A middle-class schoolteacher, stuck in a government-enforced teaching post in an arid backwater, stops off in the mining town of Bundanyabba on his way home for the Christmas holidays. Discovering a local gambling craze that may grant him the financial independence to move back to Sydney for good, the opportunity proves irresistible. But the bad decisions are just beginning and a reliance on local standards of hospitality in "the Yabba" may take him on a path darker than ever expected.
This playful, profound, and immensely moving docu-fantasia by Kirsten Johnson is a valentine to the director's beloved father, Dick Johnson, made as she is beginning to face the reality of losing him to dementia. Using the language of cinema both to defy death and to confront it head-on, Johnson mischievously envisions an array of ways in which the man she loves most in the world might die, staging a series of alternately darkly comic and colorfully imaginative tableaux interwoven with raw verite footage capturing the pair's tender but increasingly fragile bond. Tackling taboo questions of aging, mortality, and grief with subversive humor and surprising grace, 'Dick Johnson Is Dead' is ultimately a triumphant celebration of life, and of the gentle, funny, unforgettable man at its center. Long live Dick Johnson.
Agnes Varda's classic 'Cleo from 5 to 7' from 1962 manages to successfully capture Paris at the height of the sixties in this intriguing tale expertly presented in real time about a singer (Corinne Marchand) whose life is in turmoil as she awaits a biopsy test result.
The audacious new film from writerdirector Sean Baker (The Florida Project, Tangerine), starring Simon Rex in a magnetic, live-wire performance, 'Red Rocket' is a darkly funny and humane portrait of a uniquely American hustler and a hometown that barely tolerates him.
The stunning debut from Scottish writer-director Charlotte Wells, 'Aftersun' juxtaposes a hopeful coming-of-age story with a poignant, intimate family portrait that leaves an indelible impression. At a fading vacation resort in the late 1990's, 11-year-old Sophie (Frankie Corio) treasures rare time together with her loving and idealistic father, Calum (Paul Mescal). As a world of adolescence creeps into view, beyond her eye Calum struggles under the weight of life outside of fatherhood. Twenty years later, Sophie's tender recollections of their last holiday become a powerful and heartrending portrait of their relationship, as she tries to reconcile the father, she knew with the man she didn't, in Charlotte Wells' superb and searingly emotional debut film.
CoIm Bairead's beautifully understated feature debut finds a young girl coming to terms with loss and the importance of family in rural Ireland. Cait (Catherine Clinch), a quiet, neglected young girl, is sent away from her dysfunctional family to live with relatives for the summer. At first intimidated by her new environment, she quickly blossoms in the care of Eibhlin (Carrie Crowley) and her farmer husband, Sean (Andrew Bennett). As this new home becomes an idyll for her, Cait senses that something is plaguing her new foster parents - an unspoken pain that Eibhlin and Sean never discuss, which Cait's youthful curiosity begins to uncover.
'Pather Panchali' tells the story of a family living in the grip of poverty in a small Bengali village, focusing on the experiences of a young boy, Apu (Subir Banerjee), and paying careful attention to a series of ordinary events: Apu's father sets off to the city in search of work, leaving his wife to take care of the children and an elderly aunt; a frugal meal is prepared; rains flatten the landscape; a train passes by; someone dies.
Power, politics, money...it's all in the family in this Emmy-winning series. With aging media patriarch Logan Roy (Brian Cox) on the precipice of retirement, each of his four grown children angles to position themselves for a post-Logan world. Jeremy Strong, Kieran Culkin, Sarah Snook, Matthew Macfadyen, Nicholas Braun and Alan Ruck head up a stellar cast.
In this long-awaited film adaptation of Judy Blume's classic, groundbreaking novel, eleven-year-old Margaret (Abby Ryder Fortson) is uprooted from her life in New York City to the suburbs of New Jersey, going through the messy and tumultuous throes of puberty with new friends in a new school. She relies on her mother, Barbara (Rachel McAdams), who is also struggling to adjust to life outside the big city, and her adoring grandmother, Sylvia (Kathy Bates). A timeless coming-of-age story, 'Are You There God? It's Me, Margaret.' sparkles with insightful humour while candidly exploring life's biggest questions.
Lana Turner is Lora, whose search for success as an actress causes her to neglect her daughter, Sandra Dee. Juanita Moore stars as Lora's black housekeeper whose daughter repudiates her mother by trying to pass for white. As the years pass, each of the four women realises that she has been living out an emotionally fruitless existence.
Killer Of Sheep is an undisputed masterpiece of African-American filmmaking and one of the most poetic, perceptive dramas ever made about family and community. This acclaimed tale of a disillusioned slaughterhouse worker-and the solace to be found in the simplest moments of life-is tender, witty, and affectionate. With lovely neorealist photography - capturing the long, hot days of 1970s Los Angeles - and a gorgeous blues soundtrack (Dinah Washington, Paul Robeson and Little Walter all feature) the film has a quiet emotional power.
Dita Parlo stars as a young bride who begins married life aboard her husband's barge on the Seine. But within the boat's cramped confines, shared with a small crew (including the eccentric Pere Jules, memorably played by Michel Simon) and an abundance of cats, the relationship begins to founder. Vigo imbues this simple tale, beautifully shot by Boris Kaufman, with social realism, lyrical romance and sensual eroticism to create a unique and enduring classic.
L'Atalante (1934)
This intoxicatingly inventive masterpiece is one of the world's great films. A simple and engaging plot is transformed into a kaleidoscope of dazzling digressions and offbeat characterizations complete with tour-de-force scenes that still seem fresh and startling.
À Propos de Nice (1930)
What starts off as a conventional travelogue turns into a satirical portrait of the town of Nice on the French Cote d'Azur, especially its wealthy inhabitants.
Taris (1931)
An Inventive short portrait of a swimming champion.
Zero de Conduite (1933)
A radical, delightful tale of boarding-school rebellion that has influenced countless film-makers.
Three British teenage girls go on a rites-of-passage holiday, drinking, clubbing and hooking up in what should be the best summer of their lives. As they dance their way across the sun-drenched streets of Malia, they find themselves navigating the complexities of sex, consent and self-discovery.
Nora (Greta Lee) and Hae Sung (Teo Yoo), two deeply connected childhood friends, are wrest apart after Nora's family emigrates from South Korea. Two decades later, they are reunited in New York for one fateful week as they confront notions of destiny, love, and the choices that make a life, in this heartrending modern romance.
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