Many regard the Singing Detective as Dennis Potter's masterpiece, bringing together old and new themes in a murder mystery-musical-thriller-romance - the like of which has not been seen before or since on television. Recognised as a seminal TV series, it was voted number 20 in the BFI's all time top TV 100. Incapacitated both physically and emotionally and trapped in his hospital bed, detective novel writer Philip Marlowe escapes into his imagination, plotting out a murder tale in which he is both a big-band singer and a private eye. As fantasy and reality merge into one, his excruciating pain plays with the memories of a tormented childhood and sexual treachery in a tortuous session of self-analysis and personal discovery.
As one of Britain's foremost film-makers and dramatists, Mike Leigh has enthralled, disturbed and provoked theatre, television and movie audiences for over 40 years. His first film, Bleak Moments premiered in 1971 to great critical acclaim, but he was not able to direct another feature film for 17 years. Instead he honed his skills on television, leaving an unrivalled legacy - from acclaimed five minute shorts to classic plays. In his television work, Mike Leigh created the style that would make him unique among film-makers. The way he deals with issues of class, race, politics and sexuality in both poignant and comic terms; his working methods of evolving films from intense improvising rehearsals, and his collaboration with great actors - including Alison Steadman, Liz Smith, Lesley Manville, Phil Davis, David Threlfall, Brenda Blethyn and Stephen Rea - make his work instantly recognisable.
Fries with gravy, a cherry cola. Friendship, bragging rights...and does Sinatra or Mathis croon the best makeout music? Before there was the counterculture of the '60s, there was the counter culture. From his Oscar-nominated script, Barry Levinson makes his directing debut with this endearing study of pals in transition. Film-debuting Ellen Barkin plays a neglected wife. Steve Guttenberg, Daniel Stern, Mickey Rourke, Kevin Bacon, Timothy Daly and Paul Reiser - chosen from over 600 hopefuls - play the up-all-night buddies who work out the remnants of adolescence during ritual grazings at a busy steel-and-vinyl hangout in 1959 Baltimore. Stars, laughs, interlocking stories: entertainment is the daily special in Diner.
As one of Britain's foremost film-makers and dramatists, Mike Leigh has enthralled, disturbed and provoked theatre, television and movie audiences for over 40 years. His first film, Bleak Moments premiered in 1971 to great critical acclaim, but he was not able to direct another feature film for 17 years. Instead he honed his skills on television, leaving an unrivalled legacy - from acclaimed five minute shorts to classic plays. In his television work, Mike Leigh created the style that would make him unique among film-makers. The way he deals with issues of class, race, politics and sexuality in both poignant and comic terms; his working methods of evolving films from intense improvising rehearsals, and his collaboration with great actors - including Alison Steadman, Liz Smith, Lesley Manville, Phil Davis, David Threlfall, Brenda Blethyn and Stephen Rea - make his work instantly recognisable.
Mark (Carl Boehm), a focus puller at the local film studio, supplements his wages by taking glamour photographs in a seedy studio above a newsagent. By night he is a sadistic killer, stalking his victims with his camera forever in his hand trying to capture the look of genuine, unadulterated fear - an obsession that stems from his disturbing and terrifying childhood at the hands of his scientist father. Mark slowly becomes enamoured with Helen (Anna Massey), who lives with her blind mother (Maxine Audley) in the flat downstairs, but how long before he turns the deadly gaze of his camera towards her?
When Ellen, the matriarch of the Graham family, passes away, her daughter Annie (Toni Colette) and her husband (Gabriel Byrne) and their two children begin to unravel cryptic and increasingly terrifying secrets about their ancestry. The more they discover, the more they find themselves trying to outrun the sinister fate they seem to have inherited.
Los Angeles, city of angels. Amnesiac and wounded, a mysterious femme fatale wanders on the sinuous road of Mulholland Drive. She finds a shelter at Betty's house (Naomi Watts). an aspiring actress just arrived from her hometown and in search of stardom in Hollywood. First of all intrigued by the stranger who calls herself Rita (Laura Elena Harring), Betty discovers that her handbag is dull of dollar bundles. The two women get to know each other better and decide to investigate in order to discover Rita's true identity....
All Billie Jean (Helen Slater) wanted was $608 from the boy who broke her brother's scooter. But when you come from a small town in Texas, justice is something you have to win for yourself. Billie Jean didn't mean to become a fugitive. She'd never heard of Joan of Arc. But her fight for justice raised an army of kids strong enough to take on the law and the national media. Who knew Billie Jean and Co. were only armed with guns from a toy store? Or that hostage Lloyd (Keith Gordon) tied himself up to be with the gang? Lloyd said: "ln a crazy world, you've got to be crazier than they are". And that's when Billie Jean became a legend...
In May of 2020, a standoff between a small-town sheriff (Joaquin Phoenix) and mayor (Pedro Pascal) sparks a powder keg as neighbour is pitted against neighbour in Eddington, New Mexico. A provocative, era-defining thriller from Ari Aster (Hereditary, Midsommar) that unpacks the forces that led us to where we are today, featuring a powerhouse ensemble including Austin Butler and Emma Stone.
After 6-year-old Andy Barclay's (Alex Vincent) babysitter is violently pushed out of a window to her death, nobody believes him when he says that "Chucky", his new birthday doll, did it! Until things start going terribly wrong...dead wrong. And when an ensuing rampage of gruesome murders lead a detective (Chris Sarandon) back to the same toy, he discovers that the real terror has just begun...the deranged doll has plans to transfer his evil spirit into a living human being - young Andy!
Since the sudden and highly suspicious death of his parents, 12-year-old Damien (Jonathan Scott-Taylor) has been in charge of his wealthy aunt and uncle (Lee Grant and William Holden). Widely feared to be the Antichrist, Damien relentlessly plots to seize control of his uncle's business empire - and the world. Meanwhile, Damien's sinister past of fiendish future meets with a swift and cruel demise. In this chilling sequel to The Omen, the forces of good and evil battle each other to a taut and terrifying end.
Nobody Ruins His Vacation. Bob Odenkirk returns as Hutch, an overworked assassin who just needs a break, in this bareknuckle action-thriller. After deciding to take his family to a tourist town for some fun in the sun, a minor encounter with local bullies yanks the family into the crosshairs of an unhinged, blood-thirsty crime boss (Sharon Stone), who is determined to derail his relaxation.
Realizing that her son Andy (Gabriel Bateman) is lonely, Karen (Aubrey Plaza) brings home a technologically sophisticated "Buddi" doll named Chucky. But Chucky is no innocent toy - he's sinister, and his safety restrictions have been disabled! Soon, a gruesome series of events unfolds around Karen and Andy. Unable to convince his mom that the doll is responsible for the carnage, Andy becomes the target of the seemingly unstoppable, bloodthirsty Chucky!
As WW1 rages on, the Choral Society in a small English town has lost most of its men to the army. The Choral's committee is determined to press ahead with new recruits. They engage a driven new chorus master, Dr. Henry Guthrie (Ralph Fiennes) - recently returned from a career in Germany. As conscription papers start to arrive, the community discovers that the best response to the war is to make music together.
Director Damien Chazelle and star Ryan Gosling reteam for the riveting story behind the first manned mission to the moon, focusing on Neil Armstrong and the decade leading to the historic Apollo 11 flight. A visceral, intimate account told from Armstrong's perspective and based on the book by James R. Hansen, the film explores the triumphs and the cost on Armstrong, his family, his colleagues, and the nation itself for one of the most dangerous missions in history.
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