In the late 189th century, Captain Vallo, his trusty mute partner Ojo and his crew of nefarious pirates scour the Caribbean searching for ships to plunder. This light heartedx action romp has everything you would expect from a pirate film; scurvy men, a big pirate vessel, swordfights and a damsel in distress!
"Clouds of Sils Maria" follows the story of Maria Enders (Juliette Binoche), an acclaimed actor who is asked to perform in a new production of the play that made her famous twenty years prior. But rather than reprise the role of the alluring young protagonist - now to be performed by an up-and-coming starlet (Chloe Grace Moretz) - Enders will be playing the role of the older, obsessive Helena. Departing to the Swiss Alps with her loyal personal assistant (Kristen Stewart), Maria begins to see life reflecting art and, like her character, cannot help but be drawn into an inexorable web of doubt and fear.
Two classic dramas directed by Bernard Vorhaus and Henry Edwards.
The Ghost Camera (1933)
When a photograph is taken at the scene of a murder, the camera is tossed out of a castle window to destroy the evidence but lands in the back of a passing car belonging to chemist John Gray. John then becomes an amateur sleuth after developing the film and goes in search of the woman captured by the photograph. This was Ida Lupinos' first full feature.
Juggernaut (1936)
Victor Sartorius (Boris Karloff) is an ailing doctor working in Morocco. He teams up with Lady Yvonne Clifford (Mona Goya) in a plot to poison her husband, Sir Charles Clifford (Morton Selten), so he can collect the 20,000 pounds necessary to save his experiments and his funding. Roger Clifford (Arthur Margetson), the son of Sir Charles has also been marked for death. The only one who can stop the murder plot of Sartorius is Nurse Eve Rowe Goan Wyndham).
Bonus Short Feature: The Haunted Palace (1949)
Shaw Desmond, (1877-1960) Irish novelist, poet, founder of the International Institute for Psychical Research in 1934, and author of many works on the afterlife and several Scientific Romances. In this documentray he as the expert on ghosts, attempts to explain ghostly appearances with reconstructions of allegedly true legends.
Set within a Catholic community deep in the south of Italy, "Corpo Celeste" is the story of 13 year-old Marta and her struggle to settle in an unfamiliar city after ten years growing up in Switzerland. Bright-eyed, restless and feeling very much an outsider, she clashes with her family and Sunday School teacher as she begins to question the catechism of the Catholic Church and shape her own life for the first time.
Barbara Stanwyck plays a nightclub singer whose snappy street slang attracts the attention of bookish encyclopaedia editor Gary Cooper and his aged bachelor colleagues who devote their lives to compiling the perfect encyclopeadia. At first, their interest in her is strictly professional, but she soon charms the old men into letting her hide from the police (and her gangster boyfriend) in their mansion, Initially, she resents her forced stay, but after a while she falls for the charm of bookworm Cooper, and makes him realise there is more to life than books.
It's a story of a pennyless Russian prince in London, who is befriended by Ada (Ida Lupino). Ada takes the prince home to live with her middle class family.
Truck-driving brothers Humphrey Bogart and George Raft battle the dangers of the open road as well as a murder frame-up in this vintage production full of wisecracking wit and great performances.
As a border guard involved in drug smuggling along the Rio Grande, Charlie Smith (Jack Nicholson) has crossed the line many times. But when he decides to clean up his act and help unite an "illegal" woman with her baby, he runs afoul of his corrupt department, his greedy wife (Valerie Perrine) and a ruthless neighbour (Harvey Keitel)...
1947. A young man, Gaspard Claude (Marc Michel), is convicted for the attempted murder of his wife, although he is innocent of the crime. He is sent to the notorious Sante Prison in Paris and is placed in a cell with four hardened criminals. The latter have decided to escape from the prison by digging their way out of their cell. Reluctantly, they take Gaspard into their confidence and labour digging their way out of their cell. Then, just when escape appears certain, Gaspard is called away to see the prison governor...
Recalling her youth in 1950s northern Spain, Estrella revisits her relationship with her beloved father Agustin, raised in the south, and realises how little she knew of him and his secrets. Victor Erice's delicate and mysterious film reveals his abiding fascination with memory and loss, missed opportunities and the links between private dreams and political realities. The performances, like the meticulously lit compositions and evocative soundtrack, are superb; Omero Antonutti is a charismatic Agustin, while Sonsoles Aranguren and Iciar Bollain shine as, respectively, the young and teenaged Estrella. Exquisitely beautiful, profoundly moving.
When a man is murdered all the clues point to Julien Vercel as the prime suspect. He knew him, his fingerprints are on his car and, as the police eventually discover, he was having an affair with Julien's wife. However, Julien's secretary Barbara Becker is sure something is not quite right with this state of affairs and begins her own investigation into the matter.
Montparnasse 19 (1958)Les amants de Montparnasse / Hero of Montmatre / The Lovers of Montparnasse
"Montparnasse 19", a film about the tragic final years in the life of Italian painter and sculptor Amadeo Modigliani, was itself beset by tragedy. Max Ophuls, the famed director of 'Letter from an Unknown Woman' and 'Le Plaisir', died during its production, leaving his friend Jacques Becker to complete the picture. Its lead performer too, the great French actor Gerard Philipe, would succumb to cancer just over a year after its release. In tracing the latter part of Modigliani's life, 'Montparnasse 19', focuses on the key figures during his time in Paris - his patron Leopold Zborowski (played by Gerard Sety) and two muses, Beatrice Hastings (Lilli Palmer) and Jeanne Hebuterne (Anouk Aimee) - and his gradual descent into alcoholism and drug addiction. The end results, both hauntingly beautiful and savagely ironic, are really quite remarkable. A fitting tribute to the outstanding careers of Ophuls and Philippe, and another excellent entry in the equally superb filmography of Becker, a filmmaker who is finally getting his due.
On a Provencal farm, a protective and devoted mother (Dominique Reymond) raises her seven illegitimate children. Their father is the farm's owner (Daniel Duval), an authoritarian egotist who treats the family as his personal property to be used as cheap labour. Unable to leave, it is only the mother's love for her children and unwavering strength that prevent the family from falling apart.
Alice is a 30 year-old sailor, in love with Felix who waits for her ashore when she unexpectedly sets off as second mechanic on the Fidelio. an old freighter. On board, she discovers not only that she replaces a recently deceased mechanic, but also that the Captain is none other than her first great love, Gael. In her cabin Alice comes across the diary of the former mechanic, and by reading its content - accounts of technical problems, sexual conquests and lovelorn emotions - she finds, oddly, that they echo her own journey. As the ship calls at various ports, Alice deals with life aboard with an all-male crew, the notion of desire in such an environment and the swings of her romantic feelings, while trying to stay the course.
Pat (Cassie McFarlane), is an ordinary London girl with a caring family, a job she enjoys and her own flat. Seeking nothing more than to settle down to a life of married, middle-class conformity, her cosy world is jolted when she meets Del (Victor Romero), a charming and vaguely disconnected toolmaker who loses his job and causes them to challenge their assumptions and aspirations. 'Burning an Illusion', Menelik Shabazz's pioneering first feature, marked a coming of age for black British cinema. Exploring the issues of transformation and identity, this sensitive and entertaining love story traces the emotional and political growth of a young black couple in Thatcher's London.
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