Irene Jacob is utterly captivating in the twin roles of Veronique and Weronika, two young women leading totally separate lives in France and in Poland, yet each strangely aware of the other's presence. Despite their different backgrounds, the two share not only many of the same likes, foibles and prodigious musical talents, but also the same wisdom, inspiring one to unconsciously avoid making the same mistakes in life as the other.
In the savage and deadly world of the gangland king, the man at the top is ruler, only for as long as he controls everything in his territory. For that man, the rewards can be infinite, but so are the dangers. Harold Shand (Bob Hoskins) is enjoying the height of his powers, and he is on the verge of something that would make his current 'arrangements' small fry. But stronger forces than even he can control have moved in and taken over. Climaxing in one long and bloody day of terror, an Easter Good Friday, he is to see his empire begin to crack and crumble.
George (Bob Hoskins), a small time loser employed as a chauffeur to an enigmatic, high class call girl. His fascination with her leads him on a dangerous quest through the sordid underbelly of London, where love is a weakness to be exploited and betrayed.
2049. A roboticist, George Almore (Theo James) is on the verge of a breakthrough. Stationed at a remote, secret facility, he has been working on a model that is a true, human equivalent android. His latest prototype, J3, is almost complete. Development of J3 has been achieved through two earlier prototypes, J1 and J2. Each prototype is an increasingly advanced version of his wife, Jules (voice of Stacy Martin), who died in a brutal car crash. Driven by love for Jules, George has secretly skewed the focus of his work: developing the robots towards the goal of creating a simulacra of Jules. As his work approaches its final and riskiest stages, external forces threaten to discover and shutdown his facility while the introduction of the highly advanced J3 collapses the delicate 'family' balance inside the facility.
After more than thirty years of service as a top naval aviator, Pete "Maverick" Mitchell (Tom Cruise) is where he belongs, pushing the envelope as a courageous test pilot. Yet, Maverick must confront the ghosts of his past when he returns to Top Gun to train a group of elite graduates and comes face-to-face with Lt. Bradshaw (Miles Teller), the son of his former wingman, "Goose". Bitter rivalries ignite as the pilots prepare for a specialised mission, which will require the ultimate sacrifice from those chosen to fly it.
While the 1980s has sometimes been dubbed 'the decade that taste forgot', the decade did still have its fair share of exceptional music. And one performer whose most acclaimed work was produced during the 1980s, probably made the most exceptional, ethereal and unique music of the entire period. Her name is Kate Bush. Kate's 1985 album 'The Hounds of Love' was more than just exceptional however; one could certainly use that accolade in describing her four previous and all subsequent records, but 'Hounds of Love' was exquisite - for many of us it remains, quite simply, the best album ever made! This film puts 'Hounds of Love' under the microscope and with the aid of musicians who played on the album, Kate's biographer, journalists, musicologists and a host of other contributors, the story behind the album's build-up, production, release, impact and legacy is told here in full.
Features:
- Live and studio versions of every track on the album
- Review, critique and comment on each song
- Behind the scenes footage
- Archive interviews with Kate speaking at the time about the record and its creation The first airing of the legendary 'Kris Needs Zig-Zag Interview' recording (Kate's only given music press interview at the release of the album)
Charts the early years of 'HandMade Films' seen through the eyes of the filmmakers, key personnel, and the man who started it all: former Beatle George Harrison. With unreleased archive interviews and footage with Harrison, exclusive interviews with Michael Palin, Terry Gilliam, Richard E. Grant, Neil Jordan, Ray Cooper, and unseen interviews with Bob Hoskins, 'An Accidental Studio' explores HandMade's baptism by fire, the risk it took in producing uniquely crafted intelligent films and the stories that grew up around it...
Paul Newman memorably plays the title role in this boxoffice hit based on Ross MacDonald's 'The Moving Target'. The first detective film in Newman's then 23-film career, 'Harper' revitalised the genre. Newman's sleuth chews gum fast...and slips out of jams ever faster as he unravels a twisted case of kidnapping and murder. William Goldman's clever script throws quips and a parade of LA-LA-Land characters Harper's way. There's a woman of means (Lauren Bacall), a gun-toting attorney (Arthur Hill), a poolside gigolo (Robert Wagner), a boozy ex-starlet (Shelley Winters), a jazz junkie (Julie Harris), Harper's estranged wife (Janet Leigh) and the unholy order of the Temple of the Clouds (led by Strother Martin). Each may possess a clue. Or a bullet for Harper.
In this fresh, unfiltered modern comedy, best friends and academic overachievers Amy (Kaitlyn Dever) and Molly (Beanie Feldstein) realise they've missed out on pretty much all fun during high school. So, on the eve of graduation, they decide to make up for lost time with one wild adventure in this hilarious coming-of-age story about the meaningful bonds we create, also starring Lisa Kudrow, Will Forte and Jason Sudeikis.
C.C. "Bud" Baxter (Jack Lemmon) knows the way to success in business...it's through the door of his apartment! By providing a perfect hideaway for philandering bosses, the ambitious young employee reaps a series of underserved promotions. But when Bud lends the key to big boss J.D. Sheldrake (Fred MacMurray), he not only advances his career, but his own love life as well. For Sheldrake's mistress is the lovely Fran Kubelik (Shirley MacLaine), elevator girl and angel of Bud's dreams. Convinced that he is the only man for Fran, Bud must make the most important executive decision of his career: lose the girl... or his job.
This mindbending folk horror, set in 1973, unfolds atmospherically on an unpopulated island off the Cornish coast. There, a single volunteer (Mary Woodvine) recording data on an unfamiliar flower finds her lonely daily observations turning troublingly towards the strange and metaphysical, forcing her to question what is real and what is nightmare. Is the barren landscape not just alive...but also sentient?
If you've ever wanted to hear Jack Nicholson sing or marvel at the sight of Ann-Margret drunkenly cavorting in a cascade of baked beans, Tommy is the movie you've been waiting for. The Who's brilliant rock opera is sublimely matched by director Ken Russell's penchant for cinematic excess during the peak of his filmmaking audacity. It's a fever-dream of musical bombast, revolving around the titular 'deaf, dumb, and blind kid' (Roger Daltrey) who survives the childhood trauma that stole his senses to become a Pinball Wizard. Tommy's odyssey is rendered through wall-to-wall music, from the bloodstream shock of 'The Acid Queen' (Tina Turner) to Elton John's towering rendition of 'Pinball Wizard' and Daltrey's epiphanous rendition of 'I'm Free'. Other star performers include Eric Clapton and (most outrageously) the Who's drummer Keith Moon. Tommy is a classic of creative rock cinema, worthy of the musical and filmmaking genii who fuelled its creation.
From writer-director Martin McDonagh (Three Billboards Outside Ebbing, Missouri) comes a unique film starring Colin Farrell and Brendan Gleeson. Although Padraic (Farrell) and CoIm (Gleeson) have been lifelong friends, they find themselves at an impasse when one abruptly ends their relationship, bringing alarming consequences for both of them.
Having just served a prison term for possession of heroin, poker dealer Frankie Machine (Frank Sinatra) vows to stay clean and find success as a jazz drummer. His wife (Eleanor Parker), left disabled by a car crash, is equally determined he should remain in the lucrative gambling business. Pressurised by his wife after being asked to deal in a high-stakes game, Frankie's fear of failure leads him straight back to the nearest fix...
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