Sound has rarely felt this dangerous. Tuner turns pitch and pressure into weapons, blending crime, romance, and uneasy humour with unnerving precision. Daniel Roher directs like a man fine-tuning chaos, and Leo Woodall shines as a gifted piano tuner whose painfully sharp hearing both guides and torments him.
The film hums with tension; you can almost feel the vibrations in your teeth. Dustin Hoffman brings weary gravitas, Havana Rose Liu keeps things unpredictable, and the sound design deserves its own billing — I half-wished for earplugs, though not for the reasons you’d expect.
A few notes falter near the end, but the rhythm never slips. Tuner is sleek, stylish, and surprisingly tender — proof that in cinema, the quietest moments often make the most noise.
I lost interest in this film very quickly and remained bored throughout .I was very relieved when it finished .The premise is daft ,as if a piano tuner would get involved with a safe cracking gang. The main issue was that it was poorly scripted and just not involving and hence did not retain my interest .It is a bit of a mess and just didn't hang well together. When you think of some of the films that Hoffman has been in and then he selects this He doesn't do many films these days, so you would think he would select well.