Based on the true life best seller 'Wiseguy' by Nicolas Pileggi and backed by a dynamic pop/rock oldies soundtrack, critics and filmgoers alike declared 'GoodFellas' great. It was named the best film of the '90s by the New York, Los Angeles and National Society of film critics, and it earned 6 Academy Award nominations, including Best Picture and Best Director.
In the 1840's, acclaimed self-taught palaeontologist Mary Anning (Kate Winslet) works alone on the wild and brutal Southern English coastline of Lyme Regis. The days of her famed discoveries behind her, she now hunts for common fossils to sell to rich tourists to support herself and her ailing widowed mother. When one such tourist, Roderick Murchison (James McArdle), arrives in Lyme on the first leg of a European tour, he entrusts Mary with the care of his young wife Charlotte (Saoirse Ronan), who is recuperating from a personal tragedy. Mary, whose life is a daily struggle on the poverty line, cannot afford to turn him down but, proud and relentlessly passionate about her work, she clashes with her unwanted guest. They are two women from utterly different worlds. Yet despite the chasm between their social spheres and personalities, Mary and Charlotte discover they can each offer what the other has been searching for: the realisation that they are not alone. It is the beginning of a passionate and all-consuming love affair that will defy all social bounds and alter the course of both lives irrevocably.
Ex-outlaw Link Jones (Gary Cooper) boards a train to Foil Worth to hire a schoolteacher for his town when he's knocked unconscious and robbed - by a gang of outlaws associated with his own uncle (Lee J. Cobb) whom he abandoned years earlier in his bid to go straight. Soon after, and in order to protect the life of the woman he'd earmarked for teacher, saloon singer Billie Ellis (Julie London), Link rejoins the gang for one last hold-up...
Philipe Noiret plays famed swordsman D'Artagnan alongside Sophie Marceau as the eponymous daughter, a determined Eloise, in this swashbuckling historical adventure. Eloise eschews her talents with the sword to concentrate on her studies at a convent, but trouble comes knocking in the form of a slave seeking refuge from the clutches of the evil Duke of Crassac (Claude Rich). The Duke's soldiers retaliate by murdering the Mother Superior (Pascale Roberts) and his nefarious plot to destabilise the country becomes apparent. The feisty Eloise enlists of the help of her father the legendary musketeer D'Artagnan to overthrow the dastardly Duke.
Erica Burgoyne (Nova Pilbeam) is the daughter of police constable Col. Burgoyne (Percy Marmont) who's investigating the strangulation of an actress, washed ashore with the murder weapon - the belt of a raincoat. Robert Tisdall (Derrick De Marney) is the prime suspect on account of being mentioned in the will, he was seen running away from the scene of the crime and is missing his raincoat! Erica tries to help Robert prove his innocence, falls in love with him and ends up avoiding the authorities while trying to find the real murderer.
Throughout the 1930's Jessie Matthews was Britain's best-loved musical film star, her dynamism and gamine charm captivating audiences on both sides of the Atlantic in a string of box-office hits. Showcasing her unique talent and captivating charm, it is easy to see how she became so popular and why she remains so to this day.
It's Love Again (1936)
A young actress secretly seizes the chance to play the part of an imaginary socialite invented by a gossip columnist. The enigmatic beauty becomes famous, but the columnist is mystified when his fictional star appears in person!
Waltzes from Vienna (1934)
A pretty girl works in the bakery in which aspiring composer Johann Strauss is also forced to work by his father. Can she help him achieve his dreams despite his father's objections?
'Cheyenne Harry' (Harry Carey) flees the law after a poker game shootout, and arrives in the town of Rawhide, where he becomes friendly with local cowboy Cimarron Bill (Duke Lee) and dance hall girl Bess Thurston (Neva Gerber). When gang leader Beau Ross (Jospeh Harris) kidnaps Bess, Harry goes to desperate lengths travelling across the deadly desert in order to free Bess from the hard-bitten Ross.
Addiction, nonmonogamy, and female sexual liberation: decades before such ideas were widely discussed, Dorothy Arzner, the only woman to work as a director in 1930's Hollywood, brought them to the screen with striking frankness, sophistication, and wit - a mature treatment that stands out even in the pre-Code era. Fredric March (in one of four collaborations with Arzner) and Sylvia Sidney turn in extraordinary performances as an urbane couple whose relationship is pushed to the breaking point by his alcoholism and wandering eye, leading them into an emotionally explosive experiment with an open marriage. Exposing the hypocrisies and petty cruelties simmering beneath the surface of high-society elegance, 'Merrily We Go to Hell' is a scathing early-feminist commentary on modern marriage.
Diane Keaton stars as Carol Lipton, a bored Manhattan housewife who becomes convinced that her next-door neighbour has committed a murder. When her sceptical husband Larry (Woody Allen) rejects the idea, Carol turns to a flirtatious friend (Alan Alda) to help her search for clues. And as their enthusiasm for the case grows, so does their interest in each other. Spurred on by jealousy - and by a seductive writer (Anjelica Huston) who's also excited by the mystery - Larry reluctantly joins the chase, only to learn that much more than his marriage is at stake. A comic romp bursting with wry one-liners and inspired sight gags.
London 1893 is home to a killer with a macabre nickname...and also to a visionary genius who would write 'The Time Machine'. But what if H.G. Wells' invention wasn't fiction? And what if Jack the Ripper escaped capture, fleeing his own time to take refuge in ours - with Wells himself in pursuit? From writer/director Nicholas Meyer, 'Time After Time' is a marvelous entertainment of shivery suspense and sly social comment. In modern-day San Francisco, the Ripper (David Warner) finds our violent age to his liking. Wells (Malcolm McDowell) dislikes the brave new world of fast food and television, far from the utopia he envisioned. But he is cheered by the emancipation of women, particularly one irresistible banker (Mary Steenburgen). For mystery, romance and excitement, 'Time After Time' is time well spent.
London 1889 - When Scotland Yard fails to stop the gruesome rampage of Jack the Ripper, Sherlock Holmes (Christopher Plummer) and his trusted associate Dr. Watson (James Mason) decide to investigate. Undeterred by the police withholding crucial information, the duo begin a dangerous adventure through London's underworld, finding themselves at the door of psychic Robert Lees (Donald Sutherland) who helps to set them on the right path. But even if Holmes' remarkable powers of deduction can unmask the maniacal fiend, can he and Watson face the most shocking secret of all?
Valentine Wilmot (Jameson Thomas), the owner of the popular Piccadilly Club finds his lead male attraction, Victor Smiles (Cyril Ritchard) has quit and that the public has judged Victors partner Mabel (Gilda Gray) as over the hill. Though they are lovers, Valentine must find another dancer to replace Mabel or face an uncertain future. When a customer (Charles Laughton in his first feature film) complains of a dirty dish, Valentine discovers the answer to all his problems down in the clubs scullery...
Eric Stanton (Dana Andrews), a press agent down on his luck, drifts into a small Californian coastal town. He meets June (Alice Faye), a wealthy but reclusive woman, and has his eye on Stella (Linda Darnell), a sultry waitress. In love with Stella but broke, Eric marries June for her money, planning a rapid divorce. However when Stella is murdered, the story takes an unexpected turn.
The story of the fragile sentimentalism of a former prostitute who visits her sister only to be taunted mercilessly by her childish brother-in-law. A Streetcar Named Desire: The Original Director's Version is the Elia Kazan/ Tennessee Williams film moviegoers would have seen had not Legion of Decency censorship occurred at the last time. It features three minutes of previously unseen footage underscoring, among other things, the sexual tension between Blanche DuBois (Vivien Leigh) and Stanley Kowalski (Marlon Brando), and Stella Kowalski's (Kim Hunter) passion for husband Stanley.
When the murder of a priest results in a botched police investigation, prosecutor Henry Harvey (Dana Andrews) leads an effort to bring the killer to justice. Once blackmail creeps into the investigation, all bets on an unclouded trial are off, resulting in an expolosive finale that remains one of the toughest in Kazan's work.
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