elasticpiriformis's - Rented List

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Based on the true story of Resistance fighter Andre Devigny, who was imprisoned and sentenced to death by the Nazis during the Second World War, the film reconstructs his actual cell at the Lyons fortress of Montluc, and follows his meticulous plans for escape.

This totally involving and thrilling tale of courage and faith is all the more authentic for its use of non-professional actors and Bresson's spare style.

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It's the summer of 1983 in Italy, and Elio (Timothée Chalamet), a precocious 17-year-old, spends his days in his family's villa transcribing and playing classical music, reading and flirting with his friend Marzia (Esther Garrel).

One day, Oliver (Armie Hammer), a charming American scholar arrives as the annual summer intern tasked with helping Elio's father, an eminent professor. Elio and Oliver discover the heady beauty of awakening desire over the course of a summer that will alter their lives forever.

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A perceptive and revealing portrait of contemporary Iran set in Tehran, 'Ten' begins with a beautiful and articulate female driver picking up her young son from school.

After boldly revealing in a less than harmonious exchange that the woman has divorced her husband, the film goes on to meditatively explore the relationships that develop between the driver and her disparate passengers over the course of ten brief but intricately mapped-out journeys.

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Deep in the heart of France, a community of farmers spend their days herding sheep, milking cows and pondering contemporary life. Director Raymond Depardon has been filming the farmers for over 10 years gradually gaining their trust and letting his camera roll to capture observations and outbursts.

With wonderful intimacy Depardon creates a film that illuminates the farming experience introducing us to characters such as the Privat brothers who worry that-while their nephew Alain has a nice personality, he 'lacks the soul of a farmer'. Magnum photographer Raymond Depardon is renowned for his documentation of the French countryside. Born into a farming family Depardon first started filming the rural community with his films L'Approche (The Approach) and Le Quotidien (Everyday Life). The two early films were the driving force for Modern Life. With this, the final film in his trilogy, he brings a warmth and depth that will delight all viewers and leave them feeling privileged for a glimpse into these farmers' lives.

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The expanses of the American West take center stage in this intimately observed triptych from Kelly Reichardt.

Adapted from three short stories by Maile Meloy and unfolding in self-contained but interlocking episodes, Certain Women navigates the subtle shifts in personal desire and social expectation that unsettle the circumscribed lives of its characters: a lawyer (Laura Dern) forced to subdue a troubled client; a wife and mother (Michelle Williams) whose plans to construct her dream home reveal fissures in her marriage; and a night-school teacher (Kristen Stewart) who forms a tenuous bond with a lonely ranch hand (Lily Gladstone), whose longing for connection delivers an unexpected jolt of emotional imm ediacy. With unassuming craft, Reichardt captures the rhythms of daily life in smalltown Montana through these fine-grained portraits of women trapped within the landscape's wide-open spaces.

Amid the azure waters and sunbaked desert landscapes of Djibouti, a French Foreign Legion sergeant (Denis Lavant) sows the seeds of his own ruin as his obsession with a striking young recruit (Gregoire Colin) plays out to the thunderous, operatic strains of Benjamin Britten.

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The life of two brothers is shattered by the sudden appearance of their father, whom they know only from a 10 year old photograph.

Is he really their father? Why has he come back after so many years? The boys find some answers on a remote and desolate island travelling with this man who turned their lives upside down.

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Dr. Steven Murphy (Colin Farrell) is a renowned cardiovascular surgeon presiding over a spotless household with his ophthalmologist wife Anna (Nicole Kiclman) and their two exemplary children.

Lurking at the margins of his idyllic suburban existence is Martin (Barry Keoghan), a fatherless teen who Steven has covertly taken under his wing. As Martin begins insinuating himself into the family's life in ever-more unsettling displays, the full scope of his intent becomes menacingly clear when he confronts Steven with a long forgotten transgression that will shatter the Murphy family's domestic bliss.

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Joel (Jim Carrey) is stunned to discover that his girlfriend, Clementine (Kate Winslet), has had their tumultuous relationship erased from her mind. Out of desperation, he contacts the inventor of the process, Dr Howard Mierzwiak (Tom Wilkinson), to get the same treatment.

But as his memories of Clementine begin to fade, Joel suddenly realizes how much he still loves her.

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When the government of Indonesia was overthrown by the military in 1965, more than one million people were killed in less than a year. Anwar and his friends were promoted from ticket scalpers to death squad leaders, and Anwar killed hundreds of people with his own hands.

In 'The Act of Killing', Anwar and his friends agree to tell us the story of the killings. But their idea of being in a movie is not to provide testimony for a documentary: they want to be stars in their favourite film genres - gangster, western, musical. They write the scripts. They play themselves. And they play their victims. 'The Act of Killing' is a nightmarish vision - a journey into the memories and imaginations of the unrepentant perpetrators and the shockingly banal regime of corruption and impunity they inhabit.

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Cinema verite pioneers David and Albert Maysles and Charlotte Zwerin's groundbreaking documentary follows the Rolling Stones on their 1969 U.S. tour. From New York to California in ten days, the filmmakers set out to record the raw sweat and swagger of the world's greatest rock band.

By the time the tour ends at the infamous free concert at the Altamont Speedway, the filmmakers have chronicled a combustive mix of violence, chaos and counterculture that has since come to define the end of the Love Generation.

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Sometime during the afternoon of June 12. Sandro di Nascimento, a disenfranchised young man who had survived a harsh and brutal childhood in the favellas of Rio boarded a bus on route 174 and took its passengers hostage.

For 4 and a half hours, a tense stand off played out between the police and what was thought to be merely a drugged up street kid. In the devastating aftermath, filmmaker Jose Padilha meticulously wove together Sandra's story from hours of live television footage and testimony from the hijack survivors, police rescue teams, acquaintances and members of Sandra's family. Padilha's multi award winning documentary traces two parallel and equally devastating stories. The dramatic hijacking unfolds as it had in front of 35 million Brazilians who witnessed the police try and fail to handle the rapidly escalating situation. And then there is the even more tragic story of Sandra. In his youth, a survivor one of the most dreadful instances of urban violence in Brazil, Sandra's legacy of personal failure and the failure of his country to help those like him, collided with a restless social and economic climate that one fateful day, bringing to a bloody end his unexpected journey from the streets to the eyes of the world.

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In 3½ Minutes, Ten Bullets, two lives intersected and were forever altered. On Black Friday in 2012, two cars parked next to each other at a Florida gas station. A white middle-aged male and a black teenager exchanged angry words over the volume of the music in the boy's car.

A gun entered the exchange, and one of them was left dead. Michael Dunn fired ten bullets at a car full of unarmed teenagers and then fled. Three of those bullets hit 17-year-old Jordan Davis, who died at the scene. Arrested the next day, Dunn claimed he shot in self-defense. Thus began the long journey of unraveling the truth. '3½ Minutes, Ten Bullets' follows that journey, reconstructing the night of the murder and revealing how hidden racial prejudice can result in tragedy.

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Once the king of TV talk shows, Alan (Steve Coogan) now hosts Mid Morning Matters, a weekday local radio show at North Norfolk Digital which is beamed via studio webcam to a (potential) audience of billions.

In this hilarious and critically acclaimed series, Alan and his sidekick Simon (Tim Key) courageously tackle the burning issues of the day; childhood obesity, popular TV prostitutes and how often you should wash your towels - and prove beyond doubt that mid-mornings matter.

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Though she is engaged to a politician (Vincent Price), Ellen (Gene Tierney) lures the handsome Richard (Cornel Wilde) into marriage after knowing him just a few days.

But Richard soon learns from her sister (Jeanne Crain) and mother (Mary Philips) that Ellen's selfish, possessive love has ruined other people's lives. When his own brother drowns while in Ellen's care and she has an accident that kills her unborn child, Richard grows increasingly suspicious of he insatiable devotion.