



The Ballad of Wallis Island takes a little while to settle as Tim Key and Tom Basden gradually shed the personas they’re best known for. But once they do, the film finds its rhythm as a warm, offbeat meditation on longing, awkwardness, and delusion. Key plays a lonely lottery winner who uses his fortune to reunite a defunct band—Basden and an unflappable Carey Mulligan—for a private gig on a remote island. Mulligan is coolly indifferent throughout, but Basden is clearly unsettled, both by performing to an audience of one and by his unresolved feelings for her. It’s a strange setup, but one handled with surprising tenderness. The humour is gentle and well-observed, with moments of genuine pathos tucked between the absurdities. There’s a sadness to the whole enterprise that never overwhelms but lingers just beneath the surface. A bittersweet, quietly funny gem that rewards patience and empathy in equal measure.
This is a delight. A funny yet melancholy British comedy that brings together quintessential characters into a rather touching film. Charles (Tim Key) is an oddbod; an eccentric, lonely and socially inept guy who lives on a remote coastal island and is the biggest fan of a folk duo who broke up years before after some success. He also happens to be a lottery winner. So he hires them to play on the island. But Herb (Tom Basden) and Nell (Carey Mulligan), once music partners and lovers, are now estranged and herb arrives under the misapprehension he's going to play alone, to a big audience. The end result as these three spend time on this windswept British island is simply lovely, tinged with sadness as their stories are revealed to us. A little surprise of a film and definitely one to check out.