mpb's - Rented List

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From writer-director Martin McDonagh (Three Billboards Outside Ebbing, Missouri) comes a unique film starring Colin Farrell and Brendan Gleeson.

Although Padraic (Farrell) and CoIm (Gleeson) have been lifelong friends, they find themselves at an impasse when one abruptly ends their relationship, bringing alarming consequences for both of them.

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Browning, a former circus contortionist, cast reai-life sideshow professionals.

A living torso who, nimbly fights his own cigarette despite having no arms or legs, microcephalics (whom the film calls "pinheads")-they and others play the big-top troupers who inflict a terrible revenge on a trapeze artist who treats them as subhumans.

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A group of teenage friends are found dead, their bodies grotesquely contorted, their faces twisted in terror.

Reiko (Nanako Matsushima), a journalist and the aunt of one of the victims, sets out to investigate the shocking phenomenon, and in the process uncovers a creepy urban legend about a supposedly cursed videotape, the contents of which causes anyone who views it to die within a week - unless they can persuade someone else to watch it, and, in so doing, pass on the curse...

In Marvel Studies' 'Thor: Love and Thunder'; the God of Thunder (Chris Hemsworth) teams up with King Valkyrie, Korg and ex-girlfriend-turned-Mighty-Thor Jane Foster (Natalia Portman) to take on a galactic kilter known as Gorr the God Butcher (Christian Bale).

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In Nazi-occupied Paris Marion and her Jewish husband decide to conceal him in the very theatre that they own with the alibi that he has fled abroad.

As he hides in the cellar from the Gestapo she must continue her job as lead actress in the play and take on her husband's job as director to hold up the facade. Meanwhile the German oppression continues to increase on both the characters' lives and the play itself.

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A truly literate and sophisticated film spectacle by perhaps the greatest of all film artists, this Oscar nominated masterpiece by Federico Fellini, the director of such world-renowned classics, as 'La Dolce Vita', 'La Strada' and '8 ½', is a fabulous trip into a totally decadent civilization

delivering a brilliant visual fantasy unlike anything you have seen. Step into the bawdy, erotic and titillating world of Rome during the days of Emperor Nero, Where two completing teachers play tricks on each other while vying for the same lover's charms, Paralleling the self-indulgence of modern society, these Roman citizens pursue their own gratification above all else, resulting in both intense pleasure and enormous despair, displayed in visually seductive scenes that are both shocking, unprecedented and brilliantly stunning.

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Pixar's Soul introduces Joe (voice of Jamie Foxx), who lands the gig of his life at the best jazz club in town. But one misstep lands Joe in a fantastical place: The Great Before.

There, he teams up with soul 22 (voice of Tina Fey), and together they find the answers to some of life's biggest questions.

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'Dead Man' is a story of a young man's journey both psychically and spiritually into the extreme Western frontiers of America sometime in the second half of the 19th Century.

William Blake is lost and badly wounded, when he encounters very odd, outcast native American named "Nobody", who believes Blake is actually dead English poet of the same name. Both comical and violent, Blake has been thrown into chaotic world as though he has passed though a surface of mirrors and emerges into a previously unknown world that exists on the other side.

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Assistant District Attorney, Adam Bonner (Spencer Tracy) loves his wife Amanda (Katharine Hepburn), but doesn't care much for his opposing counsel in a sensational attempted-murder trial - an opponent who happens to be Amanda.

Spencer Tracey and Katharine Hepburn were never more evenly matched than when they brought their sharpened wits and prickly affection to this George Cukor-directed comedy written by Ruth Gordon and Garson Kanin. Judy Holliday co-stars as the woman whose shooting of her philandering spouse becomes a feminist cause for Amanda. Hepburn generously saw Holliday's' work as a screen test for casting the film of Holliday's stage vehicle Born Yesterday. Hepburn's ploy worked. So does this fine, funny movie.

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Linda Fiorentino stars as Bridget Gregory, the most memorably evil and sexy of all cinema femmes fatales; the woman who "makes Stanwyck in Double Indemnity look like Snow White!" (Leonard Maltin) Beautiful, intelligent and ambitious, Bridget Gregory persuades her doctor husband Clay (Bill Pullman)

to enter a $700,000 cocaine deal so they can pay off a loan shark. She then takes off with the money and hides out in a small town where she becomes involved with young , dumb Swale (Peter Berg). Clay hires Harlan (Bill Nunn), a tenacious private investigator, to track down his wife and the money. As the pair close in, Bridget embroils Swale in an elaborate and deadly scheme to be rid of them once and for all.

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"Brian and Charles" follows Brian (David Earl), a lonely inventor in rural Wales, who spends his days building quirky, unconventional contraptions that seldom work. Undeterred by his lack of success, Brian attempts his biggest project yet.

Three days, a washing machine, and various spare parts later, he's invented Charles (Chris Hayward), an artificially intelligent robot who learns English from a dictionary and has an obsession with cabbages. What follows is a humorous and entirely heartwarming story about loneliness, friendship, family, finding love, and letting go.

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They came. They conquered. They looked fabulous! With a contract to perform a drag show way out in the Australian desert, Tick (Hugo Weaving), Adam (Guy Pearce) and Bernadette (Terence Stamp) each has his own reason for wanting to leave the safety of Sydney.

Christening their battered, pink tour bus "Priscilla", this wickedly funny and high-drama trio heads for the outback...and into crazy adventures in even crazier outfits. You go, girls!

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At 14, school friends Steve 'Lips' Kudlow and Rob Reiner made a pact to rock together forever. Their band, Anvil, went on to become the 'demigods of Canadian metal', releasing one of the heaviest albums in metal history, 1982's Metal on Metal.

The album influenced a musical generaton including Metallica, Slayer and Anthrax, that went on to sell millions of records. But Anvil's career took a different path - straight to obscurity. Anvil The Story of Anvil is a timeless, and at times hilarious, feel good tale of survival and the unadulterated passion it takes to follow your dream. Directed by Sasha Gervasi, we follow the band as they attempt one last shot at the big time with their thirteenth album 'This is Thirteen' and a calamitous European tour. You don't have to be a metal head to love Anvil. This is an inspirational, heart warming and uplifting tale of two best friends who refuse to give up on their dream. Metal on Metal forever!

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Hero to some, outlaw to others, Ned Kelly (George MacKay) throws a long shadow over Australian history. Spanning his life from his younger years to the time leading up to his death, the film follows the story of this legendary figure.

Nurtured by the notorious bushranger Harry Power (Russell Crowe) and fuelled by the unfair arrest of his mother (Essie Davis), Kelly recruits a wild bunch of warriors to plot a campaign of anarchy and rebellion that will grip the entire country. Youth and tragedy collide with violent and explosive consequences but at the beating heart of this riveting tale is the fractured and powerful bond between a mother and son.

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In this Oscar-winning farce, Cary Grant (in the role that first defined the Cary Grant persona) and Irene Dunne exude charm, cunning, and artless affection as an urbane couple who, fed up with each others infidelities, resolve to file for divorce.

But try as they might to move on, the mischievous Jerry can't help meddling in Lucy's ill-matched engagement to a corn-fed Oklahoma businessman (Ralph Bellamy), and a mortified Lucy begins to realize that she may be saying goodbye to the only dance partner capable of following her lead. Directed by the versatile Leo McCarey, a master of improvisation and slapstick as well as a keen and sympathetic observer of human folly, 'The Awful Truth' is a warm but unsparing comedy about two people whose flaws only make them more irresistible.