Bamboozled centres around a black television writer, who is pressured by his television network to come up with a 'coonish' black comedy show for the current season. With the help of his assistant the young television executive attempts to prove a point by creating the most racist, obscene show he can imagine; 'Mantan - The New Millenium Minstrel Show'. Unfortunately, he is unprepared for the fallout when the Minstrel Show, along with the show's tap dancing, blackface-clad star, Mantan and his sidekick Sleep'N Eat, become the most popular thing on television.
Edward (James McArdle), a novelist saddled with caring for his elderly mother, now finds himself on the brink of literary success. With pressure to go on a US book tour mounting, the last thing Edward needs is his friends jetting off to the Canary Islands for an impromptu Pride holiday, leaving their mothers on his doorstep. Over a chaotic weekend, he has to juggle his burgeoning career with the care of four eccentric, combative and wildly different ladies.
Eben Adams (Joseph Cotten) is a struggling and mostly failing New York artist until one day, in Central Park, he meets Jennie (Jennifer Jones). Jennie seems to possess an almost mystical quality and as Eben sketches her, his work shows more expression and emotion than anything he has ever done before. But before he knows it, Jennie has disappeared. Eben frantically searches for his mysterious model and when they meet again a few weeks later, Jennie seems to have aged several years. What then unfolds is one of the most unusual and unforgettable love stories ever told as they are both swept up in a strange love that even time cannot contain.
When Caroline Ellis (Kate Hudson) takes a job in Louisiana's bayous, she unlocks a deadly secret involving magic, conjure and sacrifice that pulls her into a terrifying world of strange, frightening and unexplained incidents. The key to escaping may lie in a decrepit attic, but if she dares to believe in what she discovers, everything she fears will become real!
Shot on location in an Iraqi refugee camp on the Turkish border, director Bahamn Ghobadi's powerfully moving third feature is the first film to come out of Iraq since the collapse of Saddam Hussein's regime. Set during the days leading up to the US invasion of Iraq, the story centres on the children struggling to survive in a harsh landscape where there are more landmines per square metre than anywhere else in the world. Soran aka 'Satellite' (Soran Ebrahim) is the leader of these children; however, his all-business attitude is disturbed when he meets brother and sister Henkov (Hiresh Feysal Rahman) and Agrin (Avaz Latif), whose bodies and souls have been irreparably damaged by Hussein's brutal legacy.
Composer Stephen Sondheim and actor Anthony Perkins wrote this witty, complex thriller directed by Herbert Ross. A movie kingpin (James Coburn), whose wife, Sheila (Yvonne Romain) was killed by a hit-and-run driver a year before, hosts a cruise aboard his sleek yacht. His guests (James Mason, Raquel Welch, Dyan Cannon, Richard Benjamin, Joan Hackett and Ian McShane) are all friends (and some lovers) who may know more about Sheila's death than they're letting on. An elaborate murder game with Mediterranean ports of call is the itinerary. What unfolds is a mystery so intriguing, so cleverly plotted, even the title is a clue!
"The Alto Knights" follows two of New York's most notorious organised crime bosses, Frank Costello (Robert De Niro / Luke Stanton Eddy) and Vito Genovese (also Robert De Niro / Antonio Cipriano), and how their separate paths to power place them on a deadly collision course.
Nervous spinster Charlotte Vale (Bette Davis) is stunted from growing up under the heel of her puritanical Boston Brahmin mother (Gladys Cooper), and remains convinced of her own unworthiness until a kindly psychiatrist (Claude Rains) gives her the confidence to venture out into the world on a South American cruise. On board, she finds her footing with the help of an unhappily married man (Paul Henreid). Their thwarted love affair may help Charlotte break free of her mother's grip - but will she find fulfillment as well as independence?
Nastassia Kinski stars as Irena, a beautiful young woman on the bridge of sexuality; she discovers love for the first time only to find that the explosive experience brings with it tragic consequences. The tremendous passion of this girl's first romantic love is so strong, however, it by-passes the chaos around her-including her brother's (Malcom McDowell) extraordinary demands - as it pushes her on to her own bizarre destiny. With a style as timeless as myth, Cat People is an erotic fantasy of the passion and terror that surround this girl's first love. Desire... passion... blood, her lust transforms her into one of the Cat People.
When small-time cheat Roy Dillon (John Cusack) winds up in hospital following an unsuccessful scam, it sets up a confrontation between his estranged mother Lilly (Angelica Huston) and sexy girlfriend Myra (Annette Bening). Both are ruthless con-artists playing the game in a league far above Roy.... and always looking for their next victim! This question soon becomes who's coming who as Roy finds himself caught in a complicated web of passion and mistrust.
Following Peru's war on terrorism, Fausta's relatives believe she suffers from 'The Milk of Sorrow', a condition transmitted by her Mother, who was violated and mistreated during the country's upheaval. The war has ended but Fausta (Magaly Solier) lives to be constantly reminded of her condition of fear. The sudden death of her mother forces Fausta to confront these fears and question the peculiar measures her mother took to protect her daughter from a similar fate. 'The Milk of Sorrow' is the story of a search for re-awakening and a journey from fear to freedom.
Two men enter. One man leaves. That's the law in Bartertown's Thunderdome arena. But lawmaker Aunty Entity will soon add another. Don't get Max mad! 'Mad Max: Beyond Thunderdome' stars Mel Gibson (Lethal Weapon, Maverick) for his third go-round as the title hero who takes on the barbarians of the post-nuclear future - and this time becomes the saviour of a tribe of lost children. Music superstar Tina Turner steals what's left of the screen as Aunty Entity, a power-mad dominatrix determined to use Max to tighten her stranglehold on Bartertown. Directors George Miller and George Ogilvie deliver another rousing final apocalypse-on-wheels and one of the best movie fight scenes ever, as Max and the gladiatorial Blaster face off with maces, chainsaws and anything not nailed down inside Thunderdome. 'Mad Max: Beyond Thunderdome': watch and you'll agree with the soundtrack song that "We Don't Need Another Hero".
The Marx Brothers - Chico, Groucho, Harpo and Zeppo - are one of the cornerstones of American comedy. Starting out in vaudeville, they conquered Broadway and the big screen in their own inimitable style, at once innovative, irreverent, anarchic, physical, musical, ludicrous and hilarious. With the advent of the 'talkies', the Brothers signed to Paramount Pictures and brought their stage act to cinema audiences. They made five films in five years, all of which are collected here: 'The Cocoanats' (1929), 'Animal Crackers' (1930), 'Monkey Business' (1931), 'Horse Feathers' (1932) and one of the greatest comedies of all time, 'Duck Soup' (1933). The Paramount era represents the Marx Brothers at their absolute finest, retaining all of the energy and controlled chaos of their stage shows. Plots are unimportant - it's the gags, set-pieces and one-liners that matter: "Why a duck?", "Hello, I Must Be Going", "Hooray for Captain Spaulding", "That's the bunk!", 'Horse Feathers', "Swordfish" scene and classic mirror sequence in 'Duck Soup'.
It happens with a startling swiftness and violence. An armed cadre seizes state control. Fortunately, a coup d' etat can't happen here. Or can it? A classic of suspense directed by John Frankenheimer and written for the screen by Rod Sterling , 'Seven Days in May' tautly explores that possibility. At odds are a popular general and joint Chiefs of Staff Chairman (Burt Lancaster) and an unpopular President (Fredric March) with a pacifist agenda. At stake is the survival of the Republic. A vigilant colonel (Kirk Douglas) uncovers the scheme. But are the seven fateful days ahead enough time to derail a takeover? The clock is ticking.
For two decades, Carlos was the most wanted terrorist on earth. In various disguises and under numerous pseudonyms he headed a worldwide organisation responsible for ruthless killings, hijackings and bombings. Professional revolutionary, playboy, dandy and assassin, he left a trail of destruction and broken hearts in his wake as he went about his lethal travels across the world. This is the story of Carlos the Jackal.
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