



The Silence of the Forest may start like a stiff soap—wooden dialogue and stilted delivery, but it slowly morphs into something more provocative. Gonaba, a European-educated African civil servent, sets out to “civilise” the BaAka, casting himself as a liberator. But this is no white saviour story—it’s a sharp reversal, with a Black man repeating colonial patterns.
Director Bassek Ba Kobhio doesn’t soften the blow. His still, wide shots underline Gonaba’s growing isolation, while Eriq Ebouany’s layered performance peels back the character’s ego and naivety. The BaAka non-actors bring authenticity and depth, never reduced to cliche.
As Gonaba’s dream’s fall apart, teh forest quietly resists him—and so does the narrative he’s built around himself. This isn’t a film about taming or exoticising, but about power, identity, and the bitter truth that simply changing the face of the coloniser doesn’t undo the damage. It’s quietly devastating by the time the silence finally arrives.