griggs's - Rented List

She loves him when he goes away for months. She loves him when he refuses to marry her. But when callow David Sutton (Van Heflin) chooses to marry someone else, Louise Howell's (Joan Crawford) love for him takes a darker turn. Give her a gun and she'll love him to death.

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No matter what rolled in on the tides of time, California surfing buddies Matt (Jan-Michael Vincent), Jack (William Katt), and Leroy (Gary Busey) knew they'd stick together. And that they'd be ready when a rare 20 foot swell hit the coast at last...

'Big Wednesday' celebrates surfing as much as the most dedicated kid who ever waxed a board. It's also a fascinating 1962-1974 chronicle of friendships and lifestyles in transition. John Millius directs and co-scripts with a passion for the ultimate ride and a truthful feel for those turbulent times.

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Two children, Voula (Tania Palaiologou) and her young brother Alexander (Michalis Zeke), run away from their Athens home to search for their father, whom their mother has told them lives in Germany.

Boarding an express train, the children begin an epic journey into the chaos of the world and away from the innocence of childhood. Beautifully photographed by Giorgios Arvanitis and referencing several of Angelopoulos' earlier works, this extraordinary coming of age tale paints a dark portrait of Greece in the eighties - a country caught between its past and present, struggling to find a place in the future.

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Edinburgh, 1932. The world is on the cusp of change and at the forefront, leading the charge is the estimable Miss Brodie (Maggie Smith), teacher at the Marcia Blaine School for girls. As a new term begins for Miss Brodie, she is fully prepared.

For whatever the subject, Miss Brodie is adept at bringing it around to the experiences girls should look forward to when they too are in their prime. Meanwhile Miss Brodies personal life is not so clear cut, torn as she is between the passionate advances of a young married artist, and the more conservative desires of a mature associate, she nevertheless manages to walk a strident path somewhere between the two. But Miss Brodies philosophy for living rubs up against the schools rigid moral standards, and when one of her young charges is inspired into a tragic act of foolhardy bravery, an act of almost religious betrayal follows that will shake the firm convictions of Miss Brodie to the core.

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John Cummings (Richard Todd) is one of life's near failures. A toiletry salesman, he buys a flash car he cannot afford to insure. When it is stolen by a gang running a car theft racket, he vows to retrieve it whatever the cost - hi job, his family and his dignity.

He begins to delve into a sinister criminal underworld with potentially lethal consequences.

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Robbing 36 banks was a breeze!! Watch what happens when they hit the 37th. Wonderfully directed by acclaimed director Robert Altman, 'Thieves Like Us' delves into the lives of Depression-era on-the-lam bank robbers.

In 1930s Mississippi, convicted murderer Bowie (Keith Carradine) and his two buddies make a daring escape from prison. With jobs scarce, they turn to the only thing they will know: robbing banks. Armed and dangerous, they leave a trail of empty banks and gun smoke in their wake through the Midwest, as the newspapers report their exploits to a rapt public. While holed up in a rural farmhouse, Bowie finds love with a simple young woman named Keechie (Shelley Duvall). Though they dream of a future together, Bowie knows it's only a matter of time before the authorities will move in - with their guns blazing!

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Based on the classic novella by Thomas Mann, this late-career masterpiece from Luchino Visconti is a meditation on the nature of art, the allure of beauty, and the inescapability of death.

A fastidious composer reeling from a disastrous concert, Gustav von Aschenbach (Dirk Bogarde, in an exquisitely nuanced performance) travels to Venice to recover. There, he is struck by a vision of pure beauty in the form of a young boy named Tadzio (Bjorn Andrcscn), his infatuation developing into an obsession even as rumors of a plague spread through the city. Setting Mann's story of queer desire and bodily decay against the sublime music of Gustav Mahler, 'Death in Venice' is one of cinemas most exalted literary adaptations, as sensually rich as it is allegorically resonant.

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The story about the special bond between a father and his daughter. Actor Johnny Marco (Stephen Dorff) is leading the fast-paced lifestyle of a tabloid celebrity.

He's comfortably numb with his life of women and pills when his 11-year-old daughter, Cleo (Elle Fanning), unexpectedly arrives at his room at Hollywood's legendary Chateau Marmont hotel. Their time together encourages Johnny to re-question his life in ways he never expected.

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Justin Playfair (George C. Scott) is a retired New York judge who retreats into fantasy following the death of his wife.

Believing himself to be Sherlock Holmes, equipped with deerstalker hat, pipe and cape, he whiles away his days in a homemade criminal lab where he plots to foil the dastardly schemes of elusive arch-enemy Moriarty. When his brother Blevins (Lester Rawlins) tries to have him committed to a mental institution, Playfair is assessed by psychiatrist Mildred Watson (Joanne Woodward), who becomes absorbed by his delusions. In no time at all, Dr. Watson becomes the bogus fictional detective's constant companion. What follows is a playful exploration of individuality and insanity in an alienating world, in which phantom obsessions and shared mysteries can lead to true fellowship and romance. Adapted by James Goldman (The Lion in Winter) from his own stage play, 'They Might be Giants' is a captivating Quixote for modern times.

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With the imminent arrival of the Queen, Britannia Hospital couldn't be any less prepared. With striking workers only allowing patients near to death into the hospital, the kitchen staff refusing to prepare food until union leaders are bought off with promises of O.B.E.

's, and the head surgeon conducting, with public funds, expensive, deranged experiments, like inventing a modern Dr. Frankenstein - there is nothing short of anarchy! With Mick Travis (Malcolm McDowell) hot on their heels as the undercover investigative TV reporter catching all this bedlam on film, this energetic black comedy is a very bleak insight into the wrongs of modern Westernised culture.

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De Sica's film depicts the troubled lives of two young boys caught up in the chaos of a world plagued by poverty and unemployment. Giuseppe (Rinaldo Smordoni) and Pasquale (Franco Interlenghi) work on the street, where they shine the shoes of American troops.

They dream of a better life, seeking solace in a horse that they ride to escape their harsh reality. When the boys are implicated in a petty crime, they are punished by the society that has robbed them of their innocence, resulting in tragic consequences.

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After escaping from a violent cult in rural New York, Martha (Elizabeth Olsen) tries to reconnect with her estranged sister, Lucy (Sarah Paulson), and Lucy's well-to-do husband, Ted (Hugh Dancy), but the brainwashing she endured continues to prevent her from forming an identity of her own.

Overwhelmed with paranoia, guilt and shame, Martha isolates herself until Lucy begins to suspect her sister's emotional trauma has deeper underlying causes.

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Aspiring French novelist, Agathe (Camille Rutherford), dreams of experiencing love akin to a Jane Austen novel. Instead she finds herself stuck in desperate singlehood, working in the legendary British bookshop in Paris, 'Shakespeare & Co.', rather than pursuing her own writing ambitions.

But then an unexpected invitation to the Jane Austen Writers' 'Residency in England' arrives. An eye-opening experience, in part thanks to her eccentric co-residents, Agathe is encouraged to confront her insecurities and explore her true romantic, sexual and creative nature. It's time to stop wasting her sentimental life and take control - over both her writing aspirations, and her very own love story.

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Berlin, 1923. Out-of-work circus performer Abel Rosenberg (David Carradine) is living in poverty.

When his brother commits suicide, he moves into the apartment of his cabaret singer sister-in-law (Liv Ullmann), but the pair soon attract the attentions of both the police and a professor with a terrifying area of research when they start to make enquiries about Abel's brother's mysterious death.

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Shot in a dazzling combination of luminous black and white celluloid and state of the art colour saturated digital video, 'Eloge de l'amour' concerns an author (Bruno Putzulu) and the beautiful young woman (Cecile Camp) he is considering for a part in a project he is writing which deals with the

four key moments of love. Convinced that he may have met the woman before, we travel back two years in time to a series of interviews with an elderly couple who fought in the Resistance. Could this be where the enigmatic pair first met?