griggs's - Rented List

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Twelve-year-old Fresh (Sean Nelson) is a runner in Brooklyn, carrying heroin for the intimidating Esteban (Giancarlo Esposito) and crack cocaine for local dealers.

Seeking an escape from the ruthless environment he's been subjected to, Fresh uses the lessons learnt from his chess-playing father (Samuel L. Jackson) - as well as his own sharp survival instincts - to turn his dangerous employers against each other in the hope that it will free him from their grip.

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Bogie's on the run and Bacall's at his side in Delmer Daves' stylish film-noir thriller that's the third of four films Humphrey Bogart and Lauren Bacall made together. Bogart is Vincent Parry, a prison escapee framed for murder who emerges from plastic surgery with a new face.

Bacall is Irene Jansen, his lone ally. In sharp support, Agnes Moorehead plays a venomous harpy finding pleasure in the unhappiness of others. The leads' chemistry is undeniable, augmented here with exceptional tenderness. Exceptional too are San Francisco locations and creative camerawork that shows Vincent's point of view - but not his face - until bandages are removed. Lest Irene get ideas, post-surgery Vincent tells her: "Don't change yours. I like it just as it is". So do we.

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Warren Beatty and Jean Seberg co-star in this haunting drama about the obsessive love between a therapist and his patient.

Vincent (Beatty), a war veteran, returns to his bleak Maryland hometown and takes a job as an occupational therapist at Poplar Lodge, a private mental institution for the wealthy. There, Vincent meets a young schizophrenic, Lilith (Seberg), an enchanting patient whose fragile beauty bewitches all those with whom she comes in contact - especially Stephen (Peter Fonda), a troubled young man. As Vincent is drawn even deeper into her private world, he too becomes captivated by Lilith and will lie, betray and even destroy to keep her. Soon Vincent himself can no longer determine which of the two worlds - his or Lilith's - is the sane one.

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Set in Buenos Aires over the course of 24 hours, 'Nine Queens' is a taut, highly seductive heist thriller in which nothing is what it seems and where no one can be trusted.

A naive young con artist Juan (Gaston Pauls) teams up with an enigmatic, experienced master criminal Marcos (Ricardo Darin) for what could be the crime to end all crimes. But in a relationship propelled by brinkmanship and double-cross, corruption rarely has a happy ending.

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After his girlfriend (Amanda Wyss) ditches him for a boorish ski jock, Lane (John Cusack) decides that suicide is the only answer. However, his increasingly inept attempts bring him only more agony and embarrassment.

Filled with the wildest teen nightmares, a family you can't help but identify with and a host of wonderful comic characters, Savage Steve Holland's writing/directorial debut is a masterful look at those painfully funny teen years.

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Uncle Boonmee (Thanapat Saisaymar) has chosen to spend his final days surrounded by his loved ones in the remote forest, an important place from his childhood and, he believes, the possible location of his former existences.

Surprisingly, the ghost of his deceased wife appears to care for him, and the spirit of his long lost son returns. Contemplating the reasons for his illness, Boonmee treks through the jungle with his family to a mysterious hilltop cave - the birthplace of his first life.

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Leni Riefenstahl is considered one of the most controversial women of the 20th century as an artist and a Nazi propagandist. Her films 'Triumph of the Will' and 'Olympia' stand for perfectly staged body worship and the celebration of the superior and victorious.

At the same time, these images project contempt for the imperfect and weak. Riefenstahl's aesthetics are more present than ever today - but is that also true for their implied message? The film examines this question using documents from Riefenstahl's estate, including private films, photos, recordings and letters. It uncovers fragments of her biography and places them in an extended historical context. How could Riefenstahl become the Reich's preeminent filmmaker and keep denying any closer ties to Hitler and Goebbels? During her long life after the fall of Nazism, she remained unapologetic, managing to control and shape her legacy. In personal documents, she mourns her "murdered ideals". 'Riefenstchl' represents many postwar Germans who, in letters and recorded telephone calls from her estate, dream of an organizing hand that will finally clean up the "shit-hole state". Then, her work would also experience a renaissance, in a generation or two this time could come - what if they are right? -

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Museum curator Minnie Moore's (Gena Rowlands) life has not turned out how she expected, she's a divorcee who's just turned 40, with a boyfriend Jim (John Cassavetes) who's married to someone else.

A nasty break-up and a blind date that goes horribly wrong lead to a chance encounter with parking lot attendant Seymour Moskowitz (Seymour Cassel). Seymour falls in love at first sight with Minnie, "I'm so crazy about you I forget to go to the bathroom", he professes. Can he convince his seemingly polar opposite to fall in love with him?

A father (Paul Rudd) and daughter (Jenna Ortega) accidentally hit and kill a unicorn while en route to a weekend retreat, where his billionaire boss (Richard E. Grant) seeks to exploit the creature's miraculous curative properties.

Join Wiley Wiggins as he searches for answers to life's most important questions in world that may or may not be reality.

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Somewhere in Eastern Europe 1922… Filming F. W. Murnau's classic vampire movie, Noferatu, is being disrupted not only by funding problems, but by rumours of disappearances and deaths amongst and cast and crew.

On the first night of shooting, the cameraman mysteriously takes ill and collapses… Some days later, his replacement falls into a trance and never recovers… Leading man Max Shreck (Willem Dafoe) is never introduced to the cast and crew and he is never seen out of character. Hapless actor Gustav (Eddie Izzard) thinks his sinister co-star is the ultimate method actor. In fact, director Murnau (John Malkovich) has sealed a pact with Shreck offering him the neck of his leading lady (Catherine McCormack) at the end of the shoot if he delivers the ultimate performance for the camera. Stranded on an island, the crew must finish the film before Shreck's bloodlust becomes incontrollable.

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Revolving around a single drug-addled night-out in Cardiff, 'Human Traffic' follows the fortunes of Jip (John Simm), Lulu (Lorraine Pilkington), Koop (Shaun Parkes), Moff (Danny Dyer) and Nina (Nicola Reynolds).

Together they set out to escape their mundane McJobs and create their largest weekend yet.

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Haunting, passionate, powerful, and featuring a score by rock legend Scott Walker, 'Pola X' is Carax's dazzling adaptation of Herman Melville's novel 'Pierre, or the Ambiguities'.

Guillaume Depardieu plays Pierre, a young man who is devastated by the revelation that he has an illegitimate sister, whose existence has been kept secret from him by his mother (Catherine Deneuve). With his life shattered by lies and deception, he sets off to uncover the truth of the world - a destructive quest that threatens to consume him and those he loves.

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"When the sun is bright and the wind is still, she comes to you like a sudden chill. Draped in black from head to toe, how she got there, you'll never know". "Today's the day". With that cryptic warning, an otherworldly woman sends a family into a seemingly inescapable nightmare.

Already grieving the death of her husband, Ramona (Danielle Deadwyler) faces a new fear when this mysterious figure appears outside her farmhouse. With the woman continually creeping closer, Ramona must protect her children from the chilling grasp of this haunting entity whose unknown intentions are anything but peaceful.

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Lake is nightclub chanteuse Ellen (Veronica Lake), and her police detective boyfriend Michael (Robert Preston) is on the hunt for assassin-for-hire Philip Raven (Alan Ladd), after Raven performed a hit on a chemist with a secret formula and a taste for blackmail.

When Raven's employer Gates (Laird Cregar) double crosses him after the job is done, Raven seeks revenge, and his path crosses with Ellen after she is hired to perform at Gates' club. Raven learns that the stolen formula is for a poison gas that is to be sold to the Japanese, and his pangs of conscience - and revelations of his tortured past - turn Ellen's fear into compassion, just as dangerous forces close in on Raven. But Ellen is still unsure if Raven can be trusted...