A tyrant schoolteacher - Delasalle (Paul Meurisse) in a seedy boarding school has both his wife (Vera Clouzot) and his mistress (Simone Signoret) looking for a way out as he maltreats them both. They decide to work together to murder their tormentor. The two women drown Delasalle in the bath then dump the body in a swimming pool. When the pool is drained and no body found they start to worry. When his suit is returned, cleaned, they start to panic. Is he alive? Does someone else know? A spiral of perfectly crafted tension hurtles you to an unparalleled conclusion and an ending you will never forget!
After avenging the murder of his family, Todd (Richard Widmark), the son of a white missionary brought up by Comanches, meets a group of settlers whose wagon train has been attacked by Apaches. The survivors are then forced to rely upon Todd to help them survive the Apaches and the unforgiving terrain to reach safety. But can they trust him? As they each learn something about themselves through their ordeal and learn to respect Todd, will they hand him over to the authorities?
Neurotic, self-obsessed Robert Cole (Albert Brooks) is a successful film editor who splits up with his on-off girlfriend Mary Harvard (Kathryn Harrold), only to try and win her back when he finds he can't live without her. Mary may be the most patient girlfriend in the world, which could make her his perfect match. But will Robert make up his mind before it's too late?
Matt Damon and Christian Bale star in a film based on the remarkable true story about Ford Motor Company's attempt to create the world's fastest car. American car designer Carroll Shelby (Damon) and the fearless British-born driver Ken Miles (Bale) together battle corporate interference and the laws of physics to build a revolutionary race car and take on Enzo Ferrari at the 24 Hours of Le Mans in France in 1966.
After Wyatt Earp's (Henry Fonda) brother James is murdered by cattle rustlers, the frontier legend becomes Tombstone's marshal and sets out to avenge the younger man's death. Torn between his badge and his fury, Earp confronts the likely killers, the notoriously lawless family of Old Man Clanton (Walter Brennan), setting the stage for the famed shoot-out at the O.K. Corral. Along the way, Earp falls in love with a schoolteacher named Clementine (Cathy Downs), which pits him against the cantankerous Doc Holliday. While 'My Darling Clementine' never loses its dynamism as a hard-hitting western, it is also a tender love story.
Disregarded and neglected by his family, executive toy manufacturer Clifford Groves (Fred MacMurray) is unexpectedly reunited with his former co-worker Norma Miller (Barbara Stanwyck). As the old friends catch up on lost time, his children's suspicions and hostility to the new relationship threaten to push their father away permanently and throw into disarray the lives of all concerned.
Based on the true-life case of the incarceration of Dr. Samuel Mudd (Oscar-winning Warner Baxter), The Prisoner Of Shark Island is a fast-paced and stirring account of the victimisation of a simple man. Regarded as a personal favourite by the director, it was also the film he was said to be most happy with. Written by Nunnally Johnson (The Grapes of Wrath, Tobacco Road), The Prisoner Of Shark Island dramatises the fatal shooting of Abraham Lincoln (Frank McGlynn, Sr.) and the subsequent visit by the assassin John Wilkes Booth (Francis McDonald) to Dr. Samuel Mudd's house to fix his broken leg. Unaware of Booth's treason, Mudd is later arrested ...
It's Labour Day weekend, and fresh off a freight train is Hal Carter (William Holden), a happy-go-lucky drifter who's looking for a brand new start in life. A robust, handsome show-off, Hal has come to Kansas to seek gainful employment in his old fraternity brother Alan's family granary. But despite his high hopes and expectations, Hal's ambitious plans soon go awry when his sexual magnetism attracts every woman in town, including 19-year-old Madge Owens (Kim Novak) - the alluring young beauty queen who also happens to be Alan's girlfriend.
Set in 1905 Kentucky, Judge Priest (Charles Winninger) is fighting for re-election against a Yankee prosecutor (Milburn Stone). Despite the Judge's popularity, his generosity and sense of justice may cost him the election.
Korda's first contribution to the War Effort of 1939 - 1945 was 'The Lion Has Wings '. It appeared just a few months after the outbreak of the Second World War and was unashamedly a propaganda weapon. By skilful use of documentary footage, Korda builds up a heart-rending picture of the situation at the outbreak of the war. He shows a Germany of steel, armed and united in a wave of hysteria created by the spell of a fanatical madman, and contrasts this with the peaceful, golden villages of England. It portrays the everyday lives of the British people who are prepared to sacrifice everything for the greater good. Korda uses some of his best known and loved stars: Ralph Richardson stars as a Squadron Leader of the Royal Air Force, representing the courage of the men whose duty was to fight; Merle Oberon as his wife and June Duprez as her friend, representing the women who uncomplainingly work, wait and hope that their men will return safely; Brian Worth is the young Canadian airman representing the allies without whom Britain would have been in trouble.
Soon after the huge success of 'Magnificent Obsession', Jane Wyman and Rock Hudson again teamed up with director Douglas Sirk for this heartwarming story of an attractive, wealthy New England widow who defies social constraints when she falls in love for a much younger man.When Cary Scott (Jane Wyman) falls in love with her sexy gardener, Ron Kirby (Rock Hudson), she becomes the target of small town gossip, while at the time incurring the wrath of her own children Kay (Gloria Talbott) and Ned (William Reynolds). The children and the town want Cary to lead a more conventional lifestyle than that offered by Ron. They would prefer that she spend the rest of her life in front of her new TV set, wed to Harvey (Conrad Nagel), a highly respected, wealthy - and boring - bachelor. Will she choose love or "respectability"?
Pushover (1954)The Killer Wore a Badge / The Night Watch / 322 French Street
A middle-aged cop is assigned to tail a gangster's moll with his two partners, hoping she'll lead them to some $200,000 worth of stolen loot, but when the cop falls under the spell of the moll, falling in love with her, his honest ways become twisted and soon he plots with her to kill the gangster and take off with the money.
Rock Hudson stars as journalist Burke Devlin, fascinated by the sordid lives of a trio eking out a living in carnival circuit daredevil airshows - Roger Shumann (Robert Stack), former WWI fighter pilot, forced into races and parachute routines with the help of his wife LaVerne (Dorothy Malone), and faithful mechanic Jiggs (Jack Carson).
Claude (Vince Edwards) is a young man with a regular job, no history of trouble with the law and no chance of making any real money. He also has the brains and emotional detachment to make the big bucks as a hit man, and that becomes his new job title. A string of successful hits gets him sent to Los Angeles for his latest job. There he is accompanied by two goons: one who is perpetually nervous and the other who quickly worships the young man as a hero. The cold, ruthless hit man finally becomes unglued when he finds out that his latest target is a woman. She's a witness, set to testify against his boss, and guarded day and night by the police. It's her femininity that worries Claude: women are unpredictable, they don't do what you expect. Claude eventually proves that he is the unpredictable one and his own worst enemy.
Charles Chaplin's Limelight is a glimmering homage to what was, a proud look at a bygone entertainment era and a bittersweet tale of an artist passing the torch to a new generation. Chaplin portrays Calvero (the "tramp comedian" per an old theatrical poster in his room), who rescues a distraught ballerina from suicide and mentors her to success. Among the film's comedy highlights is a musical routine that's anything but routine in the hands of legend Chaplin and stoney-faced Buster Keaton. The extraordinary score by Chaplin, Raymond Rasch and Larry Russell earned the screen legend his only competitive Oscar.
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