When seriously ill teenager Milla (Eliza Scanlen) falls in love with free-spirit Moses (Wallace), it's her parents, Henry (Ben Mendelsohn) and Anna's (Essie Davis), worst nightmare. But as Milla's first brush with love brings her a new lust for life, things get messy and traditional morals go out the window. Milla shows everyone in her orbit - her parents, Moses, a sensitive music teacher, a budding child violinist, and a disarmingly honest pregnant neighbour - how to live like you have nothing to lose. What might have been a disaster for the family instead leads to letting go and finding grace in the glorious chaos of life.
In this Oscar-winning farce, Cary Grant (in the role that first defined the Cary Grant persona) and Irene Dunne exude charm, cunning, and artless affection as an urbane couple who, fed up with each others infidelities, resolve to file for divorce. But try as they might to move on, the mischievous Jerry can't help meddling in Lucy's ill-matched engagement to a corn-fed Oklahoma businessman (Ralph Bellamy), and a mortified Lucy begins to realize that she may be saying goodbye to the only dance partner capable of following her lead. Directed by the versatile Leo McCarey, a master of improvisation and slapstick as well as a keen and sympathetic observer of human folly, 'The Awful Truth' is a warm but unsparing comedy about two people whose flaws only make them more irresistible.
When the government of Indonesia was overthrown by the military in 1965, more than one million people were killed in less than a year. Anwar and his friends were promoted from ticket scalpers to death squad leaders, and Anwar killed hundreds of people with his own hands. In 'The Act of Killing', Anwar and his friends agree to tell us the story of the killings. But their idea of being in a movie is not to provide testimony for a documentary: they want to be stars in their favourite film genres - gangster, western, musical. They write the scripts. They play themselves. And they play their victims. 'The Act of Killing' is a nightmarish vision - a journey into the memories and imaginations of the unrepentant perpetrators and the shockingly banal regime of corruption and impunity they inhabit.
Yasujiro Ozu's hugely influential award-winning masterpiece, 'Late Spring', is a tender meditation on family politics, sacrifice and the status quo. Noriko (Setsuko Hara) and her father, Professor Somiya (Chishu Ryu), live together in perfect harmony but old certainties are put at risk when an interfering aunt raises the question of marriage. Introducing Ozu's popular Noriko character, 'Late Spring' poignantly examines the gradual compromise between modernity and tradition.
Krzysztof Kieslowski's "Dekalog" is one of the greatest achievements of the late twentieth century - as much an intricate work of moral philosophy as it is a collection of psychologically riveting narratives. Each standalone stop/ revolves around the consequences arising from a breach of one of the Ten Commandments, but this is no finger-wagging religious tract: Kieslowski was one of film history's keenest observers of human nature, and his troubled, vainglorious, self-deceiving, deeply flawed characters (many played by some of Poland's finest character actors) are all too universally recognisable. "Dekalog" is merely the highlight of a box set that compiles virtually all of Kieslowski's television work, starting with his first professional short fiction film and continuing with four feature-length pieces that are in every way as probing and incisive as his better-known cinema films.
Noel Coward's sensitive portrayal of what happens when two happily married strangers, played by Trevor Howard and Celia Johnson, meet and their acquaintance deepens into affection and eventually into love. It is the story of two people, thrown together by the chance meeting of the title, helpless in the face of their emotions but redeemed by their moral courage. Over the years few films have equalled the compassion and the realism of Brief Encounter.
Regarded by many as the world's finest director, and renowned for his exact, formalist style, Yasujiro Ozu made his first film in 1927 and went on to direct 55 films before his death in 1963. It was only during his final years, however, that his genius as a film-maker was recognised in the West alongside such contemporaries as Bunuel, Bergman and fellow countryman Kurosawa. Early Summer (1951) further explores Noriko's relationship with her family, and examines her role as a modern woman in a traditional society.
When college nostalgia inspires a group of middle-aged businessmen to match-make for the widow - played with measured dignity by Setsuko Hara (Tokyo Story) - of one of their friends and her daughter, they have no idea of the strife their careless interference will cause. Late Autumn's examination of familial upheaval moves effortlessly from comedy to pathos and is amongst the finest of legendary director Yasujiro Ozu's post-war films.
Rory (Jude Law) an ambitious entrepreneur, persuades his wife (Carrie Coon), and their children to leave America and return to his native England during the 1980's. Sensing opportunity, Rory rejoins his former firm and leases a centuries-old country manor. However, all is not as it seems and soon the promise of a lucrative new beginning starts to unravel and the couple have to face the secrets and unwelcome truths that lie beneath the surface of their marriage.
You have a lot of time to think when you're locked away seven years. So criminal mastermind Doc (Sam Jaffe) conceives what he believes is the perfect heist. As in 'The Maltese Falcon' and 'The Treasure of the Sierra Madre', director John Huston explores the feverish grab for the big score and how it unravels in 'The Asphalt Jungle', a renowned tale of dishonour among thieves whose cast includes Sam Jaffe as Doc and Sterling Hayden as Doc's unflappable gundel. Louis Calhern portrays Emmerich, the shady lawyer for whom "crime is only a left-handed form of human endeavour". And rising star Marilyn Monroe grabs everyone's attention as the doxie who briefly provides Emmerich with the most gorgeous alibi ever to reach the screen.
With a screenplay adapted by Leonard Gardner from his own novel, John Huston's drama examines the meager hopes and resigned dreams of small-time boxers. In limbo between retirement and his youthful prime, alcoholic farm laborer Tully (Stacy Keach) shacks up with fellow outcast Oma (Susan Tyrrell) and keeps trying to make a boxing comeback, but his personal demons repeatedly overpower his ambitions. Meanwhile, fellow Stockton, CA resident and budding fighter Ernie (Jeff Bridges) takes Tully's advice to join trainer Ruben (Nicholas Colasanto)'s gym and make something of himself. Learning the tough lesson that winning is not as easy as it sounds, Ernie is still determined to get what he can out of boxing and, unlike Tully, not let disappointments get the best of him.
Los Angeles, city of angels. Amnesiac and wounded, a mysterious femme fatale wanders on the sinuous road of Mulholland Drive. She finds a shelter at Betty's house (Naomi Watts). an aspiring actress just arrived from her hometown and in search of stardom in Hollywood. First of all intrigued by the stranger who calls herself Rita (Laura Elena Harring), Betty discovers that her handbag is dull of dollar bundles. The two women get to know each other better and decide to investigate in order to discover Rita's true identity....
'Petite Maman' is a sublime modern fairytale about the quiet wonder of mother-daughter relationships. After the death of her beloved grandmother (Margot Abascal), eight-year-old Nelly (Joséphine Sanz) meets a mysterious friend in the woods. Together they embark on a fantastical journey of discovery which helps Nelly come to terms with this newfound loss. Celine Sciamma's new masterwork examines childhood, memory and loss with a typically delicate touch, elegantly weaved together into an enchanting and moving depiction of love and acceptance.
Recovering drug addict Anders (Anders Danielsen Lie) is given a day's leave from his rehab centre to apply for a job in the city. Over the course of one day and night, he tries to reconnect with his old friends and family in Oslo, where the ghosts of his past mistakes wrestle with the hope to see some future by morning.
Acclaimed filmmaker Joachim Trier returns with 'The Worst Person in the World', a wistful and subversive romantic drama about the quest for love and meaning. Set in contemporary Oslo, it features a star-making lead performance from Renate Reinsve as a young woman who, on the verge of turning thirty, navigates multiple love affairs, existential uncertainty and career dissatisfaction as she slowly starts deciding what she wants to do, who she wants to be, and ultimately who she wants to become. As much a formally playful character study as it is a poignant and perceptive observation of quarter-life angst, this life-affirming coming of age story...
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