28 Days Later meets 'A Quiet Place', 'The Night Eats the World' is a powerful and nerve-wracking zombie apocalypse thriller that will stay with you long after the credits roll. 'The Nights Eats the World' fuses the horrors of the carnivorous undead and the terror of loneliness and despair, starring Anders Danielson Lie, Golshifteh Farahani and Denis Lavant. After waking in a deserted apartment, the night after a raging party, Sam comes face to face with his new reality: the city's inhabitants have turned into blood-thirsty creatures and he is one of the lone survivors. He organises to ensure his survival and escape the zombies and soon discovers that he is not the only survivor. Will he uncover the mystery behind the epidemic and will he survive?
Happily married mother Karin (Bibi Andersson) surprises herself by responding in kind to a sudden profession of love from David (Elliott Gould), an archaeologist visiting Sweden, whom her doctor husband (Max von Sydow) has befriended. But however exhilarating, love is seldom simple and deceit - and David's volatile temperament - take their toll.
When Ellen, the matriarch of the Graham family, passes away, her daughter Annie (Toni Colette) and her husband (Gabriel Byrne) and their two children begin to unravel cryptic and increasingly terrifying secrets about their ancestry. The more they discover, the more they find themselves trying to outrun the sinister fate they seem to have inherited.
Two women, one plan. We'll poison the creep who treats us like dirt, they agree. We'll dump the body in a murky pool, and someone will find a surprise at the bottom. There is a surprise al right. When the pool is drained and cleaned, no body is found. Sharon Stone and Isabelle Adjani pour on the femme and the fatale in a diabolical grabber of suspense thriller directed by Jeremiah Chechik and based in part on the classic 1955 French spellbinder Les Diaboliques. Will the women get away with bloody murder? Has someone removed the body of the victim and begun playing mind games with them?
When 16 year old Mary Wollstonecraft (Elle Fanning) runs away with poet Percy Shelley, her family are horrified. Your and passionately in love, at first she relishes life amongst the radical Romantics, but as time goes on, Percy's indiscretions begin to test their relationship. One day, on a trip to Lord Byron's mansion in Geneva, Mary is challenged to write a ghost story. Drawing on her experience of heartbreak and the dark side of humanity, she creates Frankenstein, a work that will shape the literary world for centuries. The tempestuous romance that inspired on of Gothic literature's most influential works is brought to life in 'Mary Shelley', a luscious and moving period drama lead by a powerful performance by Elle Fanning and strong support from Douglas Booth, Maisie Williams and Bel Powley.
Adding a little spice to a waning marriage, Anne (Toni Collette) and Bob (Harvey Keitel), are hosting a luxurious dinner when Anne realises there are 13 guests. Panic-stricken, she insists her loyal maid Maria (Rossy de Palma) disguise herself as a mysterious Spanish noblewoman to even out the numbers. But a little too much wine and some playful chat leads Maria to accidentally endear herself to a dandy British art broker (Michael Smiley). Their budding romance will have Anne chasing her maid around Paris and finally plotting to destroy this most unexpected and joyous love affair.
A troubled woman living in an isolated community finds herself pulled between the control of her oppressive family and the allure of a secretive outsider suspected of a series of brutal murders.
Fasten your ergonomic seat belt, you're in for a hilarious ride through the inner workings of Office Space, the outrageous hit comedy that will strike fear into the little hearts of bosses everywhere! Unable to endure another mind-numbing day at Initech Corporation, cubicle slave Peter Gibbons (Ron Livingston) gets fired up and decides to get fired. Armed with a leisurely new attitude and a sexy new girlfriend (Jennifer Aniston), he soon masters the art of neglecting his job, which quickly propels him into the ranks of upper management!
Award-winning director Paul Wright (For Those in Peril) explores our complex connection to the land we live in with an archival remix drawn from more than 100 years of Britain on film. With a new score by Adrian Utley (Portishead) and Will Gregory (Goldfrapp), 'Arcadia' embarks on a visceral sensory journey through the seasons, exploring the beauty, brutality, magic and madness of our changing relationship with both the land and each other. This fresh new work crafted from the past is a folk horror wrapped in an archive film; get ready for a very strange trip indeed...
The story of the fragile sentimentalism of a former prostitute who visits her sister only to be taunted mercilessly by her childish brother-in-law. A Streetcar Named Desire: The Original Director's Version is the Elia Kazan/ Tennessee Williams film moviegoers would have seen had not Legion of Decency censorship occurred at the last time. It features three minutes of previously unseen footage underscoring, among other things, the sexual tension between Blanche DuBois (Vivien Leigh) and Stanley Kowalski (Marlon Brando), and Stella Kowalski's (Kim Hunter) passion for husband Stanley.
Gaspar Noe, director of the hugely controversial 'Irreversible', 'Enter the Void' and 'Love', makes a triumphant return with 'Climax' - a visually dazzling feast of music and mayhem, and perhaps his most critically acclaimed work to date. Following a successful rehearsal, a dance troupe set about celebrating with a party. But when it becomes apparent that someone has spiked the sangria, the joyous atmosphere soon transforms into a nightmarish hellscape of violence and twisted carnality as the dancers begin to turn on each other in an orgiastic frenzy. Inspired equally by the worlds of modern dance and esoteric arthouse-horror (chief among them, Dario Argento's Suspiria and Andrzej Zutawski's Possession), 'Climax' - which pulses towards its astonishing conclusion with a thumping score by the likes of Daft Punk, Aphex Twin and Gary Numan - illustrates a director at the height of his hallucinatory filmmaking powers.
Maxine Peake stars as the Funny Cow, a female comedian who rises to stardom on the male-dominated stand-up comedy circuit of the North of England in the 1970's and 80's. From her troubled childhood to her turbulent adult relationships, the Funny Cow uses the raw material of her life experiences to bring her unique style of comedy to the stage.
An ex-border patrol guard revisits his old stomping ground, a remote station in the wilderness of snowbound mountains between Poland and Ukraine, as a bonding experience with his two teenage sons after a family tragedy. As they arrive at the isolated cabin station, a stranger collapses half frozen onto their doorstep, mumbling about a lost party of people. The father decides to set off in the snow to find the group, leaving the boys to care for the stranger. However, as he regains consciousness, it soon becomes apparent that the stranger is not the victim that he first appeared to be, and the family holiday transforms into a terrifying, hellish experience.
A family must navigate their lives in silence to avoid mysterious creatures that hunt by sound. Knowing that even the slightest whisper or footstep can bring death, Evelyn (Emily Blunt) and Lee (John Krasinski) are determined to find a way to protect their children at all costs while they desperately search for a way to fight back.
Christine 'Lady Bird' McPherson (Saoirse Ronan) fights against but is exactly like her wildly loving, deeply opinionated and strong-willed mum (Laurie Metcalf), a nurse working tirelessly to keep her family afloat after Lady Bird's father (Tracy Letts) loses his job. 'Lady Bird' is an affecting look at the relationships that shape us, the beliefs that define us, and the unmatched beauty of a place called home.
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