Malle's Masterpiece
- Goodbye, Children review by CP Customer
Louise Malle has provided controversy and debate for decades (Pretty Baby anyone?)and I hesitated when deciding whether to watch this semi-autobiographical tale. A narrative involving children , Nazis , catholicism and truth would surely be gruelling experience.
It is credit to Malle and his deft handling of the characters that mean this is surely his finest work. The film is set in a French boarding school run by priests and it is orientated around the boys' viewpoints and emotions. Our central character Gaspard (played by Julien Quentin in a heartbreaking performance) is an intelligent student who clearly misses his homelife. It is nearing the end of WW2 and we see Gaspard struggle to come to terms with the idea of war and anti-semitism. The themes of innocence and youth are subtly conveyed by Malle and we get a real sense of authorial viewpoint. The boy is Malle.
Gaspard's life and the life of many of the boys is changed with the arrival of Jean Bonnet (Raphael Fejto) - a similarly intelligent student who captivates Gaspard. The new arrival is clearly not all that he appears. The two boys share a secret which could end tragically.
"Au revoir.." could be sentimental and cloying in lesser hands but Malle's truthfulness lends it a lighter touch. This is a warm, memorable experience in which the sense of foreboding is finely balanced with the joy of childhood. This isn't "The Sound of Music" though many of the themes resonate. I shall be seeking out the rest of the Louis Malle collection as I have witnessed a master at the top of his game.
6 out of 7 members found this review helpful.
Touching account of a wartime childhood
- Goodbye, Children review by Pete W
Unlike a previous reviewer, I felt that the performance of the two boys in the major roles was outstanding. The development of the relationship between them, from enemies to friends who share a dangerous secret, is very well handled. The film confronts but does not necessarily judge the reality of French collaboration with the Nazis.
3 out of 3 members found this review helpful.
Great direction average acting
- Goodbye, Children review by JD
The overall feel of the film is good. The stresses of the war, the difficult marriages, the very boisterous monastic school and the polarised views towards the Jews in France. The acting however, even from the adults, is unconvincing and uninteresting. The strength of this film is not, as advertised, with the perspective of childhood but of Semitism in France, for which I would recommend it.
1 out of 4 members found this review helpful.
Malle's Late Classic.
- Goodbye, Children review by Steve
Heartbreaking, devastating Louis Malle WWII story of Jewish children hidden from the Nazis in a Christian school. Sensitive and detailed film also lands all its big punches.
1 out of 1 members found this review helpful.
Cinematic Masterpiece
- Goodbye, Children review by CP Customer
It is a great film, really well directed, there's some really fascinating characters in this especially the 2 boys Julien and Jean, and it is just all in all a brilliant story. There are some fantastic memorable images throughout the film, and it breaks your heart. Loved it!
1 out of 1 members found this review helpful.
Assured, intense film-making
- Goodbye, Children review by CP Customer
A cinematic classic that starts slowly but which builds towards an intense final section that will haunt the viewer forever.
Malle returns to the subject of collaboration in France during WW2 (as explored in 'Lacombe Lucien') and once again we see the good and the bad in humanity, this time with an emphasis on the experiences of children.
The title is bitterly ironic: it encompasses both a farewell to the victims of Nazism, and a farewell to any shreds of childhood innocence in the witnesses to this tragedy.
1 out of 1 members found this review helpful.
Shadows Over Innocence: Malle’s Schoolyard Farewell
- Goodbye, Children review by griggs
Childhood friendship and wartime unease make for a potent mix in Au Revoir Les Enfants, Louis Malle’s autobiographical recollection of occupied France. The young cast are superb, their natural performances carrying a warmth and authenticity that draw you in. Malle captures the rhythms of school life—classrooms, dormitories, petty rivalries—with an evocative simplicity that never feels forced.
Yet beneath the everyday detail runs a steady undertow of dread. It’s not hammered home, but it’s there in the silences, the sideways glances, the sense that something unspoken is closing in. By the time the film reaches its conclusion, the effect is devastating—more so because of how quietly it has been earned.
This is an exceptionally moving film, tender without sentimentality, precise without coldness. Malle transforms memory into something universal, reminding us how innocence can be shadowed by history in ways that still take your breath away.
1 out of 1 members found this review helpful.