After originating as a smash-hit manga and making the leap to a successful animated franchise, the 'Tokyo Ghoul' story sinks its teeth into live-action cinema with this thrilling adaptation. Quiet and reserved, high school student Kaneki's life is changed forever after he is almost killed in an attack by a flesh-eating "Ghoul" in disguise. Finding himself transformed into a half-Ghoul in the wake of this assault and shunned by his fellow humans, Kaneki is accepted by a group of Ghouls who teach him about their culture and show him how to adapt. Can Kaneki accept a life where he needs to consume human flesh to survive? More importantly, can he learn to live as a Ghoul in an unwelcoming world where the hunter can very quickly become the hunted?
At the dawn of the First World War a young man named Friend (David Oakes) arrives at a desolate Antarctic Circle island to take the post of Weather Official observer. But on shore he finds no trace of the man whom he has been sent to replace, just a deranged castaway, Gruner (Ray Stevenson), who has witnessed a horror he refuses to name...Little does Friend know that an unknown race of amphibious humanoids will emerge from the seas every night to besiege him and Gruner in an unstoppable attack to their safety. Will the two men be able to defeat the creatures from Atlantis or will they discover something in themselves that will challenge their view of the world and their unknown assailants?
Among the most exciting voices in genre cinema to emerge in recent years, Justin Benson and Aaron Moorhead return with their third feature, 'The Endless'. Benson and Moorhead play brothers, former members of a "crazy UFO death cult", who receive a mysterious video cassette in the mail. The tape contains an eerie calling card from their past, inviting them to attend an event called the Ascension. Despite their apprehension, the pair agree to return for one day. At first their old friends in the cult seem warm and welcoming, but things soon turn strange as the brothers find themselves drawn into a vortex of bizarre rituals, strange messages, unseen forces and sinister supernatural secrets that threaten to tear apart the very fabric of reality.
Into Great Silence is the phenomenal box office smash hit about life inside the Grande Chartreuse that has opened to rapturous acclaim across the Western World. The director, Philip Groning, made his request 19 years ago to film inside the monastery where the last photos taken were in 1960, only to be told that it was 'too early' that maybe in 10 or 15 years... Eventually, as a result of this long standing and trusted relationship between the Film Director and the General Prior, permission to film was granted. Into Great Silence is a very strict, next to silent documentary on monastic life with no music except the chants in the monastery, no interviews and no commentaries and is the first feature to document life inside the mother house of the legendary Carthusian Order in the French Alps. The viewer is invited to watch the films as part of a meditative experience where the film becomes the monastery rather than depicting one. A film for those who want to embrace awareness, absolute presence and to contemplate the life of men who have devoted themselves to God in the purest form.
After he saves her from drowning in the bay, Scottie's (James Stewart) interest shifts from business to fascination with the icy, alluring blonde. When tragedy strikes and Madeleine (Kim Novak) dies, Scottie is devastated. But when he finds another woman remarkably like his lost love, the now obsessed detective must unravel the secrets of the past to find the key to his future.
Sister Clodagh (Deborah Kerr) leads a group of Anglican nuns to a remote Himalayan range of mountains, there to set up a mission in an abandoned harem. This is her first position of authority and she finds both her physical and her spiritual limits being taxed as she has to maintain order and discipline in a claustrophobically hostile environment. Slowly but surely, however, the privations and hardship they must endure, the extremes of climate and the peculiar amorality of the local natives all combine to slowly corrupt the women's faith, pushing them further into jealousy, anger and madness...
Melodrama casts noirish shadows in this portrait of maternal sacrifice from Hollywood master Michael Curtiz. Its iconic performance by Joan Crawford as Mildred, a single mother hell-bent on freeing her children from the stigma of economic hardship, solidified Crawford's career comeback and gave the actor her only Oscar. But as Mildred pulls herself up by the bootstraps, first as an unflappable waitress and eventually as the well-heeled owner of a successful restaurant chain, the ingratitude of her materialistic firstborn (a diabolical Ann Blyth) becomes a venomous serpent's tooth, setting in motion an endless cycle of desperate overtures and heartless recriminations. Recasting James M. Cain's rich psychological novel as a murder mystery, this bitter cocktail of blind parental love and all-American ambition is both unremittingly hard-boiled and sumptuously emotional.
When Saajan (Irrfan Khan), an ill-tempered Mumbai office worker nearing retirement, is delivered the wrong lunch he is pleasantly surprised by the improvement in his food. The lunchbox had been intended for young housewife Ila's emotionally indifferent husband in an attempt to win back his favour. When he fails to respond to her efforts, Ila decides to enclose a note in the next meal and Saajan, his taste-buds tickled and his interest piqued, decides to write back...
From master storyteller, Guillermo del Toro, comes 'The Shape of Water', an otherworldly fairy tale set against the backdrop of Cold War-era America circa 1962. In the hidden, high-security government laboratory where she works, lonely Elisa (Sally Hawkins) is trapped in a life of isolation. Elisa's life is changed forever when she and co-worker Zelda (Octavia Spencer) discover a secret classified experiment.
Based on the international bestselling novel by Fredrik Backman and nominated for 2 Oscars (including Best Foreign Language Film), 'A Man Called Ove' is a heartwarming tale of unreliable first impressions and a wonderful reminder that life is sweeter when it's shared. An ageing retiree with strict principles and a short fuse, Ove (Rolf Lassgard) is the quintessential angry old man next door. Having entirely given up on life, his days are spent in a constant monotony of enforcing housing association rules and visiting his wife Sonja's gravesite. But when a boisterous young family moves into the neighbourhood, immediately incurring his wrath, things take an unexpected turn. Pregnant Parvaneh (Bahar Pars) and her lively children are the complete antithesis of what ill-tempered Ove thinks he needs -and yet, from this inauspicious beginning an unlikely friendship blooms and Ove's past happiness and heartbreaks come to light.
On a small southern Louisiana island exists a forgotten ramshackle town known as The Bathtub, the proud home of six-year-old Hushpuppy and her father Wink. When her defiant father becomes ill and an environmental disaster causes ferocious floods to engulf the area, Hushpuppy is forced to survive on her own. Now she must face the elements, her destiny and prehistoric beasts that have awoken from their frozen graves.
'The End of Summer', the penultimate film by Yasujiro Ozu, examines the difficulties faced by the Kohayagawa family as they struggle to adapt their traditional values to a rapidly changing post-war Japan. As the family's generations-old sake making business begins to fail in the face of increasingly fierce competition, Manbei, the incorrigible elderly patriarch, rekindles an affair with an old flame, much to the disapproval of his daughter Fumiko. He is further distracted by his attempts to marry off his two other daughters: Akiko, the eldest and a widow with a small son, and Noriko, the youngest who is still single.
Liverpool 1978: What starts as a vibrant affair between a legendary femme fatale, the eccentric Academy Award-winning actress Gloria Grahame (Annette Bening), and her young lover, British actor Peter Turner (Jamie Bell), quickly grows into a deeper relationship, with Turner being the person Gloria turns to for comfort. Their passion and lust for life is tested to the limits by events beyond their control.
Regarded by many as the world's finest director, and renowned for his exact, formalist style, Yasujiro Ozu made his first film in 1927 and went on to direct 55 films before his death in 1963. It was only during his final years, however, that his genius as a film-maker was recognised in the West alongside such contemporaries as Bunuel, Bergman and fellow countryman Kurosawa. Early Summer (1951) further explores Noriko's relationship with her family, and examines her role as a modern woman in a traditional society.
When college nostalgia inspires a group of middle-aged businessmen to match-make for the widow - played with measured dignity by Setsuko Hara (Tokyo Story) - of one of their friends and her daughter, they have no idea of the strife their careless interference will cause. Late Autumn's examination of familial upheaval moves effortlessly from comedy to pathos and is amongst the finest of legendary director Yasujiro Ozu's post-war films.
We use cookies to help you navigate our website and to keep track of our promotional efforts. Some cookies are necessary for the site to operate normally while others are optional. To find out what cookies we are using please visit Cookies Policy.