"My Rembrandt" is set in the world of the Old Masters and offers a mosaic of gripping stories in which unrestrained passion for Rembrandt's paintings leads to dramatic developments and unexpected plot turns. While art collectors such as Eijk and Rose-Marie de Mol van Otterloo, the American Thomas Kaplan and the Scottish Duke of Buccleuch show us their special connection with 'their' Rembrandt, French baron Eric de Rothschild puts two Rembrandts up for sale, triggering a hard political battle between the Rijksmuseum and the Louvre. The film also follows aristocratic Dutch art dealer Jan Six as he seems to be on the trail of not just one but two 'new' Rembrandt paintings. This nerve-wracking journey of discovery seems to be the realisation of his biggest boyhood dream.
Jerome Kern and Oscar Hammerstein Il's immortal musical adaptation of Edna Ferber's sprawling novel receives its most faithful and enduring cinematic treatment under the elegant direction of James Whale. A rich portrait of changing American entertainment traditions and race relations, 'Show Boat' spans five decades and three generations as it follows the fortunes of the stage struck Magnolia (Irene Dunne), an aspiring actor whose journey takes her from her family's humble floating playhouse in the 1880's South to the bright footlights of the 1930's North. The cast of show-business legends includes Helen Morgan, Hattie McDaniel, Charles Winninger, and the great Paul Robeson, whose iconic, soul-shaking rendition of "Ol' Man River" is one of the crowning glories of the American stage and screen.
Taste of Cherry (1997)
A philosophical tale of a man so tired of life that he wants to commit suicide. Cruising the outskirts of Tehran, Mr. Badii (Homayon Ershadi) unsuccessfully searches for an accomplice who is willing to bury him after his death, until he finally strikes a bargain with a museum guard. But before the guard agrees to do the deed, he wants to know why Mr. Badii wants so desperately to die and dispense with the joys of nature, such as the taste of cherries. Internationally celebrated as one of the most important directors at work today, Kiarostami's road movie is a tale of self-discovery and an unexpected affirmation of the very things that make life worth living.
10 on Ten (2004)
Feature is an extraordinary cinema masterclass that proffers ten fascinating lessons on filmmaking by one of the world's most influential directors. With a single camera fixed inside a car, Kiraostami drives across the hills surrounding Tehran - the setting for 'Taste of Cherry' - and imparts a series of fascinating insights into his method of filmmaking including scripting, casting, and the tremendous liberating impact of digital photography. Illustrated with clips from 'Taste of Cherry', 'ABC Africa' and 'Ten', '10 on Ten' takes the viewer on an illuminating and inspirational journey to the heart of the creative process.
Scott (Pete Davidson) has been a case of arrested development ever since his firefighter father died when he was seven. He's now reached his mid-20's having achieved little, living with his mother (Marisa Tomei) and spending his days hanging with his buddies and secretly hooking up with his childhood friend Kelsey (Bel Powley). When his mother starts dating a loudmouth firefighter Ray (Bill Burr), it sets off a chain of events that will force Scott to grapple with his grief and take his first tentative steps toward moving forward in life.
In a deserted Macedonian village, Hatidze, a 50-something woman, trudges up a hillside to check her bee colonies nestled in the rocks. Serenading them with a secret chant, she gently manoeuvres the honeycomb without netting or gloves. Back at her homestead, Hatidze tends to her handmade hives and her bedridden mother, occasionally heading to the capital to market her wares. One day, an itinerant family installs itself next door, and Hatidze's peaceful kingdom gives way to roaring engines, seven shrieking children, and 150 cows. Yet Hatidze welcomes the camaraderie, and she holds nothing back - not her tried-and-true beekeeping advice, not her affection, not her special brandy. But soon Hussein, the itinerant family's patriarch, makes a series of decisions that could destroy Hatidze's way of life forever.
Cliff Stern (Woody Allen) is an idealistic filmmaker…until he is offered a lucrative job shooting a flattering profile of a pompous TV producer (Alan Alda). Judah Rosenthal (Martin Landau) is the pillar of his community…until he learns that his ex-mistress (Anjelica Huston) plans to expose his financial and extramarital misdeeds. As Cliff chooses between integrity and selling out, and Judah decides between the counsel of his Rabbi (Sam Waterson) and the murderous advice of his mobster brother (Jerry Orbach), each man must examine his own morality, and make an irrevocable decision - that will change everyone's lives forever.
Inga (Arndís Hrönn Egilsdóttir) runs a dairy farm with her husband in a remote valley of Iceland where they work long hours for a tight income due to their buyers, a money-grubbing monopoly known as the co-op. However, when Inga's husband tragically dies she learns her debts are even greater than she thought and takes it upon herself not to repay them but to expose the co-op's greed and corruption by any means necessary.
Just out of jail after serving time on an assault rap, Max (Gene Hackman) is headed for Pittsburgh to open a deluxe car wash. Back from five years at sea, Lion (Al Pacino) wants to hit Detroit and visit the child he's never seen. The dreams may not be glorious but you'll want Max and Lion to fulfill them because 'Scarecrow', has a heart as big as its cross-country journey. It's hard-luck drifters drift permanently into our souls. This is due to teamwork of a high order: the moving performances of Hackman and Pacino, the sensitive direction of Jerry Schatzberg and the glowing landscape cinematography of Vilmos Zsigmond. Hit the road with these two. You'll find the trip unforgettable.
Very different from the other Iranian films that get a release, this second film from London Film School graduate Ali Jaberansari is three intertwined stories of love and yearning set in Tehran but told in a deadpan comedic style more reminiscent of Jarmusch. Mina (Forough Ghajabagli) is a secretary in a beauty clinic who is struggling with her weight but is addicted to ice-cream. Leading a double life, she catfishes her male clientele over the phone with a seductive voice. Eventually she does meet a prospective partner, but things may not go smoothly. Hessam (Amir Hessam Bakhtiari) is a body builder, who now trains affluent older men. However, he seems willing to go the extra mile for a special new younger client. Vahid (Mehdi Saki) is a funeral singer who has been dumped by his fiancee. He is urged to liven up by trying a new career as a wedding singer. At one of these he meets the free spirited Niloufar (Behnaz Jafari), but is she a real prospect?
With revolutionary outrage, Ousmane Sembène chronicles a period during World War II when French colonial forces in Senegal conscripted young men of the Diola people and attempted to seize rice stores for soldiers back in Europe. As the tribe's patriarchal leaders pray and make sacrifices to their gods, the women in the community refuse to yield their harvests, incurring the French army's wrath. With a deep understanding of the oppressive forces that have shaped Senegalese history, Emitaï explores the strains that colonialism places upon cultural traditions and, in the process, discovers a people's hidden reserves of rebellion and dignity.
Long unavailable, this deeply felt coming-of-age drama by Olivier Assayas has until now been a missing link in one of contemporary cinema's richest bodies of work. Drawing from his own youthful experiences, Assayas revisits the outskirts of Paris in the early 1970's, telling the story of teenage lovers Gilles (Cyprien Fouquet) and Christine (Virginie Ledoyen), whose rebellions against family and society threaten to tear them apart. The visceral realism of the movie's narrative and the near experimentalism of its camera work come together effortlessly thanks in part to a rock soundtrack that vividly evokes the period. 'Cold Water', whose centerpiece is one of the most memorable party sequences ever committed to film, is a heartbreaking immersion in the emotional tumult of being young.
Black Bag is a gripping spy drama about legendary intelligence agents George Woodhouse (Michael Fassbender) and his beloved wife Kathryn (Cate Blanchett). When she is suspected of betraying the nation. George faces the ultimate test-loyalty to his marriage or his country.
When Oskar Matzerath (the extraordinary David Bennent, just twelve at the time) receives a tin drum for his third birthday, he vows to stop growing there and then - and woe betide anyone who tries to take his beloved drum away from him, as he has a banshee shriek that can shatter glass. As a result, he retains a permanent child's-eye perspective on the rise of Nazism as experienced through petit-bourgeois life in his native Danzig, the 'free city' claimed by both Germany and Poland whose invasion in 1939 helped kick-start World War II. With the help of Luis Bunuel's favourite screenwriter Jean-Claude Carriere, director Volker Schlondorff turns Gunter Grass's magical-realist masterpiece into a carnivalesque frenzy of bizarre, grotesque yet unnervingly compelling images as Oskar turns his increasingly jaded eye and caustic tongue on the insane follies of the adult world that he refuses to join.
Set within the Asian community in London, 'My Beautiful Launderette' is an unusual love story concerned with identity and entrepreneurial spirit during the Thatcher years. Omar (Gordon Warnecke) takes over the running of his wheeler-dealer uncle's launderette with the intention of turning it into a glittering place of commercial success. When he employs childhood friend and ex-National Front member Johnny (Daniel Day-Lewis) they become lovers as well as working partners. However, complications soon ensue as the anger of Johnny's deserted gang begins to build and Omar is forced to face increasingly difficult family issues.
Beverly (Alison Steadman) has invited her new neighbours, Angela (Janine Duvitski) and Tony (John Salthouse), over for drinks. She has also asked her divorced neighbour, Sue (Harriet Reynolds), because Sue's fifteen year-old daughter, Abigail, was holding a party in their house. Beverly's husband, Lawrence (Tim Stern) comes home late from work, just before the guests arrive. The gathering starts off in a stiff insensitive British middle class way with people who do not know each other, until Beverly and Lawrence start sniping at each other.
We use cookies to help you navigate our website and to keep track of our promotional efforts. Some cookies are necessary for the site to operate normally while others are optional. To find out what cookies we are using please visit Cookies Policy.