Rent The Devil, Probably (1977)

3.4 of 5 from 85 ratings
1h 33min
Rent The Devil, Probably (aka Le diable probablement) Online DVD & Blu-ray Rental
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Synopsis:
Regarded by many as a masterpiece, Bresson's film tells the story of a young man Chales (Antoine Monnier) living in Paris who desires more from life than the glib, superficial truths and material things that are on offer to him. He reaches out to his friends and psychiatrist to provide him with the great answers in life. But his spiritual deliverance remains beyond his grasp until he reaches a bizarre arrangement with a fellow drifter.
Actors:
Antoine Monnier, Tina Irissari, Henri de Maublanc, Laetitia Carcano, Nicolas Deguy, , Geoffroy Gaussen, , Vincent Cottrel, Laurence Delannoy, Laetitia Martinneti, Martin Schlumberger, Thadee Klossowsky, Miguel Irissari, Nadine Boyer-Vidal, Roland De Corbiac, Dominique Lyon
Directors:
Producers:
Michel Chanderli, Stéphane Tchalgadjieff, Daniel Toscan du Plantier
Writers:
Robert Bresson
Aka:
Le diable probablement
Studio:
Artificial Eye Film Company Ltd.
Genres:
Drama
Collections:
A Brief History of the Tradition of Quality, A Brief History of Film...
Countries:
France
Awards:

1977 Berlinale Silver Bear Jury Prize

BBFC:
Release Date:
28/04/2008
Run Time:
93 minutes
Languages:
French Dolby Digital 1.0 Mono
Subtitles:
English
DVD Regions:
Region 2
Formats:
Pal
Aspect Ratio:
Full Screen 1.33:1 / 4:3
Colour:
Colour
Bonus:
  • Bresson Filmography

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Reviews (1) of The Devil, Probably

Judgement Day, Bresson-Style - The Devil, Probably review by griggs

Spoiler Alert
14/08/2025


Bresson’s The Devil, Probably is as sharp and unsparing as the title suggests. It follows a disillusioned Parisian youth drifting between political activism, spiritual enquiry, and outright nihilism, yet never settling on anything beyond a conviction that the world is doomed. This isn’t an entry point into Bresson — the film’s austerity and moral bite demand familiarity with his style — but it might be one of his most corrosive works.


The images that punctuate the narrative — seals clubbed on ice, pesticide spraying, toxic dumping, choking skies — aren’t gentle prompts to care about the planet. They feel more like an idictment, daring us to squirm, much as A Clockwork Orange forces Alex to endure his reconditioning. The effect is chilling, not sentimental.


Performances are delivered with Bresson’s trademark restraint, making the despair almost clinical. It’s a film that withholds cartharsis, replacing it with a cold, steady gaze at our own apathy — and the quiet acceptance of a world circling the drain.


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