Following on from the success of 'Les Parapluies de Cherbourg' comes 'Les Demoiselles de Rochefort' - Jacques Demy's large-scale tribute to the Hollywood musical featuring screen legend Gene Kelly The story centres on twin sisters Delphine and Solange (played by real-life sisters Catherine Deneuve and Frangoise Dorleac) who, tired of their humdrum existence, dream of finding success and romance in Paris. The superb ensemble, also featuring Danielle Darrieux, Michel Piccoli, Jacques Perrin, George Chakiris and Grover Dale, weave and wander around the town, looking for and just missing the love of their lives.
Noticing that here grandson, Champion, is a lonely little boy, Madame Souza buys him his first bicycle. Years go by, and with Madame Souza putting him through his paces, Champion becomes worthy of his name. Now, he is ready to enter the world's most famous cycling competition, the Tour de France. But, no sooner that the race has begun, two mysterious men in black kidnap him and it is up to Madame Souza and her faithful dog, Bruno, to rescue him, Soon, their quest takes them to a giant metropolis, called Belleville, where they encounter three eccentric female music hall stars of the 1930s and do battle with the evil French mafia. But can they rescue Champion? A visual treat for young and old alike, this stunning film has captured the imagination of audients the world over with its unique blend of classic animation and razor-sharp wit.
Sergio Leone's monumental epic 'Once Upon a Time in the West' ranks among the five or six all-time Western masterpieces. The picture itself is as big as its Monument Valley locations, as grand as its fine, distinguished cast. Henry Fonda plays the blackest character of his long career. He's Frank, the ruthless, murderous psychopath who suffers conscience pangs after annihilating an entire family. Jason Robards is the half-breed falsely accused of the terrible slaughter. Charles Bronson plays the harmonica playing man who remembers how his brother was savagely tortured.
British filmmaking showed much of its potential in this marvellous production chronicling the boyhood experiences of Billy (David Bradley), whose expectations lead no further than following his father into the pits when he reaches manhood. Everything changes when he finds Kes, an injured Kestrel, whom he nurses and cherishes back to health. Their relationship becomes symbolic of a doomed attempt to escape the drudgery of the industrial North.
Eleven jurors are convinced that the defendant is guilty of murder. The twelfth has no doubt of his innocence. How can this one man steer the others toward the same conclusion? It's a case of seemingly overwhelming evidence against a teenager accused of killing his father in "one of the best pictures ever made".
A key film of the British New Wave, Saturday Night and Sunday Morning was a great box-office success-audiences were thrilled by its anti-establishment energy, the gritty realism of its setting, and most of all by a working-class hero of a fresh and outspoken kind. Based on Alan Silletoe's largely autobiographical novel, the film is set in the grim industrial streets and factories of Nottingham, where Arthur Seaton spends his days at a factory bench, his Saturday nights with Brenda (Rachel Roberts), wife of a fellow factory worker. Played by Albert Finney with an irresistible animal vitality, Arthur is anti-authority and unashamedly amoral. With powerful central performances, crackling dialogue by Sillitoe and a superb jazz score by Johnny Dankwroth, the film stands as a vibrant modern classic.
Perhaps his most famous film, La Dolce Vita slices into the decadent amoral core of Roman society with Fellini's trademark attention to detail and spectacular photography. Marcello Mastroianni plays a gossip columnist (the term 'paparazzi' derives from the in a film) who aspires to be a more serious writer but knows he never will be, because like society, he is fascinated by the decadent hedonist pursuits which are seemingly everywhere. The Vatican was appalled by the film, but the public adored it, relishing the images Fellini fed them, most notably the now infamous scene of Mastroianni and Anita Ekberg frolicking in the Trevi Fountain.
When two rival bounty hunters (Clint Eastwood and Lee Van Cleef) learn they're both after the same murderous bandit, they join forces in hopes of bringing him to justice. But all is not as it seems in the hard-hitting second installment of Sergio Leone's trilogy starring Eastwood as the famed "Man with No Name".
Set within the Asian community in London, 'My Beautiful Launderette' is an unusual love story concerned with identity and entrepreneurial spirit during the Thatcher years. Omar (Gordon Warnecke) takes over the running of his wheeler-dealer uncle's launderette with the intention of turning it into a glittering place of commercial success. When he employs childhood friend and ex-National Front member Johnny (Daniel Day-Lewis) they become lovers as well as working partners. However, complications soon ensue as the anger of Johnny's deserted gang begins to build and Omar is forced to face increasingly difficult family issues.
A nameless stranger (Clint Eastwood) rides into the Mexican border town of San Miguel and quickly finds himself in the middle of a bloody battle for power between two rival families, the Baxters and the Rojos. Cannily realising there's money to be made from playing each side against the other, the Man with No Name soon finds himself caught in the crossfire as the body count escalates, his only chance of escape a standoff against the Rojos' mercilessly cruel leader, Ramon (Gian Maria Volonte).
Marcello Mastroianni is (Fellini's alter ego) Guido, a successful filmmaker who, embarking on his next film, discovers he has a complete "director's block": he has no story to tell! Harassed by his producers, his mistress (Sandra Milo) and his wife (Anouk Aimee), while struggling to find the inspiration for his film, he increasingly retreats in dreamy recollections of his life and lovers, until fantasy, memories and reality merge in the director's mind - and on screen, in an astonishing, masterful spectacle, culminating in an electrifying triumph of optimism. As Guido-Federico says at the end of 8 1/2: "Life is a party, let's live it together!"
In the late 60s, with the arrival of Colour TV, the BBC was keen for something different, modern and colourful. Postgate and Firmin rolled their eyes to the sky; not in desperation but for inspiration. They discovered a small blue planet populated by pink beings known as 'Clangers', a green dragon who cultivated soup and orange monopods who emerged from a magician's top hat. Wonderful and exotic creatures would often visit, and were always very welcome, especially a chicken made of iron who lived on a nearby nest made of space junk. The BBC wanted something different and that's certainly what they got.
Clint Eastwood returns as the invincible "Man With No Name", this time teaming with two gunslingers (Lee Van Cleef and Eli Wallach) to pursue a fortune in stolen gold. But teamwork doesn't come naturally to such strong-willed outlaws, and they soon discover that their greatest challenge may be to stay focused - and stay alive - in a country ravaged by war.
Blade Runner (1982)Blade Runner: The Final Cut / Dangerous Days / Bladerunner
Rick Deckard (Harrison Ford) prowls the steel-and-microchip jungle of 21st century Los Angeles. He's a "Blade Runner" stalking genetically made criminal replicants. His assignment: kill them. Their crime: wanting to be human. A visual stunner, remastered for improved home presentation, director Ridley Scott's vision of this sci-fi cinema classic intriguingly differs from what 1982 moviegoers saw. This version omits Deckard's voiceover narration, develops in greater detail the romance between Deckard and Rachael (Sean Young) and removes the "uplifting" finale. Most intriguing of all is a newly included unicorn vision that suggests Deckard may be a humanoid. The result is a heightened emotional impact a great film made greater.
Holly Martins (Joseph Cotten) a naive writer of pulp westerns, arrives in Vienna to meet his old friend Harry Lime (Orson Welles) but finds that Lime has apparently been killed in a suspicious accident. Martins, too, curious for his own good, hears contradictory stories about the circumstances of Limes' death and as witnesses disappear he finds himself chased by unknown assailants. Complicating matters are the sardonic Major Calloway (Trevor Howard), head of the British forces, and Limes' stage actress mistress, Anna (Alida Valli). Will Martin's curiosity lead him to discover things about his old friend that he'd rather not know?
We use cookies to help you navigate our website and to keep track of our promotional efforts. Some cookies are necessary for the site to operate normally while others are optional. To find out what cookies we are using please visit Cookies Policy.