a scene early on where two kids build a den in the woods, half-expecting to get caught foraging for fruit, and it's such a perfect snapshot of childhood that I nearly forgot what film I was watching.
Imran Perretta's debut doesn't feel like one. Farhan Hasnat and Yahya Kitana are barely out of primary school and somehow shoulder the entire film — they're stupendous. Ish is quietly working through losing his mother. Maram's fighting a different battle, dead certain the IDF are coming for Luton and telling anyone who'll listen he's ready for them. Grief and geopolitics shouldn't share a scene this comfortably, but somehow they do. Then a stop and search arrives and strips the innocence clean off — sharp, sudden, and it lands. Joy Crookes turns up too, in her acting debut, and she's a natural; no wobbly first steps here.
My one gripe: the soundtrack keeps jumping the gun, bracing you for the next scene's trauma before you've settled into this one. Still, I finished it desperate to know what happens to Ish next — half tempted to lobby for a sequel just so I can check in on him.
Handsome, confident, and only ish in name — this film knows exactly what it's doing.