The first of Susan Hayward's trademark powerhouse performances which would make her the premier American female dramatic actor of the fifties. Smash Up gave her a debut Oscar nomination. Angie is a nightclub singer who parks her career to bring up baby and support her crooner husband (Lee Bowman). Her social anxiety leads to her becoming a drunk.
The Production Code didn't like this story at all, and many compromises were made. While the film is surprisingly realistic in its depiction of alcoholism, Hayward's descent into booze hell is much less ugly than in I'll Cry Tomorrow in 1955. Everything works out by the fadeout. But it's a typically emotional and volatile characterisation from the star.
There's a hot blooded face off between Hayward and Marsha Hunt as Bowman's lonely personal assistant who is in love with the boss. It's a great touch when Angie's swanky apartment fills up with gifts that her rival bought on his behalf. The feud finally erupts into a punch up in the girls-room, with a pie-eyed Angie going in fists first.
Eddie Albert plays his usual best friend role with his usual warmth, and Marsha Hunt is excellent. Bowman is an insipid male lead. It's a pulpy melodrama with quite an expressionistic look as Angie loses her struggle with the bottle. The main pull is Hayward's star-making performance and she's on the screen all the way. She even has a soliloquy!