Award-winning male erotic photographer Ohm Phanphiroj's five most stunning, explicit, films, all in one place. "Desire" includes 'The Desire Trilogy', 'The Meaning' of it all, 'Journey' and 'The First Conversation between Frank and I'. Five films exploring male desire in a singularly artful, erotic, and forthright way.
A sinister and enthralling mystery thriller adapted from the novel by crime and suspense writer Agatha Christie. Starring Hayley Mills as an affluent heiress who marries a mysterious and charming chauffeur. Soon after moving into their dream house strange things begin to happen, culminating in a tragic death. Murderous twists and thrilling turns with a stunning climax set to shock even the most devoted Christie fans.
Franky Winter (Josh Wiggins) and Ballas Kohl (Darren Mann) have been best friends since childhood. They are high school royalty: handsome, stars of the swim team and popular with girls. They live a perfect teenage life - until the night of Franky's epic 17th birthday party, when Franky and Ballas are involved in an unexpected incident that changes their lives forever. 'Giant Little Ones' is a heartfelt and intimate coming-of-age story about friendship, self-discovery and the power of love without labels.
Pius XIII (Jude Law) is in a coma. And after an unpredictable and mysterious parenthesis, the Secretary of State Voiello (Silvio Orlando) succeeds in the enterprise of having Sir John Brannox (John Malkovich), a moderate English aristocrat, charming and sophisticated, placed on the papal throne adopting the name John Paul III. The new pope seems perfect, but he conceals secrets and a certain fragility. And he immediately understands that it will not be easy to replace the charismatic Pius XIII: hanging between life and death, Lenny Belardo has become a Saint and thousands of faithful are now idolizing him, fueling the contrast between fundamentalisms. Meanwhile, the Church is under attack from several scandals that risk devastating the hierarchies irreversibly and from external threats striking the symbols of Christianity. As always, however, in the Vatican nothing is what it seems. Good and evil proceed arm in arm towards history. And to reach the showdown we must wait for the events to take their course...
After his Parisian boyfriend breaks up with him, Jerome (the amazingly expressive Eric Debets) impulsively books a trip to Los Angeles to pursue his acting dreams. After meeting a colourful set of characters, including hot love interest Ross (Chad Allen), it seems that L.A. will live up to Jerome's expectations. And yet Jerome has been having explicit, erotic fever dreams of his ex in Paris. A love story that effortlessly crosses borders, Hollywood, je t'aime is a romantic comedy that will have you tapping your feet together and saying "There's no place like home."
Successful fashion designer Joanna Crane (Kathleen Turner) leads a secret double-life as a kinky prostitute called China Blue. But her life becomes complicated first by a zealous sex-obsessed street preacher (Anthony Perkins) who makes it his mission to save her soul by any means necessary, and then by a sexually frustrated private detective who discovers Joanna's dual identity.
Former gay lovers Shane and Pitch reunite after years apart and try to heal the wounds of their past. Shane is haunted by the tragic death of his daughter, while Pitch suffers a grave illness, rejecting medical treatment as painful and ineffective. Pitch creates beautiful structures of flowers and banana leaves, as a way to cope. Meanwhile, Shane trains to become a Buddhist monk, to build karma for Pitch to either keep him alive or to help in his afterlife.
Lorenzo (Angelo Mutti Spinetta) is a good and studious teenager who lives with his family in a small town in Patagonia. One day his father decides to help out an old friend by offering his son to stay with them for a while. The young and handsome Caito (Lautaro Rodríguez) arrives, mysterious and rebellious. Lorenzo is at first suspicious of Caito but gradually the boys form a bond without suspecting the consequences of this new friendship...but Caito has a secret...and maybe Lorenzo too...
When the son of a politically influential man is brutally murdered, thick-skinned detective Joe Leland (Frank Sinatra) is assigned to the case. His job becomes even more challenging when he has to convince the entire police department to see past the victim's sexuality. After the dead man's roommate is convicted and Leland moves on to his next case, it appears that the two cases may be linked, and the wrong man may have been penalised.
Billy Bloom (Alex Lawther) is one-of-a-kind: a fabulous, glitter-bedecked, gender-fluid teenager whose razor-sharp wit is matched only by his outrageous, anything-goes fashion sense. But when he's forced to live with his straight-laced father, Billy finds himself a diva-out-of-water at his new ultra-conservative high school. Undaunted by the bullies who refuse to understand him, the fearless Billy sets out to make a big statement in his own inimitable way: challenging the school's reigning mean girl for the title of homecoming queen!
Tom is a troubled, lonely young man - with a penchant for breaking and entering. In the midst of a burglary one day he spots Lars, a young history lecturer, and promptly becomes obsessed with him. Secretly observing Lars, and tracking his every movement without detection quickly becomes a daily pursuit. And then there's the mysterious motorcyclist he keeps running in to - soon the subject of a second obsession. More and more Tom gets further lost in his these of passionate fixations - until it's all he can focus on. But when Lars discovers Tom's dangerous game, things take a turn no one expects.
Originally shown on BBC1 in 1974 and rarely seen since, "Penda's Fen" has become the stuff of legend, its name invoking the spirit of a time when television had the power to provoke and astound. Exploring themes of personal and national identity, language, history and industrial progress, this unclassifiable drama boldly weaves its exquisite, fantastical imagery with the rousing music of Elgar to tell a tale of ancient legends and sexual awakening which stands as one of British television's greatest ever achievements.
Steamy Thai nights provide the backdrop for unbridled romance, crime and action as two men unexpectedly brave forbidden love. Maek, a cold assassin-for-hire, is sent to knock off Iht, a police informant, when in a twist of fate the killer is shot for refusing to pull the trigger. After making their escape, an indelible bond is forged when the vulnerable assassin is nursed back to health by handsome, married Iht. But as taboo feelings of desire swell between the swarthy new lovers, their relationship is discovered. Now there’s no turning back as enemies, friends and lovers are pitted against each other.
In upstate New York, three boys tear through their childhood, in the midst of their young parents' volatile love that makes and unmakes the family many times over. While Manny (Isaiah Kristian) and Joel (Josiah Gabriel) grow into versions of their loving and unpredictable father (Raul Castillo), Ma (Sheila Vand) seeks to shelter her youngest, Jonah (Evan Rosado), in the cocoon of home. More sensitive and conscious than his older siblings, Jonah increasingly embraces an imagined world all his own. Framed with a unique visual style, 'We the Animals' taps into a childlike nostalgia whilst seamlessly integrating a range of complex issues such as sexuality, social class division, broken families and racial inequality through a mesmerising and dream-like narrative.
Joris (Josha Stradowski) is shy, introverted and cautious, Yad (Majd Mardo) is bold and impulsive, but at a chance meeting, opposites attract, and sparks fly. Having spotted Yad windsurfing at the beach, Joris is taken aback when he discovers Yad is his grandmother's new helper. Stealing kisses between surfboards, wrestling in the reeds and filming their adventures, the couple find themselves growing closer and opening up to each other Yet as the boys fall ever deeper in love, the weight of their families' expectations of them grow more profound, until one of them finally asks, would it be better if they were 'Just Friends'?
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