As the AIDS epidemic tears through their community, the members of ACT UP Paris are fighting for survival. One day, as outspoken radical Sean (Nahuel Perez Biscayart) strikes up a conversation with shy newcomer Nathan (Arnaud Valois), they have no idea that their lives are about to change forever. From the writer of Palme d'Or winner 'The Class', Robin Campillo, and based on his own experiences, this vibrant and deeply emotional drama rushes with youthful energy, balancing powerful themes of social justice with euphoric moments of spine-tingling sensuality. Urgent and effecting, it's a film about life, death, passion, tragedy - and, above all, the will to survive.
Cowardly scholar Boris Grushenko (Woody Allen) has the hots for the beautiful Sonja (Diane Keaton), but cold feet for the Napoleonic Wars. Devastated by news of Sonja's plans to wed a foul-smelling herring merchant, Boris enlists in the army only to return home a penniless hero! Finally agreeing to marry him, Sonja settles down with poor Boris to a rich life of philosophy, celibacy and meals of snow. But when the French troops invade Russia and Sonja hatches a zany scheme to assassinate Napoleon, Boris learns - in a hilarious but fatal coup attempt - that God is an underachiever, there are no girls in the afterlife and the Angel of Death just can't be trusted!
In a vibrant story of family, fun and adventure, Miguel (voice of Anthony Gonzalez) dreams of becoming a great musician and embarks on an extraordinary journey to the magical land of his ancestors, where the charming trickster Héctor (voice of Gael García Bernal) becomes an unexpected friend and helps Miguel uncover the mysteries of his family's stories and traditions.
Lauren Greenfield's postcard from the edge of the American Empire captures a portrait of a materialistic, image-obsessed culture. Simultaneously photographic journey, memoir, and historical essay, the film bears witness to the global boom-bust economy, the corrupted American Dream and the human costs of late stage capitalism, narcissism and greed.
Zama (Daniel Giménez Cacho), an officer of the Spanish Crown born in South America, waits for a letter from the King granting him a transfer to a better place. His situation is delicate. He is forced to accept submissively every task entrusted to him by successive Governors who come and go as he stays behind. The years go by and the letter from the King never arrives. When Zama notices everything is lost, he joins a party of soldiers that go after a dangerous bandit.
Malle's a debut feature, made when he was only 25 is a tense thriller starring Jeanne Moreau as Florence and Julian Tavernier as Maurice, a pair of lovers who conspire to murder Florence's husband in the most ingenious manner. However, not everything goes quite as planned. Lift to the Scaffold is arguably the first film of the French New Wave with its arresting camerawork by cinematographer Henri Decae, who also shot the debut film of Truffaut and Chabrol. With its sultry black and white palate, Paris locations and an improvised jazz score by the legendary Miles Davis, Lift to the Scaffold is an unforgettable slice of 50s French cool.
In 1994, 13-year-old Nicholas Barclay disappears from his home in Texas. Three years later he is found in Spain, disorientated and quivering with fear. His family is overjoyed to bring him home. But all is not what it seems. Whilst he bears many of the same distinguishing marks and tattoos, the boy looks decidedly different and now speaks with a strange accent. Why doesn't the family seem to notice these glaring inconsistencies? It's only when an investigator starts asking questions that this astonishing true story takes an even stranger turn.
On a cold, bright autumn day in Suffolk, England, a little girl in a red mackintosh drowns in a pond-the daughter of John (Donald Sutherland) and Laura Baxter (Julie Christie). Trying to recover from the tragedy, the couple arrive in Venice, Italy, where John has been commissioned to restore a church. In the eerie atmosphere of the lagoon city in winter, they encounter two strange sisters. Laura is suddenly released from her grief when one of them, a blind psychic, tells her that she is in contact with her dead daughter. Angered and sceptical, John carries on with his work, but witnesses an unsettling vision of his own: a little girl in a red mackintosh disappearing into the Venetian alleys. As Venice and his fate close in on John, illusion, reality and sudden terror spiral the story to its grotesque climax.
Told entirely in the words of James Baldwin, through both personal appearances and the text of his final unfinished book project, "I Am Not Your Negro" touches on the lives and assassinations of Malcolm X, Martin Luther King Jr., and Medgar Evers to bring powerful clarity to how the image and reality of Blacks in America today is fabricated and enforced.
June, -1945. Bay injured, her face destroyed, Auschwitz survivor Nelly (Nina Hoss) turns to Berlin.. Having barely recovered IMMA facial surgery, she sets out to find her husband Johnny (Ronald Zehrfeld). Nelly's family has been murdered in the Holocaust - Johnny is convinced that his wife, too, is dead. When Nelly finally tracks him down he doesn't recognise her, but seeing a resemblance Johnny asks her to take on the identity of his 'late' wife in order to access her inherited fortune. Nelly agrees: she becomes her on imposter.
After escaping from a violent cult in rural New York, Martha (Elizabeth Olsen) tries to reconnect with her estranged sister, Lucy (Sarah Paulson), and Lucy's well-to-do husband, Ted (Hugh Dancy), but the brainwashing she endured continues to prevent her from forming an identity of her own. Overwhelmed with paranoia, guilt and shame, Martha isolates herself until Lucy begins to suspect her sister's emotional trauma has deeper underlying causes.
In the early hours of the morning college student Brendan Grye gets an unexpected phone call from an old flame. Close to hysteria, she barely has time to tell him that she's screwed up badley and needs his help before the line goes dead. Its the last he sees or hears of his ex. Determined to find out what's happened, Brendan finds himself drawn into a dark and secret world of drug rats and thugs, where one man - The Pin - calls the shots, makes the deals and decides who lives and who dies.....
In the near future, a time of artificial intelligence: 86-year-old Marjorie (Lois Smith) - a jumble of disparate, fading memories - has a handsome new companion (Jon Hamm) that looks exactly like her deceased husband Walter. This is a Prime a holographic simulation programmed by Marjorie's daughter (Geena Davis) and her husband Jon (Tim Robbins) to feed the story of her life back to her. But as their interactions develop it becomes clear that each of them has a very complex relationship with their shared histories, with each other, and with this new technology they've invited into their home.
Based on Peter Rock's novel 'My Abandonment', 'Leave No Trace' revolves around a teenage girl (Thomasin McKenzie) and her father (Ben Foster) who have lived undetected for years in Forest Park, a vast wood on the edge of Portland, Oregon. A chance encounter leads to their discovery and removal from the park and into the charge of a social service agency. They try to adapt to their new surroundings until a sudden decision sets them on a perilous journey into the wilderness seeking complete independence and forcing them to confront their conflicting desire to be part of a community or a fierce need to live apart.
With unprecedented access, this unique documentary experience takes us deep inside Thich Nhat Hanh's world-famous Plum Village monastery, and captures the life of a monastic community who have given up all their possessions for one common purpose - to practice the art of mindfulness. Filmed over three years, this visceral film is a meditation on a community determined to develop a deep sense of presence, not just for themselves but for all those they love. As the seasons come and go, the monastics' inner journey is amplified by insights from Thich Nhat Hanh's iconic early journals.
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