Casey Affleck and Rooney Mara star as a young couple who - after being separated by loss - discover an eternal connection and a love that is infinite. An unforgettable meditation on love and grief, 'A Ghost Story' emerges ecstatic and surreal - a wholly unique experience that lingers long after the credits roll.
This utterly compelling psychological thriller from Michael Haneke - one of cinema's most daring original and controversial directors - stars Daniel Auteuil as Georges, a television presenter who begins to receive mysterious and alarming packages containing covertly filmed videos of himself and his family. To the mounting consternation of Georges and his wife (Juliette Binoche) the footage on the tapes - which arrive wrapped in drawings of disturbingly violent images - becomes increasingly personal, and sinister anonymous phone calls are made. Convinced he knows the identity of the person responsible, Georges embarks on a rash and impulsive course of action that throws up some unpleasant facts about his past and leads to shockingly unexpected consequences.
Victorian London is gripped with fear as a serial killer - dubbed The Limehouse Golem - is on the loose and leaving cryptic messages written in his victims' blood. With few leads and increasing public pressure, Scotland Yard assigns the case to Inspector Kildare (Bill Nighy) - a seasoned detective with a troubled past and a sneaking suspicion he's being set up to fail. Faced with a list of suspects, including music hall star Dan Leno (Douglas Booth), Kildare must discover which one is the killer before the Golem strikes again.
When Elena (Cosmina Stratan) arrives in the countryside to work as a housekeeper for Louise (Ellen Dorrit Petersen) and Kasper (Peter Christoffersen), she finds the cottage deep in a dense, eerie forest, isolated and far away from modern society. Soon, Louise approaches Elena with a lucrative deal and begging her to carry a baby for her as she is unable and desperately yearns for a child. Elena's pregnancy brings joy into the cold, dark home, but it isn't long until strange events, sensations and hallucinations lead the household to believe that something is terribly wrong… The life growing inside of her is taking shape too fast and with it, bringing an evil force like no other.
Winner of 6 Academy Awards including Best Director for writer/director Damien Chazelle, and winner of a record-breaking 7 Golden Globe Awards, "La La Land" is more than the most acclaimed movie of the year - it's a cinematic treasure for the ages that you'll fall in love with again and again. Emma Stone and Ryan Gosling star as Mia and Sebastian, an actress and a jazz musician pursuing their Hollywood dreams - and finding each other - in a vibrant celebration of hope, dreams and love.
'The Gold Rush' is widely reported to be the film that Chaplin most wanted to be remembered for. It sees The Tramp as a lone prospector venturing to Alaska looking for gold. He gets mixed up with some burly characters, falls in love with the beautiful Georgia (Georgia Hale) and tries to win her heart with his singular charm.
The story unfolds on land, sea and air, as hundreds of thousands of British and Allied troops are trapped on the beaches of Dunkirk with enemy troops closing in. RAF Spitfires engage the enemy in the skies above the Channel, trying to protect the defenseless men below. Meanwhile, hundreds of small boats manned by both military and civilians are mounting a desperate rescue effort, risking their lives in a race against time to save even a fraction of their army.
Based on the hugely successful comedy "The Last Wedding". In part one of the collectors set, join the formidable Dablin widow Agnes Brown and her hilarious family of five son's and one daughter as she ploughs through the preparations for the family wedding. Agnes tries to solve the problems of everybody, including her son the groom that doesn't want to be. A bride that would prefer to marry her future husband's brother. Her divorced daughter back living at home. Her eldest son's rocky marriage. And future in-laws that believe she is as common as muck.
One of the earliest (and eeriest) works by the legendary filmmaker F. W. Murnau, 'Schloss Vogelod: Die Enthiillung eines Geheimnisses (Castle Vogelod: The Revelation of a Secret, often referred to as The Haunted Castle) provides a vital glimpse into the development of the uncanny-suffused expressionistic style that became Murnau's hallmark and legacy. A party of aristocrats assemble at a country manor for an autumn hunt. But a long-lingering question threatens once more to rear its head: who really murdered the Baroness's late husband? With a riveting nightmare sequence that foreshadows the nocturnal fantasias of both Nosferatu and Phantom, and a masquerade conceit that looks backward to Feuillade and forward to Murnau's own Die Finanzen des Grossherzogs, this languorous mood-piece represents the latent material that will figure into a master director's later breakthroughs.
‘City Lights’ begins with an uproarious skewering of pomp and formality, ends with one of the most famous last shots in movie history and, from start to finish, so completely touches the heart and tickles the funny bone that in 1998 it was named one of the American Film Institute’s Top-100 American Films. Talkies were well entrenched when Charles Chaplin swam against the filmmaking tide with this forever classic that’s silent except for music and sound effects. The story, involving the Tramp’s attempts to get money for an operation that will restore sight to a blind flower girl, provides a star with an ideal framework for sentiment and laughs. The tramp is variously a street sweeper, a boxer, a rich 0poseur, and a rescuer of a suicidal millionaire. His message is unspoken, but universally understood: love is blind.
"Song of the Sea " tells the story of Ben and his little sister Saoirse - the last Seal-child - who embark on a fantastic journey across a fading world of ancient legend and magic in an attempt to return to their home by the sea.
"Fanny and Alexander" is Bergman's dreamlike family chronicle. The Ekdahl's are an upper-middle-class theatrical family sheltered by their own theatrics from the deepening chaos of the outside world. One tumultuous year in the life of the Ekdahl family is viewed through the eyes of ten-year-old Alexander (Bertil Guve), whose imagination fuels the magical goings-on leading up to and following the death of his father. His mother's remarriage to a stern prelate banishes Alexander and his sister Fanny (Pernilla Allwin) from all known joys, and thrusts them and the movie into a kind of gothic horror. The bishop is a Bergmanesque character whose severity has gone awry - he has become sinister - and the film's round rejection of him in favour of "kindness, affection and goodness" may be Bergman's fondest farewell to cinema.
"The Brand New Testament" is a magically hilarious comedy in which God is real...and lives in Brussels. On Earth, he is a coward, with dubious morals and an odious antipathy towards his family. His daughter, Ea, decides to revolt against her dad's sadistic ways. Hacking his computer and leaking to the dates of every person's death to the entire world, she causes a global pandemic of anarchy and debauchery. As God loses control, he can only watch as the chaos unfolds.
Ruined aristocrat John Barry more. Terminally ill clerk Lionel Barrymore. Ruthless tycoon Wallace Beery. Scheming stenographer Joan Crawford. And disillusioned ballerina Greta Garbo. Teaming them was a masterstroke whose success fostered more star-packed extravaganzas.
Sixteen minutes or so into this adaptation of Eugene O'Neill's play, 1930 audiences got what they were waiting for when Greta Garbo made her entrance and spoke on camera for the first time in her career: "Gimme a whiskey?." Here she made her landmark transition to the new era, playing a former prostitute whose past may ruin her chance for happiness.
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