Eilis (Saoirse Ronan) moves from small town Ireland to Brooklyn, where she has the opportunity for work, for a future - and love, in the form of Italian-American, Tony (Emory Cohen). When a family tragedy forces her to return to Ireland, she finds herself drawn back into the life she left behind. As a secret threatens to reveal itself Eilis has to confront a terrible dilemma - a heart-breaking choice between two men and two countries.
Anthony Hopkins plays the eponymous role of a mischievious and highly independent man who, as he ages, refuses all assistance from his daughter Anne (Olivia Colman). Yet, such help has become essential following Anne's decision to move to Paris with her partner. As Anne's father tries to make sense of his changing circumstances, he begins to doubt his loved ones, his own mind and even the fabric of his reality.
After moving to a new school, Shoko is taunted because of her hearing impairment, principally by Shoya, who leads the class in teasing her. When Shoko is eventually forced to transfer to another school, Shoya's classmates in turn ostracise him for his cruel behaviour. Years later, as a young adult, Shoya is riddled with guilt over his humiliation of Shoko. Living an aimless life with no friends, he determines to find her and try to atone. But is it too late, and what might her reaction be?
A rural school teacher, Jan, murders a pupil, the young daughter of a family under whom he had previously been a tenant. The father, Caj, tracks him to China to exact revenge - but at the moment of vengeance, Caj cannot act. he returns home only to take a concubine, who in turn bears him a son: Sungu, a prodigious composer of verse. At Caj's deathbed, the boy is informed he has been brought into the world purely for the sake of vengeance; he takes an oath to annihilate Jan.
Distinguished Greek filmmaker Theo Angelopoulos directs the great Marcello Mastroianni in this extraordinary and beautifully photographed tale of self-discovery. Mastroianni plays Spyros, a schoolmaster of late middle-age who is disenchanted and unfulfilled by life. Deciding to undertake a solitary journey to find emerging springtime flowers for his cherished beehives, Spyros encounters a young female hitchhiker with whom he begins to become obsessed. Charged with quiet emotional intensity, 'The Beekeeper' is a moving and powerful film about a man's struggle to find release from the spectre of the past.
The most controversial film by Theo Angelopoulos tells the story of the Greek bandit Alexander (Omero Antonutti) at the turn of the twentieth century. Escaped from prison, he kidnaps a party of English aristocrats and demands as ransom that his band of anarchist socialists are granted amnesty and that landowners turn their property over to the local peasants. But when the group reaches its mountain stronghold, internal tensions arise which threaten to bring about disaster. Taking inspiration from ancient cultural myth and actual historical events, Angelopoulos' visually stunning film presents a challenging and complex portrait of a revolutionary leader.
Alone in a small skiff, an aging Cuban fisherman (Spencer Tracy) catches a huge marlin - and must defy the sea, marauding sharks and his own flagging strength to bring his great catch home. Filmed in part on sun-drenched Cuban locales and graced by Dimitri Tiomkin's Oscar-winning score, 'The Old Man and the Sea' is a colorful cinematic ode to the indomitability of the human spirit.
The first ever Inuit film to receive a theatrical release, whereupon It Instantly became one of the most critically lauded films of the year, 'Atanarjuat' is a truly epic piece of storytelling and a wonderfully lyrical cinematic experience. The film is a recreation of the ancient Inult legend of Atanarjuat (Natar Ungalaaq) - a classic quest story set In the Arctic at the dawn of the first millennium. Evil In the form of an unknown shaman divides a small community; two brothers, Amaqjuaq (Pakak Innuksuk) - (the Strong One) and Atanarjuat (the Fast Runner) rise up to challenge this order. However, when his brother Is murdered, Atanarjuat must flee the community - can the Fast Runner end his exile and vanquish the evil that haunts his community? Zacharias Kunuk's film was shot using digital cameras entirely on sea Ice in Arctic conditions and utilised local cast and crew from the Inult community of Igloolik. Dealing with universal themes and emotions with a rare Insight and compassion, Atanarjuat Is both an extremely Idiosyncratic and yet utterly universal work that truly rivals Lord of the Rings for its epic qualities and sheer visual mastery.
The latest film from Icelandic auteur Hlynur Palmason (Godland) captures a year in the life of a family as the parents navigate their separation. Through intimate vignettes and strange occurrences, the film explores the complexities of family, love, and the impact of shared memories.
The story of family grief and bereavement. Psychiatrist Giovanni (Nanni Moretti) lives happily with his family in a small Italian coastal town. One Sunday he is due to spend time with his son Andrea (Giuseppe Sanfelice), when he receives an anguished call from Oscar (Silvio Orlando), one of his patients, and feels he must go and see him instead; however later that afternoon Andrea accidentally drowns in a diving accident. Over the following weeks, Giovanni, his wife Paola (Laura Morante), and daughter Irene (Jasmine Trinca), remain shell-shocked with grief; with Giovanni suspending his practice, and relations between himself and Paola becoming increasingly difficult. When a letter then arrives from a girl who Andrea had met the previous summer, who none of the family knew anything about, they all become curious to learn more about this person who meant so much to their departed son and brother.
Boris Karloff stars in one of his most chilling roles as the sinister 'resurrection man' of old Edinburgh. Medical student Donald Fettes (Russell Wade) is apprentice to Dr. 'Toddy' MacFarlane (Henry Daniell), greatest anatomist of the age. But, as Fettes learns, MacFarlane is not scrupulous how he obtains the bodies he uses for dissection: he buys them from sinister cabman John Gray (Boris Karloff), who robs the graves of the recently deceased. But Gray's grim work has attracted attention and the cemeteries are under watch. Unwilling to give up his lucrative trade, Gray finds another source of corpses - the bodies of people he has killed himself...
"A Hard Day's Night on acid" best describes this outrageous movie within a movie starring recording superstars 'The Monkees'. The first in a long line of films for collaborators Jack Nicholson and director Bob Rafelson - Five Easy Pieces, The Postman Always Rings Twice - Head's unconventional, dreamlike style showcases The Monkees' musical and comedic talents honed on their popular television series. A stream-of-consciousness script lands our fab four in a WW II foxhole dodging an excitable football player, then later they are caught in a giant vacuum cleaner after being sucked out of Victor Mature's hair as flecks of dandruff, and on and on from one wild situation to another.
Trapped inside a fortified home owned by a mysterious couple (Everett McGill and Wendy Robie), an impoverished young boy is suddenly thrust into a nightmare. Quickly learning the true nature of the house's homicidal inhabitants, the boy battles against sadistic security devices, befriends an elusive and abused young girl, and finally learns the secret of the creatures deep within the house.
"The Real Glory of War", Samuel Fuller said, "is surviving". A decorated combatant with the tamed U.S. First Infantry in World War II. Fuller survived. His 1980 film version of his war experiences did not... Until now. Working with 70.000 feet of vault materials and Fuller's shooting script critic/filmmaker Richard Schickel heads a reconstruction that adds over 40 minutes and transforms a truncated but admired war film into an epic masterwork. Lee Marvin, in a richly layered performance now revealed as one of his finest stars as the sergeant of peach-fuzzed riflemen fighting from North Africa to Normandy and across Europe. The film is the squad's combat diary, war as it's fought and sweated and bled and, maybe, survived.
When Susy (Angharad Aubrey) drowns in the bath, Joey (William Dix) is blamed for her death. Virginia (Wendy Craig) suffers a breakdown and Joey is sent to a special school where he is analysed by psychologists. Shunned by her exasperated husband, the grief-stricken Virginia needs Nanny (Bette Davis) more than ever. Unfortunately Joey's stay in the institution has done little to mellow him. When he returns he insists that he was not involved in Susy's death, and maintains that his sister was actually murdered by the evil Nanny. After a further 'accident' in the house. Penny arrives to look after the obnoxious Joey. Soon, however, Penny begins to suspect that the boy may have been telling the truth all along...
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