Sophie Turner stars as Joan Hannington, a penniless mother who becomes addicted to the thrill of crime in 1980s London. Joan, a devoted mother io her six-year-old daughter, is trapped in a disastrous marriage with a violent criminal named Gary (Nick Blood). When Gary goes on the run, Joan seizes the opportunity to create a new life for herself and her daughter. Adopting new identifies and making new acquaintances along the way, Joan becomes a masterful jewel thief. She embarks on a thrilling, high-stakes journey that challenges her every limit, driven by her desire to care for her daughter and create a secure home for them both.
In the summer of 2014, Bernard Jordan (Michael Caine) made global headlines. He had staged a "great escape" from his care home to join fellow war veterans on a beach in Normandy, commemorating their fallen comrades at the D-Day Landings 70th anniversary. It was a story that captured the imagination of the world as Bernie embodied the defiant, "can-do" spirit of a generation that was fast disappearing. But of course, it wasn't the whole story. It was an inspirational but sanitised retelling of one man's need to come to terms with the lasting trauma of war. Bernie's adventure, spanning a mere 48 hours, also marked the culmination of his 60-year marriage to Rene (Glenda Jackson) - "The Great Escaper" celebrates their enduring love but always with an eye to the lessons we might learn from the Greatest Generation.
In this spy thriller, Charlie Heller (Rami Malek) is a brilliant but deeply introverted CIA decoder working out of Langley. When his wife is killed in a London terrorist attack, and his supervisors refuse to act, Heller embarks on a dangerous trek, crisscrossing the globe to take down those responsible, his intelligence being his ultimate weapon.
Nathan Caine (Jack Quaid) was born with a rare genetic disorder where he can't feel any pain. When the girl of his dreams (Amber Midthunder) is taken hostage in a bank heist, he turns his inability to feel physical pain into an unexpected strength in the fight to get her back.
Fulfilling a long-time fantasy, Doc Brown (Christopher Lloyd) has decided to live in the Old West of the 1880's. But when he's in danger of meeting an untimely end, Marty (Michael J. Fox) travels back into the past to rescue him. There's just one problem: Doc is so smitten by schoolteacher Clara Clayton (Mary Steenburgen) that he's become a little...distracted. Now, it's up to Marty to keep Doc out of trouble, get the DeLorean running, and put the past, present and future on track so they can all get back to where - and when - they belong!
A stunning and beautiful film, "Mr. Turner" tells the extraordinary story of Britain's greatest ever artist. As Turner (Timothy Spall) produces masterpieces ahead of his time that challenge the art world, so he has to confront his own ever changing circumstances and deal with love and loss.
Marty (Michael J. Fox) and Doc (Christopher Lloyd) have barely recovered from their first time-travelling adventure when they launch themselves once more into the space-time continuum. But this time around, their attempt to fine-tune the future in the year 2015 creates an outlandish, alternate 1985 Hill Valley where bully Biff Tannen (Thomas F. Wilson) is rich, powerful and...Marty's dad! Now, their only chance to fix the present is by going back to 1955 all over again. But can Doc and Marty patch up the past without igniting a universe-shredding time
Fans of Williams' dramatic work also savor his Garp, a sweet-natured writer whose life is a weird minefield of violence, adultery, fatherhood, rampant feminism and eerie coincidence. Glenn Close (her film debut) as Garp's formidable mother and John Lithgow as a transsexual ex-NFL receiver give impressive support.
The year is 1985 - but not for long. Because teenager Marty McFly (Michael J.Fox) is about to be blasted back to 1955 aboard the plutonium-powered DeLorean created by eccentric genius Doc Emmett Brown (Christopher Lloyd). But when Marty accidentally keeps his parents-to-be from falling in love, it triggers a time shattering chain reaction that could vaporise his future - and leave him trapped in the past! Now, Marty's last hope is to change history - before the clock runs out in his only chance to get himself Back to the Future!
First dates can be rough. In this mind-bending action thriller from the director of 'Happy Death Day', they can also be deadly. Violet (Meghann Fahy) is a widowed mother who has worked up the courage to go on her first date in years with a charming photographer named Henry. The cute couple's killer chemistry is rudely interrupted by a series of anonymous drops to Violet's phone showing a masked intruder entering her home and ordering her to follow a series of instructions. Violet must do exactly as she's told or her loved ones will die. Her unseen tormentor's final directive? Kill Henry.
In the early summer of 1956, 23 year-old Colin Clark (Eddie Redmayne), just down from Oxford and determined to make his way in the film business, worked as a lowly assistant on the set of 'The Prince and the Showgirl'. The film that famously united Sir Laurence Olivier (Kenneth Branagh) and Marilyn Monroe (Michelle Williams), who was also on honeymoon with her new husband, the playwright Arthur Miller (Dougray Scott). Nearly 40 years on, his diary account The Prince, the Showgirl and Me was published, but one week was missing and this was published some years later as My Week with Marilyn - this is the story of that week. When Arthur Miller leaves England, the coast is clear for Colin to introduce Marilyn to some of the pleasures of British life; an idyllic week in which he escorted a Monroe desperate to get away her retinue of Hollywood hangers-on and the pressures of work.
In New York in 1925, the rage of the lower East Side is burlesque - particularly Minsky's Burlesque at the National Winter Garden Theatre. Yet all is not well at Minsky's. Billy Minsky (Elliott Gould), who operates the house, is at odds with his father, because the theatre is under investigation by Vance Fowler (Denholm Elliott), head of the Society for the Suppression of Vice. Although Minsky's stops short of striptease, the chorus girls and double-entendre comedy are enough to excite the society's anger. Meanwhile, into the world of Minsky's drifts Rachel Schpitendavel (Britt Ekland), a young girl who has run away from home and her harsh father to become a dancer in the big city. Her speciality is dancing biblical scenes. When they meet Rachel, Minsky's two top comics immediately begin to compete for her affections. But soon they find another use for her - they plan to spread the word that Minsky's will stage a scandalous dance, then force the Society for the Suppression of Vice into an apology when all that materializes is Rachel's innocent routine. The plan to ensure Minsky's lease is renewed seems foolproof - until matters are complicated by the arrival of Rachel's furious father, who is searching the town for his daughter...
Anatole "Zsa-zsa" Korda (Benicio del Toro) - ruthless, unscrupulous, one of the richest men in Europe - fights for his life in Wes Anderson's: 'The Phoenician Scheme'. During the final stages of a vast, decades-long, career-defining business project, Korda survives a sixth assassination attempt and must appoint a successor: his long-estranged daughter Liesl (Mia Threapleton) - a nun. With personal tutor Bjorn (Michael Cera) in tow, the trio set off on a globetrotting adventure to achieve Korda's epic mission.
Leonardo Dicaprio stars as J. Edgar Hoover, head of the Federal Bureau of Investigation for nearly 50 years. Hoover was feared, admired, reviled and revered, a man who could distort the truth as easily as he upheld it. His methods were at once ruthless and heroic, with the admiration of the world his most coveted prize. But behind closed doors, he held secrets that would have destroyed his image, his career and his life.
Reserved and quiet, Lynn, a young chambermaid, diligently cleans the rooms of die hotel guests. Lynn's got a secret though- like a true voyeur, she also loves to get under the guests beds to observe their most intimate moments. One day she meets her match in Chiara, a sexy call girl who challenges all she knows about sexuality and introduces her to a bold new world of fetishism and submission .
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