griggs's - Roger Ebert's Great Movies List

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Alone, in the dead of night, a young boy writes in a little notebook. His words speak of the squalid life of the tenements and courtyards of East Montreal, and of a family plagued by madness.

Leolo (Maxime Collin / Francis St-Onge) lives his daily life among strangers: a hypochondriac father, a brother whose obsessive bodybuilding betrays his fear of others, two sisters who spend more and more time on the psychiatric ward, and a grandfather who is held responsible for the genetic failure of the entire family. Only Leolo's sweet-tempered mother rises above the chaos. Leolo's own obsessions centre on Bianca (Giuditta Del Vecchio), the beautiful but remote Italian neighbour; she is his first love. As he is dragged further and further down into the family's insanity, Leolo escapes into his imagination, retreating into a dream world symbolised by the ancient theatre at Taormina, where Bianca awaits him...

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In a town in the French Alps during the Occupation, Barny (Emmanuelle Riva) is a young, wayward, sexually frustrated widow, living with her little girl. She is also a communist militant who long ago decided that the easiest way was the best.

One day she enters a church, randomly chooses a priest (Jean-Paul Belmondo) to confess to and, while in confessional, attempts to provoke him by criticizing Catholicism. Instead of being affronted, the priest engages her in an intellectual discussion regarding religion. The priest is Leon Morin, young, handsome, smart and altruistic. He invites Barny to continue the conversation outside of confessional. She begins regularly seeing him and is impressed by his moral strength, while he makes it his mission to steer her onto the right path.

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Luchino Visconti's masterpiece, The Leopard, is now available on DVD for the first time.

Featuring the complete and uncut version of the film, with fully restored picture and sound, this stunning high definition digital transfer from the film's original 70mm negative materials, overseen by the film's director of photography Giuseppe Rotunno, is presented here in its original widescreen aspect ratio..

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Roger Livesey brilliantly portrays a British officer, Clive Candy, through the trials and tribulations of three wars, three lovers and a lifelong friendship across enemy lines. During the Boer War, candy is sent to Berlin to trap a German spy.

There he befriends a German officer, Theo (Anton Walbrook), who marries the girl (Deborah Kerr) Candy is in love with. During the First World War, Candy marries a girl who resembles his lost love and helps Theo - now a POW - to get repatriated. Candy comes back in the Second World War as Brigadier General and once again encounters Theo. On joining a Home Guard exercise, Candy is captured, however, and the two are forced to either aid or betray each other.

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Winner of the 1952 Venice Film Festival silver lion award, Kenji Mizoguchi's tragic tale, set in the 17th Century, of a young noblewoman's fall from grace established his reputation as one of Japan's greatest directors.

Kinuyo Tanaka stars as O-Haru, a beautiful courtesan who surrenders to her passion for a commoner, played by Toshiro Mifune. As punishment, she and her parents are banished into exile where O-Haru desperately attempts to escape her past. A compelling and powerful critique of feudal Japan as seen through the eyes of a woman, 'The Life of O-Haru' portrays the human dramas and historical settings with unflinching realism and atmospheric detail, demonstrating Mizoguchi's complete mastery of the medium.

When private eye Philip Marlowe (Elliott Gould) is visited by an old friend, this sets in train a series of events in which he's hired to search for a missing novelist (Sterling Hayden) and finds himself on the wrong side of vicious gangsters.

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The story of Bob and Charlotte, two Americans in Tokyo. Bob (Bill Murray) is a movie star in town to shoot a whiskey commercial, while Charlotte (Scarlett Johansson) is a young wife tagging along with her workaholic photographer husband.

Through their respective insomnias, the two cross paths one night in the luxury hotel bar and strike up a surprisingly intimate friendship. As the unlikely pair venture through Tokyo together, having often hilarious encounters with its citizens, they ultimately discover a new belief in life's possibilities.

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Like a brand, the letter M has made it's mark on film history; it's disturbing theme having lost none of its impact or relevance. Sinister, dark and foreboding, M tells the story of Hans Beckert (Peter Lorre) - child molester and murderer. Tension builds - a child late home - another child missing.

Posters reveal the fate of earlier victims, and the Police seem to have few clues as to the perpetrator of the crimes. Gangsters, beggars and petty criminals, incensed by both the crimes and the Police crackdown, track the killer themselves. Cornered, caught and dragged off to face an equally barbaric form of justice, Beckert endures his own personal torment.

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On one random day in the San Fernando Valley, a dying father, a young wife, a male caretaker, a famous lost son, a police officer in love, a boy genius, an ex-boy genius, a game show host and an estranged daughter will each become part of one story.

Through coincidence, chance, human action, past history and divine intervention they will weave through each other's lives on a day that builds to an unforgettable climax.

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Victor Moore and Beulah Bondi, two of the great Hollywood character actors, portray the couple whose house the bank has foreclosed upon, and who are forced subsequently to move into their children's homes in the city.

A near-musical restructuring of gratitude and debt ensues once the offspring deem the couple's lodging an imposition: the two are separated, then reunited weeks later... as they glide inexorably into an uncertain future.

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A gallery of high-living lowlifes will stop at nothing to get their sweaty hands on a jewel-encrusted falcon. Detective Sam Spade (Humphrey Bogart) wants to find out why - and who'll take the fall for his partner's murder.

An all-star cast (including Sydney Greenstreet, Mary Astor, Peter Lorre and Elisha Cook Jr.) joins Bogart in this cracking mystery masterwork written for the screen (from Dashiell Hammett's novel) and directed by John Huston.

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Based on the true story of Resistance fighter Andre Devigny, who was imprisoned and sentenced to death by the Nazis during the Second World War, the film reconstructs his actual cell at the Lyons fortress of Montluc, and follows his meticulous plans for escape.

This totally involving and thrilling tale of courage and faith is all the more authentic for its use of non-professional actors and Bresson's spare style.

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One of the most visually striking of all the later silent films, 'The Man Who Laughs' reunites German Expressionism director Paul Leni and cinematographer Gilbert Warrenton from their horror hit the previous year, 'The Cat and the Canary' (1927).

Both films are often considered to be among the earliest works of legendary horror classics from Universal Studios, yet the undeniably eerie 'The Man Who Laughs' is more accurately described as a Gothic melodrama. However, its influence on the genre and the intensity of the imagery - art director Charles Hall and makeup genius Jack Pierce would go on to define the look of those 1930's Universal horror landmarks - have redefined it as an early horror classic, bolstered by one of the most memorable performances of the period. Adapted from the Victor Hugo novel, 'The Man Who Laughs' is Gwynplaine (an extraordinary Conrad Veidt), a carnival sideshow performer in 17th-century England, his face mutilated into a permanent, ghoulish grin by his executed father's royal court enemies. Gwynplaine struggles through life with the blind Dea (Phantom of the Opera's Mary Philbin) as his companion - though she is unable to see it, his disfigurement still causes Gwynplaine to believe he is unworthy of her love. But when his proper royal lineage becomes known by Queen Anne, Gwynplaine must choose between regaining a life of privilege, or embracing a new life of freedom with Dea. The startling makeup on Veidt was the acknowledged direct inspiration for The Joker in the 1940 Batman comic that introduced the character, and film versions of The Joker have been even more specific in their references to Leni's film. While 'The Man Who Laughs' contains powerful elements of tragedy, doomed romance, and even swashbuckling swordplay, its influence on horror cinema is most pronounced. Leni died suddenly at the age of 44 a year after this film (with Veidt also unexpectedly passing away too soon in 1943), and 'The Man Who Laughs' endures as one of the most haunting and stylish American silent films, made just as that era was coming to a close.

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Jimmy Stewart plays the bungling but charming big-city lawyer determined to rid the fair village of Shinbone of its number one nuisance and bad man: Liberty Valance (Lee Marvin). And as if all that weren't enough, the biggest star that ever aimed a six-shooter plays the man of the title: John Wayne.

Super-sincere Stewart and rugged rancher Wayne also share the same love interest (Vera Miles). One gets the gunman but the other gets the gal.

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Voted the greatest documentary of all time in the 2014 'Sight and Sound' poll, Vertov's groundbreaking 'Man with a Movie Camera' uses an array of dazzling cinematic techniques to record the people of the city at work and at play, and the machines that keep the city going.

Presented with Michael Nyman's celebrated score, this classic film is accompanied by an exciting selection of new extras, including Vertov's 'Three Songs of Lenin' and two of his radical mid-1920s documentary films, both of which feature equally radical new soundtracks by electronic experimentalists Mordant Music.