Everybody Wants Some!! review by Adrijan Arsovski - Cinema Paradiso
Everybody Wants Some!! is an honest, event-less piece that draws its strength from an era when questionable fashion choices, silly facial hair and Greek letter sororities were all the rage. And most certainly some will find Linklater’s movie boring to hell and back, but for everybody else who aren’t afraid to enjoy their healthy dose of 1980’s life - Everybody Wants Some!! will dig up those memories and put them on a pedestal for all to appreciate.
Richard Linklater is notoriously known for pushing the ‘realism’ genre above all else: his last few movies being either contemplations of life itself (Boyhood), or a thorough misunderstanding of your average unsuspecting couple in Before Midnight. Everybody Wants Some!! surely continues this tradition as Linklater tries to near in on the reality of the heated college way of existence.
In this regard, Everybody Wants Some!! plays mostly like a spiritual successor to Dazed and Confused – not just shedding light onto the tradition, but building upon the 90’s jock near-masterpiece in all ways possible. Also, being a ‘borrowed’ title from one of Van Halen’s smash hits – the film’s nostalgia surely battles its way amongst those old enough to have experienced it first-hand back in the day.
As said, the story is not much. Talented pitcher Jake (played by Blake Jenner) comes to live in a neighborhood where he partakes in a dichotomous environment: decrepit VS modern architecture, freshmen VS seniors, old VS new way of doing things. Soon, Jake finds himself engulfed in what college offers, and together with a bunch of friends – he starts the initiation to finally grow into something more than just booze, sports and parties.
What director/writer Linklater flawlessly succeeds in is building a piece that feels as if it were filmed right then and there, as opposed to most period films which feel like the label they’re so hard trying to avoid. In continuation, we have actors that feel comfortable in the roles they portray, as one criticism will be directed toward the underdeveloped female characters that stand as nothing more than additions to their male counterparts.
Furthermore, the soundtrack adds to an 80’s feel with some rock sounds thrown in for good measure. Cinematography is decent in a Linklater-y way, but nothing that will knock your socks out or anything of the sorts. Atmosphere, if you can call it that, elicits those all-too-known butterflies residing in everyone’s gut. A certain message that rides the movie’s fins mostly aims toward identity and searching one’s place in society – nothing we haven’t seen in movies with similar tropes and conventions.
To finalize this up, all I can say is that Richard Linklater has nailed real life yet again, with his movie magic skills that somehow overshadow most of his contemporaries by a significant stretch of margin.