



Tornado is a strange, striking film—its blend of Western and samurai visual language playing out against the bleak beauty of the Scottish Highlands. The story of a Japanese father and daughter crossing paths with Tim Roth’s gang carries real weight, even if the film keeps its backstory deliberately cryptic. The moody cinematography and evocative score do most of the heavy lifting, creating a rich, brooding atmosphere. Roth, near-mute, stalks the film like a man long resigned to his fate. It’s slow, yes—but intentionally so. An unusual film that lingers in the mind, even if it doesn’t quite satisfy.
This is a weird revenge drama set in 1790 Scotland although it might as well be a post apocalyptic future world as we only ever see a wilderness and odds and sods of humanity who seem to emerge out of the windswept landscape from nowhere. It's also the Scottish Samurai film we've all been waiting for! It's downbeat, pessimistic and rather strange but quite compelling too. Tornado (Kôki) is a young Japanese girl and part of a traveling circus with her father (Takehiro Hira). They perform a puppet show and put on displays of samurai swordsmanship. But they cross paths with a motley gang of murderous thieves led by Sugarman (Tim Roth). When the gang's stolen loot is taken by a young boy they go after him and Tornado gets involved and is relentlessly pursued by them too until she decides it's time to turn and fight. Jack Lowden plays Sugarman's son (or perhaps he's not!), who is on his own agenda regarding the loot and Joanne Whalley has a cameo as the leader of the circus. There's a timeline shuffle that is unsettling when it happens and the gang don't have horses but just keep walking after their prey in a very menacing way. A perplexing drama almost like a western that rivals the director and writer, John Maclean, has a unique cinematic vision.
Such a disappointment from the director of Slow West. It fails on all fronts, even the pointless title. The plot is minimal, the acting woefully wooden, the Scottish landscape drab, the meagre action boring. The introduction of a samurai puppet show feels like desperation. The pace is slowed even further by the static camera. Even with a run time of under 90 minutes it still seems far too long.