Academy Award-Winner Humphrey Bogart stars in one of his most memorable performances as Eddie Willis, a sportswriter who joins forces with a corrupt boxing promoter named Benko (Rod Steiger). Together, they scheme to deceive Toro Moreno (Mike Lane), a clumsy, seven-foot giant, and the public into believing Moreno has a shot at the heavyweight title. Through a carefully arranged series of fixed fights, Toro is duped into believing that he is a capable contender, only to have his dreams - and his huge body - shattered when he is brutally beaten in a genuine fight with the heavyweight champion.
"The Public Enemy" showcases James Cagney's powerful 1931 breakthrough performance as streetwise tough guy Tom Powers, but only because production chief Darryl F. Zanuck made a late casting change. When shooting began, Cagney had a secondary role but Zanuck soon spotted Cagney's screen dominance and gave him the star part. From that moment, an indelible genre classic and an enduring star career were both born. Bristling with '20s style, dialogue and desperation under the masterful directorial eye of William A. Wellman, this is a virtual time capsule of the Prohibition era: taut, gritty and hard-hitting - even at breakfast when grapefruit is served.
A star-studded account of Oscar Wilde's glittering and controversial career before his trial for homosexual crimes and tragic fall from grace. Highlights from Oscar's brilliant comedies such as 'The Importance of Being Earnest' and stories such as 'The Picture of Dorian Gray' and 'The Canterville Ghost' are adapted and performed by a cast including Freddie Fox, Claire Skinner, Anna Chancellor and James Fleet. Wilde enthusiasts and experts, including Stephen Fry, Wilde's grandson Merlin Holland and his latest biographers, provide revelatory accounts of how his own life informed his work. His Irish roots, his early career, his marriage and the importance of women as well as men in his life all combine in a complex and compelling characterisation and celebration that adds flesh to the bones of a man who is too often caricatured.
Hector (Gerardo Torres Rodríguez) travels from Hermosillo to Mexico City with the hope of posing naked for the photography collective, Feral. Leaving his friends and his inhibitions behind, Hector is determined to experiment with his desire without limits, promising himself to always say yes to every new situation, no matter what. A raw and explicit examination of sexuality and desire.
In the white-knuckle action movie 'Plane', pilot Brodie Torrance (Gerard Butler) saves his passengers from a lightning strike by making a risky landing on a war-torn island - only to find that surviving the landing was just the beginning. When most of the passengers are taken hostage by dangerous rebels, the only person Torrance can count on for help is Louis Gaspare (Mike Colter), an accused murderer who was being transported by the FBI. In order to rescue the passengers, Torrance will need Gaspare's help, and will learn there's more to Gaspare than meets the eye.
Tom is a hot young guy in his early 20s and likes it when men want him. Lucky for him, he lives in hedonistic Tel Aviv, where opportunities abound! The only complication is Galid - his best friend, for whom he has long harboured strong feelings. One fateful night they consummate their relationship once and for all. But Galid has a girlfriend, and navigating a path forward is going to take more than just a little effort from them both!
Small-town accountant Fank Bigelow (Edomond O'Brien) takes a week's vacation in San Francisco prior to settling down with his fiancee Paula. But a night on the tiles leaves Frank with more than just a hangover... waking up he is informed by doctors that he has been injected with a mysterious toxin for which there is no known antidote. At the outside, Frank has no more than a week to live. With no clue as to who should do such a thing or why, Frank sets out on a desperate quest to unmask his own murderer...
As Joan (Sylvia Sidney) excitedly awaits the release of her thrice-convicted criminal lover Eddie (Henry Fonda), she has little idea of the tragic consequences that lie in front of them. Once released, Eddie struggles against a society that refuses to give ex-cons a second chance and before long they are on the run, condemning themselves to an early demise.
It's 1976 in Chile, 3 years after Pinochet's military coup overthrew the socialist government of Salvador Allende, and opponents of the new regime are being hunted down. Carmen (Aline Küppenheim) heads off to her beach house to supervise its renovation. Her husband, children and grandchildren come back and forth during the winter vacation. When the family priest asks her to take care of a young man he is sheltering in secret, Carmen steps into unexplored territories, away from the quiet life she is used to.
Jean Servais is Tony le Stephanois, a master thief with a battered face and a tubercular cough, souvenirs of a recent stint in the pen. The ageing Tony is reluctant to return to a life of crime, but when he realizes his girlfriend has thrown him over for a rival gangster, he agrees to attempt one last job. Together with three collaborators – a young father, a boisterous Franco-Italian and a sentimental Milanese safecracker – Tony meticulously engineers his biggest heist yet: robbing the most heavily guarded jewelry store in Paris.
Richard Widmark delivers an indelible performance as Harry Fabian, a small-time American nightclub tout and desperate dreamer who tries to worm his way into the wrestling rackets of post-war London. In his path lie the formidable obstacles posed by a vengeful club owner (Francis Sullivan) and the racketeer Kristo (Herbert Lorn). The club owner's sultry wife (Googie Withers) schemes with him, and a long-suffering girlfriend (Gene Tierney) does her best to save him. Like many a noir hero before him, Harry thinks he can outrun his fate. He's wrong. Jules Dassin, under suspicion in Hollywood for his political beliefs, made the film at great speed, shooting night scenes in a London still shattered and skeletal from wartime bombings.
Erez (Omer Perelman Striks), a rising star on the elite swimming scene, arrives at a tough training camp with a singular aim - to win a fiercely contested place in the national Olympic team. Intense rivalry precludes any chance of friendship with his fellow athletes until, that is, Erez meets the handsome and talented Nevo (Asaf Jonas), who unexpectedly stirs within him unconscious desires. As his resolve begins to falter, Erez must navigate a path through a heady mix of high-stakes competition and erotic longing in this electrifying, stylish and sexy drama.
When gun fancier Bart Tare sees Annie Laurie Starr's sideshow sharpshooting act, he's a dead-bang goner. He and she go together, as Bart ultimately says, 'like guns and ammunition'. The two become bank robbers on the run, eluding roadblocks and roaring into movie history as one of the benchmark film-noir works. Joseph H. Lewis directs this ferocious thriller, selected for the National Film Registry and often cited as a forerunner to 'Bonnie and Clyde'. Peggy Cummins and John Dall star, meeting in a sexually charged carny shooting contest and soon driven by impulses of violence and arousal they don't fully understand. They're young, foolish, doomed - and point blank in Gun Crazy's unforgiving sights.
Fifty years after its first transmission, the BBC's 'Play for Today' anthology series remains one of British television's most influential achievements. Between 1970 and 1984, it brought the UK's best writing, acting and directing talents into our living rooms, challenging audiences and pushing the boundaries of TV drama. 'Play for Today: Volume 1' brings together seven iconic feature-length dramas for the first time, in a collection that exemplifies the breadth and brilliance of this groundbreaking strand.
The Lie (1970)
The great Ingmar Bergman's first British teleplay foreshadows his better-known miniseries 'Scenes from a Marriage' in its characteristic examination of a disintegrating relationship.
Shakespeare or Bust (1973)
Brian Glover (Kes) features as Bard-loving miner Art, who, along with mates Ern and Abe, make a poignant, comedic canal-boat pilgrimage to Stratford-upon-Avon in a wistful waterways road movie.
Back of Beyond (1974)
Desmond Davis, whose career spanned 'Girl with Green Eyes' to 'Clash of the Titans', directs 'This Sporting Life's' Rachel Roberts as reclusive widow Olwen, befriended by papergirl Rachel with momentous consequences.
A Passage to England (1975)
Uncle and cousin in tow, Anand needs to get to England from Amsterdam and Brit fisherman Onslow is his best hope. 'The Long Good Friday' director John Mackenzie adds grit to the comedy, penned by 'Minder' creator Leon Griffiths.
Your Man from Six Counties (1976)
From the writer of 'Yanks' and 'Chariots of Fire' comes a tale of the Troubles as, after his father's death, Belfast boy Jimmy heads for his uncle's farm. But even in Ireland's far west, his new start is under threat.
Our Flesh and Blood (1977)
Alison Steadman (Abigail's Party) is set on a 'natural' birth while leading her husband (Bernard Hill, Boys From the Blackstuff) against an officious establishment in the satirical shape of Richard Briers' (The Good Life) Mr. Smythe.
A Photograph (1977)
When an inexplicable photograph arrives in the post, Michael Otway's world is turned upside down. John Stride (The Ice House) and Stephanie Turner (Juliet Bravo) star in what the Daily Mail called 'grand guignol in the British manner'.
"The Inspection" is directed by Elegance Bratton and is inspired by his own true story - that of a young, gay, Black man (Jeremy Pope), who is rejected by his mother (Gabrielle Union), and with little future ahead of him, decides to join the Marines. Forced to do whatever it takes to succeed in the system that has cast him aside, he must battle deep-seated prejudice alongside the gruelling routines of basic training. Against the odds he finds unexpected camaraderie, strength, and support in this new community, giving him a hard-earned sense of belonging that will shape his identity and forever change his life.
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