Raimunda (Penelope Cruz) and her sister Sole (Lola Duenas) are visited by the apparition of their Mother (Carmen Maura), who has returned to reconcile with her daughters and resolve an issue that has haunted the family since her death. In Pedro Almodovar's latest critically-acclaimed film, the living and deceased co-exist without discord, creating a filmic experience which is at once hilarious and yet filled with a deep, genuine emotion. VOLVER is a film about life in Almodovar's native La Mancha; a film about the way the presence of the dead continues to add richness and humanity to the lives of those they leave behind.
When 22 year old Sian O'Callaghan (Florence Howard) goes missing after a Friday night out with friends, Detective Superintendent Steve Fulcher (Martin Freeman) quickly realises that this is no ordinary missing persons case. A prime suspect is identified but when Fulcher questions him about Sian's whereabouts it sets both men on a journey which will change their lives forever as well as reveal the fate of Sian and another local girl, Becky Godden-Edwards (Stephanie Hyam). In his fight to get justice for the mothers, Elaine Pickford (Siobhan Finneran) and Karen Edwards (Imelda Staunton), Steve discovers that the rights of the victim are not always as valued as the rights of the suspect and that his actions have devastating consequences for his career and family. Based on a true story.
Jep Gambardella, a 65-year-old journalist and once promising novelist, lives his easy life among Rome's decadent high society in a swirl of rooftop parties and late-night soirees. But when he learns of the death of his friend's wife - a woman he once loved as an 18-year-old - his life is thrown into perspective and he begins to see the world through new eyes...
Winner of the International Critics' Prize at Cannes in 1974, Bresson's masterpiece has lost none of its power and continues to cast a mystical spell. In this compelling and hypnotic film about the Arthurian legend, the Knights of the Round Table, their numbers depleted by their bloody and fruitless quest for the Holy Grail, return to King Arthur's court. Once there, Lancelot's passionate relationship with Queen Guinevere causes the Knights to fall out amongst themselves, eventually leading to their downfall.
Professional cellist Daigo (Masahiro Motoki) is left jobless after the orchestra he plays in disbands. He and his wife Mika (Ryoko Hirosue) move back from Tokyo to the family home in rural Yamagata left by his mother, who passed away two years previously. Here he stumbles upon a vaguely-worded advert in a local newspaper for a job "assisting departures". He is hired on the spot by his new boss Sasaki (Tsutomu Yamazaki), only to discover the post is for an assistant nokanshi, or traditional mortician, performing the Buddhist rites of washing and preparing corpses for their final journey. Initially he keeps the nature of his employment hidden from Mika, but as his disgust for his work turns to pride, he soon finds himself coming to terms with his own life, and the past memories of the father who abandoned him as a child.
It's 1943. The Allies are determined to break Hitler's grip on occupied Europe, and plan to launch an all-out assault on Sicily; but they face an impossible challenge - how to protect the invasion force from potential annihilation. It falls to two remarkable intelligence officers, Ewen Montagu (Colin Firth) and Charles Cholmondeley (Matthew Macfadyen) to dream the most inspired and improbable disinformation strategy of the war - centred on the most unlikely of secret agents: a dead man. Operation Mincemeat is the extraordinary and true story of an idea that hoped to turn the tide for the Allies - taking impossibly high risks, defying logic, and testing the nerves of its creators to breaking point.
Fiona Maye (Emma Thompson) is an eminent judge in the Family Division of the High Court, making daily decisions about complex family issues. But her workload is heavy, and her marriage to American professor Jack (Stanley Tucci) is at breaking point. In this moment of personal crisis, Fiona is asked to rule on the case of Adam (Fionn Whitehead), a brilliant and beautiful teenager who is refusing on religious grounds the blood transfusion which will save his life. Wanting to hear from Adam before making her decision, Fiona goes to his hospital bedside. Their extraordinary meeting releases strong emotions, with momentous consequences for both of them as Fiona decides whether Adam should live or die.
In 1961, Kempton Bunton (Jim Broadbent), a 60 year old taxi driver, stole Goya's portrait of the Duke of Wellington from the National Gallery in London. It was the first (and remains the only) theft in the Gallery's history. Kempton sent ransom notes saying that he would return the painting on condition that the government invested more in care for the elderly - he had long campaigned for pensioners to receive free television. What happened next became the stuff of legend. Only 50 years later did the full story emerge - Kempton had spun a web of lies. The only truth was that he was a good man, determined to change the world and save his marriage - how and why he used the Duke to achieve that is a wonderfully uplifting tale.
Sachi, Yoshino and Chika are three sisters living happily together in a relaxed seaside town south of Tokyo. When their long-estranged father passes away they meet their shy teenage half-sister at his funeral. Bonding quickly, they invite the orphaned Suzu to live with them and she eagerly agrees, sparking a journey of self-discovery for all four sisters, looking back into painful pasts in order to reach forward to more hopeful futures.
When a manipulative carnival man (Bradley Cooper) teams with an equally deceptive psychiatrist (Cate Blanchett) to grift the wealthy in 1940's New York society, he learns that his new partner in crime might be his most formidable opponent yet.
Ryota has earned everything he has by his hard work, and believes nothing can stop him from pursuing his perfect life as a winner. Then one day, he and his wife, Midori, get an unexpected phone call from the hospital. Their 6-year-old son, Keita, is not 'their' son - the hospital gave them the wrong baby. Ryota is forced to make a life-changing decision, to choose between 'nature' and 'nurture'. Seeing Midori's devotion to Keita even after learning his origin, and communicating with the rough yet caring family that has raised his natural son for the last six years, Ryota also starts to question himself: has he really been a 'father' all these years...
Leading attorney Shigemori (Masaharu Fukuyama) takes on the defence of murder-robbery suspect Misumi (Koji Yakusho) who served prison time for another murder 30 years ago. Shigemori's chances of winning the case seem low - his client freely admits his guilt, despite facing the death penalty if he is convicted. As he digs deeper into the case and hears the testimonies of the victim's family and Misumi himself, the once confident Shigemori begins to doubt whether his client is the murderer after all.
Tom, (Timothy Spall) an elderly widower, uses his trusty free bus pass to take a series of local buses on a deeply nostalgic trip across the length of the U.K., from John O' Groats to Lands End. His mission is to fulfil a promise he made to his late wife, to take her back to the place where they first met and lived happily together. Unbeknownst to Tom, his journey, and his unlikely antics on it, begin to capture the imagination of the local people that he comes across and, ultimately, Tom and his trip become a nationwide news story.
In 1930s Korea, during Japanese occupation, Sookee (Tae-ri Kim) is hired as a handmaiden to a Japanese heiress who lives a secluded life on an enchanting and lavish estate with her domineering uncle. Yet Sookee has a secret, she has been recruited by a swindler posing as an illustrious Count to spy on the Lady so he can eventually seduce her and steal her fortune. However, this swindler is not the only one with a desire to seduce.
In the aftermath of her tumultuous relationship with a charismatic and manipulative older man, Julie (Honor Swinton Byrne) begins to untangle her fraught love for him in making her graduation film, sorting fact from his elaborately constructed fiction. Joanna Hogg's shimmering story of first love and a young woman's formative years, 'The Souvenir: Part II' is a portrait of the artist that transcends the halting particulars of everyday life - a singular, alchemic mix of memoir and fantasy.
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