Growing up is difficult enough without someone insisting your childhood was a historical event.
Giovanni Tortorici draws on his teenage years in Palermo, and you can feel the fondness. The trouble is, the film keeps nudging you in the ribs to point out how significant it all was.
There’s nothing to do, so the kids mope about in tiny moped-cars and take drugs to fill the hours. Teenage boredom has fuelled worse decisions, and there’s a decent film somewhere in that.
The mostly first-time cast should make it feel scruffy and real. Instead, a few look like they’ve been told to stand very still for a wedding photo, and scenes meant to feel loose go oddly stiff.
It’s competently made, and I could see what it was going for. The buzz never made it as far as my seat.
I’m sure it meant a great deal to the people who lived it. I just wasn’t one of them.