F. W. Murnau made this film adaptation of Moliere's satire for UFA in 1925 and it was released in 1926, prior to Faust. By presenting the play as a film-within-a-film, Murnau takes the opportunity to place the material in a contemporary setting, sandwiched inside a morality lesson about greed and hypocrisy. A devious housekeeper convinces her master to cut his worthy grandson out of his will and to leave the riches to her instead. The grandson, disguised as the projectionist of a travelling cinema show, flatters his way into the home to project a film of Tartuffe in an attempt to open his grandfather's eyes. Emil Jannings plays Tartuffe with creepy panache in a tour-de-force turn alongside Lil Dagover and Werner Krauss. Unjustly neglected for decades, perhaps because of its low-key nature compared with Murnau's more grand masterpieces, this delightful curiosity is more than a mere trifle. Tartuffe affirms Murnau as a master of multifarious cinematic disciplines: from the set-based dreams of Faust and Sunrise, to the naturalist landscapes of Nosferatu, City Girl, and Tabu. In Tartuffe we find an intimate Murnau, relying on close-ups and the performances of his actors to create magic. Tartuffe was first released in the UK in 1928.