1947. A young man, Gaspard Claude (Marc Michel), is convicted for the attempted murder of his wife, although he is innocent of the crime. He is sent to the notorious Sante Prison in Paris and is placed in a cell with four hardened criminals. The latter have decided to escape from the prison by digging their way out of their cell. Reluctantly, they take Gaspard into their confidence and labour digging their way out of their cell. Then, just when escape appears certain, Gaspard is called away to see the prison governor...
Based on the journals of the man who would later become the revolutionary Che Guevara, The Motorcycle Diaries follows the story of two young Argentines, Ernesto Guevara and Alberto Granado on a road trip to discover real Latin America. The two friends leave their familiar surrounding in Buenos Aires on a rickety 1939 Norton 500. Although the bike breaks down in a course of their eight month journey, they press onward, hitching rides along the way. They begin to see a different Latin America in the people they meet on the road, and the diverse geography they encounter begins to reflect their own shifting perspectives. This is a start of a journey of self-discovery, tracing the origins of a revolutionary heart.
12-year old Aviva Victor wants to be a Mom. She does all she can to make this happen, and comes very close to succeeding, but in the end is thwarted by her sensible parents. So she runs away, still determined to get pregnant one way or another, but instead finds herself lost in another world, a less sensible one, but one pregnant itself with all sorts of strange possibility. Like so many trips, this one is a round-trip, and it's hard to say in the end if she can ever be quite the same again, or if she can ever be anything but the same again.
Byron Orlok (Boris Karloff) is a retiring horror-star bidding farewell to the limelight. Bobby Thompson (Tim O'Kelly) is an unassuming but disturbed Vietnam veteran who suddenly embarks on a murderous shooting rampage. As Byron makes one final public appearance, their worlds collide as Bobby brings carnage to a suburban Los Angeles drive-in cinema.
The film is a touching and tender insight into the life of Lilya (Oksana Akinshin) who lives in a poor suburb somewhere in the former Soviet Union. Lilya's mother has emigrated to the States and she is waiting to be sent for. After a while it becomes clear that she has been abandoned. Left alone and broke Lilya strikes up a friendship with local 11 year old boy, Colodya (Artion Bogucharskij), himself an outcast. Through their similar circumstances they fantasise of a life elsewhere. Moodysson's award winning script is observant of the hopes and dreams of Lilya and Volodya but is realistic about the world they live in. It is this realist approach that has drawn comparisons between Moodysson and some of the classic realist directors including Truffaut, Bresson and Ken Loach.
Sally Potter's dazzling adaptation of Virginia Woolf's classic novel is the tale of the apparently immortal Orlando (Tilda Swinton), who begins an epic quest for love and freedom in the court of Elizabeth I (Quentin Crisp) as a man and completes the search 400 years later as a woman. This journey takes Orlando from the frozen river Thames and central Asia, where he changes sex, through to romantic love and loss in the Victorian age, motherhood and war in the Twentieth Century, until finally arriving in the present moment.
Traped in their Ney York brownstone's panic room, a hidden chamber built as a sanctuary in the event of break-ins, newly divorced Meg Altman (Jodie Foster) and her daughter Sarah (Kristen Stewart) play a deadly game of cat-and-mouse with three brutal and deadly intruders - Junior (Jared Leto), Burnham (Forest Whitaker) and Raoul (Dwight Yoakam). But the room itself is the focal point because what the intruders really want is inside the Panic Room.
Single, attractive Isabelle ("Izzy") Grossman has a rent-controlled uptown apartment and a blooming career in publishing. She also has Bubbie, a tradition-minded grandmother who's hired a matchmaker to find a husband for Izzy. There's already a prospect: the corner pickle seller?!? Amy Irving as Izzy is the radiant center of this witty charmer, and her co-stars strike comic sparks galore as old-world ways rub against new-world woes: Peter Riegert as the pickle man, Jeroen Krabbe as his rival and Sylvia Miles as the matchmaker. A veteran stage performer, 74-year-old Reizl Bozyk is an ideal Bubbie, blithely snapping off one-liners and stealing scenes in "a joy of a comedy".
A keen observer of America's social fabric, writer-director John Sayles uncovers the haunted past buried beneath a small Texas border town in this sprawling neowestern mystery. When a skeleton is discovered in the desert, lawman Sam Deeds (Chris Cooper), son of a legendary local sheriff, begins an investigation that will have profound implications both for him personally and for all of Rio County, a place still reckoning with its history of racial violence. Sayles's masterful film - novelistic in its intricacy and featuring a brilliant ensemble cast, including Joe Morton, Elizabeth Peña, and Kris Kristofferson - quietly subverts national mythmaking and lays bare the fault lines of life at the border.
James Stewart and Doris Day play Ben and Jo McKenna, innocent Americans vacationing in Morocco with their son, Hank. After a French spy dies in Ben's arms in the Marrakech market, the couple discovers their son has been kidnapped and taken to England. Not knowing who they can trust, the McKennas are caught up in a nightmare of international espionage, assassinations and terror. Soon, all of their lives hang in the balance as they draw closer to the truth and a chilling climatic moment in London's famous Royal Albert Hall.
The Doors were a distillation of their time. The Music they made was raw yet poetic, angry yet seductive. The stage show at its best was dramatic, brilliant theatre - artistic expression transcending all form. Jim Morrison's sensual stage presence, charged with strength and energy, capable of projecting a sense of danger, spoke to young audiences' fantasies and became a catalyst for an era. Their songs have kept The Doors in that rare pantheon of groups whose music evokes the memory of the turbulent 60's and continues to make fans not only of those who lived during that time but also of following generations as well. This is their story.
A real tour de force from the director Pedro Almodovar 'Law Of Desire' is a wildly funny, emotionally intense and deeply moving drugs-and-sex fuelled murder mystery, a breathless, vibrant riot of flaming passions run wild.
Adapted from the controversial stage play by Jules Feiffer (Carnal Knowledge), this savage, nihilistic black comedy was the startling directorial debut of actor Alan Arkin. When a severely depressed fashion photographer (Elliott Gould) meets an optimistic young woman (Marcia Rodd), she is determined to save him amidst the series of random muggings, sniper shootings, garbage strikes and total blackouts that are ravaging the city of New York.
After antiwar activists Annie and Arthur Pope (Christine Lahti and Judd Hirsh) blew up a napalm lab in 1971, they became lifelong fugitives. They and their children have stayed just one step ahead of the law, running from state to state, job to job, identity to identity. But now elder son Danny (River Phoenix) wants to stop running from a past not his. And to do so, he might never see his on-the-lam family again.
Charley Varrick is a small-time crook who outfoxes the Mob in this fast-paced offbeat thriller directed by Don Siegel. Academy Award winner Walter Matthau stars in a rare dramatic role, along with the powerful Joe Don Baker, as a tough Mafia hitman. Charley robs small banks with small payrolls. That keeps him out of trouble until he stumbles onto the Mob's secret stash. The chase is on as the Big Boys go after the "Last of the Independents". It's a heart-pounding ride that builds to a fiery airborne climax as Charley makes his last desperate run for the Mexican border and safety.
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