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No Questions Asked (1951)

3.5 of 5 from 46 ratings
1h 20min
Not released
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Synopsis:
A get-rich-quick scheme leads to a killing in this hard-hitting noir starring Barry Sullivan, Arlene Dahl, George Murphy and Jean Hagen. When Ellen Sayburn (Dahl) trades him in for a husband who can keep her in mink, embittered insurance company attorney Steve Keiver (Sullivan) cooks up a racket that soon has him rolling in dough. Offering criminals a payoff in return for stolen goods, Keiver's deal saves on claims and earns him large commissions. Things go awry, however, when Ellen's decision to cut herself in ends in a double-cross, and Keiver finds himself a wanted man on the run for murder.
A prime example of M-G-M's tough post-war fare of the late '40's and early '50's, 'No Questions Asked' was written by Sidney Sheldon...
Actors:
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Directors:
Harold F. Kress
Writers:
Sidney Sheldon, Berne Giler
Genres:
Classics, Drama
BBFC:
Release Date:
Not released
Run Time:
80 minutes

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Reviews (1) of No Questions Asked

A GLOSS ADJUSTER - No Questions Asked review by CH

Spoiler Alert
25/05/2020

"Shall we put a tail on him?"

"No, I think he looks pretty cute as he is."

With a fast-paced nighttime opening somewhere in Manhattan, and some snappy dialogue, No Questions Asked (1951) is certainly not in the ruck of noir offerings. Written by Sidney Sheldon and directed by Harold Kress (perhaps better known as an editor), its events spring from an insurance agent (Barry Sullivan) being dumped by his fiancée (a splendidly self-seeking Arlene Dahl). To increase his financial standing, he becomes a middleman between the mob and insurance companies who are willing to pay less for the return of goods - no questions asked - than they would in payouts to aggrieved clients.

Such a set-up, did any of them but realise, can only have a limited life, and the death throes kick in swiftly enough during these eighty minutes, the killer being an audacious raid the likes of which has never been seen before or since. Say no more other than that there is no opening night on Broadway to match it.

To the usual bars, smart drawing tooms and down-at-heels offices is added a swimming pool with a malevolent aspect all its own.

The film offers a final moral. It was made by MGM, which had the funds for glossy production. Although it does not go overboard here, a squeeze on the budget could have made it that much punchier.

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