John Wayne is Lt. Col. Kirby Yorke, attached to the Texas frontier in 1879 to protect settlers from attacks by Apaches. When Yorke's son a West Point flunkee turned Army private - is assigned to his father's regiment, tensions flare upon the arrival of Yorke's estranged wife Kathleen (Maureen O'Hara), who wants their teenaged son out of Yorke's unit. After Apaches attack, the stakes of Yorke's mission escalate, and he must journey to Mexico where the Apaches are hiding out. With his son and two old recruits (Ford / Wayne regulars Ben Johnson and Harry Carey Jr.) as accompaniment, Yorke faces his toughest battle.
"Pandora and the Flying Dutchman" is writer, producer and director Albert Lewin's lushly romantic visualisation of the often-told legend of the sea. A glamorous Ava Gardner is Pandora, who falls hard for the charismatic James Mason as Hendrik, a 17th-century seaman eternally condemned to sail the oceans.
Based on a novel by George Bernanos, 'Diary of a Country Priest' marked the first in Director Robert Bresson's so-called "prison trilogy" (followed by 'Pickpocket' and 'A Man Escaped'). The film begins with the arrival of a young, sickly priest (Claude Laydu) at the godless parish of Ambricourt in Northern France. Here he becomes drawn into the complex domestic life of a wealthy Count (Jean Riveyre), his tormented wife, his manipulative daughter and his mistress, Miss Louise (Nicole Maurey). Narrated by excerpts of the priest's diary, the film follows his efforts to awaken the villagers from their spiritual lethargy, with their struggles, suffering and triumphs representing in a microcosm those of humankind itself. Bresson's intensely personal style, minimalist approach to dialogue and music, and use of non-professional actors marked a new kind of filmmaking, which was to influence such diverse directors as Paul Schrader, Richard Linklater and Andrei Tarkovsky.
Clift stars as George Eastman, a poor young man determined to win a place in respectable society and the heart of a beautiful socialite (Elizabeth Taylor). Shelley Winters plays the factory girl whose dark secret threatens Eastman's professional and romantic prospects; consumed with fear and desire, Eastman is ultimately driven to a desperate act of passion that unravels his world forever...
In one of the most powerhouse performances in American screen-acting, the great Kirk Douglas stars as Chuck Tatum, a newspaper reporter who stumbles upon a potentially career-making story in Albuquerque, New Mexico. When Tatum begins to influence the story's outcome, a descent begins that finds more than one man caught between a rock and a hard place. An electric narrative that stands as one of Wilder's tautest and most (melo)dramatic plots (penned with Lesser Samuels and Walter Newman), 'Ace in the Hole' plays today as both a prescient examination of the modern media landscape, and the public appetite for the disastrous news-story that leads to toxic wish-fulfillment.
Tennis star Guy Haines (Farley Granger) half-jokingly muses about killing his wife with a stranger he meets on a train, unhinged playboy Bruno Anthony (Robert Walker), who'd prefer his father be deceased. In theory, each could murder the other's victim. Crisscross. No motive. No clues. No problem... except: Bruno takes the idea seriously, with deadly consequences.
Holland (Alec Guinness) is a shy, retiring man who works as a bank transfer agent for the delivery of gold bullion. One day he befriends Pendlebury (Stanley Holloway), a maker of souvenirs. Holland remarks that, with Pendlebury's smelting equipment, one could forge the gold into harmless-looking toy Eiffel Towers and smuggle them into France. Soon after, they gain the services of professional criminals Lackery (Sidney James) and Shorty (Alfie Bass) and the four plot what they believe will be the perfect crime - which turns out to be anything but!
Kelly plays an ex-GI who loves Paris and loves even more an alluring (but engaged) perfume-shop clerk. Dance sequences spun around Gershwin songs accent Kelly's romantic pursuit. And the final 17-minute ballet - combining the title symphony. Impressionist set stylings and Kelly's unique talent for telling a story in dance - lifts this winner of six Academy Awards including Best Picture into the ether of timelessness. Love Is Here To Stay Kelly sings. So is An American In Paris.
The story of the fragile sentimentalism of a former prostitute who visits her sister only to be taunted mercilessly by her childish brother-in-law. A Streetcar Named Desire: The Original Director's Version is the Elia Kazan/ Tennessee Williams film moviegoers would have seen had not Legion of Decency censorship occurred at the last time. It features three minutes of previously unseen footage underscoring, among other things, the sexual tension between Blanche DuBois (Vivien Leigh) and Stanley Kowalski (Marlon Brando), and Stella Kowalski's (Kim Hunter) passion for husband Stanley.
A spaceship lands in Washington, D.C., capturing the attention of the world. But the peaceful alien emissary (Michael Rennie) it brings fails to earn the public's trust. When a young woman and her son befriend him, they soon realise they may be all that stands between the human race and total destruction.
Take two legendary co-stars, a rip-roaring boys own story, a fearless director and an eventful location shoot in Zaire and Uganda and you get 'The African Queen' - the best loved of all adventure movies. During World War One, a hard drinking river trader (Humphrey Bogart) and a prim missionary (Katharine Hepburn) are forced to take a hazardous river expedition together, encountering tropical hazards, nefarious German officers and a surprising romance.
Set in the harsh environment of post war Rome, Vittorio De Sica's masterpiece examines society's indifference toward the poor and downtrodden. An old age pensioner, receiving a totally inadequate pension, struggles to survive and is driven to desperation and the contemplation of suicide. Set in real locations with a non professional cast, 'Umberto D.' conveys the harshness and wretchedness of old age in a simple but devastatingly realistic way, avoiding sentimentality but evoking great emotion.
Silent movies are giving way to talking pictures - and a hoofer-turned-matinee idol (Gene Kelly) is caught in that bumpy transition, as are his buddy (Donald O'Connor), prospective ladylove (Debbie Reynolds) and shrewish costar (Jean Hagen).
On the day Lawman Will Kane (Gary Cooper) trades in his tin star for his beautiful bride (Gracy Kelly), news arrives that a killer he helped send to jail is returning on the noon train to seek revenge. At the behest of his friends and concerned for his new bride's safety, they quickly leave town to avoid a confrontation. But Cooper release they'll never run far enough away, and heads back to town to face the killer. But when Kane tries to drum up support, one by one the townspeople he had protected turn their backs on him...until Kane stands alone to face four killers on the deserted streets of town in one of the most famous showdowns ever!
1940, Paulette (Brigitte Fossey), a young French girl, is orphaned in a Nazi air attack during the battle of France. She is befriended by Michel (Georges Poujouly), the son of a poor farmer whose family take her in to their home to care for her. Together the two children forge a tight bond, attempting to come to terms with the realities of the death and destruction that surrounds them by creating their own reality, building their own small graveyard to bury dead animals they find. In this sealed universe they have created, Paulette and Michel experience their first and most wonderful love story.
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