sog's - Rented List

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Maria Alvarez (Catalina Sandino), a bright, spirited 17-year old, lives with three generations of her family in a cramped house in rural Colombia.

Desperate to leave her job stripping thorns from flowers in a rose plantation, Maria accepts a lucrative offer to transport packets of heroin-which she must swallow-to the United States. The ruthless world of international drug trafficking proves to be more than Maria bargained for as she becomes ultimately entangled with both drug cartels and immigration officials..

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Told entirely in the words of James Baldwin, through both personal appearances and the text of his final unfinished book project, "I Am Not Your Negro" touches on the lives and assassinations of Malcolm X, Martin Luther King Jr.

, and Medgar Evers to bring powerful clarity to how the image and reality of Blacks in America today is fabricated and enforced.

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Saturday afternoon, June 3, 2017. Twenty-five year old Reality Winner (Sydney Sweeney) is confronted at her home by the FBI. A cryptic conversation begins and soon Reality's life starts to unravel.

With all dialogue taken directly from the FBI's transcript of the interrogation - alternately nail-biting and banal, darkly funny and surreal - we track one woman's experience of the U.S. government at work. And as more details of Realitys life are revealed and more armed men arrive, a complex portrait emerges of an American millennial, yoga teacher, and veteran under siege.

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In a rural community of grinding economic and spiritual poverty, where poaching and delivering bootleg liquor supplement meagre incomes and love is absent, Mouchette is endlessly abused.

She cares selflessly and without thanks for her family as her mother slowly dies, whilst she is humiliated by a teacher for singing out of tune, is called a slut by a shopkeeper and even, as she is about to speak to a young man who smiled at her on the dodgems, is slapped by her harsh, judgemental father. Finally, having sought to help the epileptic poacher Arsene, she is raped by him. Even then, she later protects him. Mouchette may not understand all that she experiences but nor is she a helpless victim. She cares for her mother and especially for her infant sibling. Ostracised by her cruel classmates, she retaliates, throwing mud at them. She also avenges herself against the woman who speaks with pious reverence of the dead and who offers Mouchette a funeral shroud for her mother and a dress for herself.

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Renate Reinsve plays Nora, a successful stage actress who, along with her sister Agnes (Inga Ibsdotter Lilleaas), reunites with their estranged father Gustav Borg (Skarsgård) - a once-renowned film director planning a major comeback with a script based on his family.

When Gustav offers Nora the lead role, which she promptly declines, he turns his attention to Rachel Kemp (Fanning), an eager young Hollywood starlet primed for her big breakthrough. With their fraught dynamics made even more complex, Nora, Agnes and Gustav are each forced to confront their difficult pasts.

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Based on the true story of Resistance fighter Andre Devigny, who was imprisoned and sentenced to death by the Nazis during the Second World War, the film reconstructs his actual cell at the Lyons fortress of Montluc, and follows his meticulous plans for escape.

This totally involving and thrilling tale of courage and faith is all the more authentic for its use of non-professional actors and Bresson's spare style.

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Based on a novel by George Bernanos, 'Diary of a Country Priest' marked the first in Director Robert Bresson's so-called "prison trilogy" (followed by 'Pickpocket' and 'A Man Escaped').

The film begins with the arrival of a young, sickly priest (Claude Laydu) at the godless parish of Ambricourt in Northern France. Here he becomes drawn into the complex domestic life of a wealthy Count (Jean Riveyre), his tormented wife, his manipulative daughter and his mistress, Miss Louise (Nicole Maurey). Narrated by excerpts of the priest's diary, the film follows his efforts to awaken the villagers from their spiritual lethargy, with their struggles, suffering and triumphs representing in a microcosm those of humankind itself. Bresson's intensely personal style, minimalist approach to dialogue and music, and use of non-professional actors marked a new kind of filmmaking, which was to influence such diverse directors as Paul Schrader, Richard Linklater and Andrei Tarkovsky.

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When outsider Josh (Jesse Eisenberg) teams with runaway Dena (Dakota Fanning) for a controversial mission to blow up a dam, they cannot imagine the fatal consequences.

Co-starring Peter Sarsgaard and directed by Kelly Reichardt, "Night Moves" takes you on a chilling journey that will see their alliance shattered and place their lives at risk.

The film follows Asger (Jakob Cedergren), a police officer who enters a race against time when he answers an emergency call from a kidnapped woman. But soon he realises that he is dealing with a crime that is far bigger than he first thought.

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It is the Feast of Epiphany (6th January) 1904 in Dublin and time for one of the highlights of the season - the grand party thrown by Misses Kate (Helena Carroll) and Julia (Cathleen Delany) Morkan and their niece, Mary Jane (Ingrid Craigie).

Their favourite nephew, Gabriel Conroy (Donal McCann) arrives with his beautiful wife, Gretta (Anjelica Huston), and acts as host. Although a splendid evening is had by all, Gretta is profoundly affected when she hears the words of a sentimental old song - The Lass of Aughrim. She weeps as she tells of a brief and innocent romance from her youth, cut short by the young man's death at the age of seventeen. In all their years of marriage, Gabriel has never heard her speak of this boy, locked away in her heart. His jealousy gives way to sadness as he realises he has never felt such passion, and his thoughts turn to death, for without passion there is only death. Gabriel's agony of self-doubt, the sudden awareness of his own frailty, becomes a vision of a bleak, wintry landscape, a revelation of universal truth uniting the living and the dead.

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A father (Sergi López) and his son (Bruno Núñez Arjona) arrive at a rave deep in the mountains of southern Morocco. They're searching for Mar - daughter and sister - who vanished months ago at one of these endless, sleepless parties.

Surrounded by electronic music and a raw, unfamiliar sense of freedom, they hand out her photo again and again. Hope is fading but they push through and follow a group of ravers heading to one last party in the desert. As they venture deeper into the burning wilderness, the journey forces them to confront their own limit.

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Regarded by many as a masterpiece, Bresson's film tells the story of a young man Chales (Antoine Monnier) living in Paris who desires more from life than the glib, superficial truths and material things that are on offer to him.

He reaches out to his friends and psychiatrist to provide him with the great answers in life. But his spiritual deliverance remains beyond his grasp until he reaches a bizarre arrangement with a fellow drifter.

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When Helen's beloved father passes away, she is overtaken by grief and loses herself in memories of their time birding and exploring the natural world together. She becomes obsessed with the idea of training her own goshawk, and so she brings the fearsome bird Mabel home to Cambridge with her.

Ready to embark on the arduous process of trying to train the wildest of animals, Helen fills the freezer with hawk food and turns off her phone. As she labours to teach Mabel how to hunt and fly free on her own, Helen uncovers how neglected her own emotions and life have become.

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Film documents the arrival of an engineer and his colleagues from Tehran in a remote village in Iranian Kurdistan.

Assumed by the locals - with whom they form an ambivalent relationship - to be archaeologists or telecom engineers, the visitors' behaviour and keen interest in the health of an ailing old woman appear strange and their true motives are shrouded in mystery. Haunting and visually stunning, feature is an absorbing, abstract meditation on life and death and the divisions between tradition and modernity.

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A group of German construction workers start a tough job at a remote site in the Bulgarian countryside.

The foreign land awakens the men's sense of adventure, but they are also confronted with their own prejudices and mistrust due to the language barrier and cultural differences with the native villagers. The foreman Vincent (Reinhardt Wetrek) and the mysterious Meinhard (Meinhard Neumann) also start to fall out. The stage is quickly set for a showdown when the German workers begin to compete for recognition and favour from the local villagers.