In 'Bullet Train', Brad Pitt stars as Ladybug, an unlucky assassin determined to do his job peacefully after one too many gigs gone off the rails. Fate, however, may have other plans, as Ladybug's latest mission puts him on a collision course with lethal adversaries from around the globe - all with connected, yet conflicting, objectives - on the world's fastest train...and he's got to figure out how to get off.
The great Walter Matthau stars as Henry, a once-rich playboy who has obliviously spent his entire inheritance. Desperate to marry into further financial support, he meets Henrietta (Elaine May), a shy, awkward, though independently wealthy botany professor. What follows is a giddy tale of dubious legal advice, ruthless skullduggery and ferns.
One heaves rocks through windows. The other happens by in the nick of time to offer his services as an expert window repairman. It's a system that works. So does everything else about this beloved Charlie Chaplin classic whose blend of laughs and pathos changed the notion of what a screen comedy could be. For the first time as a filmmaker, Chaplin stepped into feature-length storytelling with this tale of the down-but-never-out Tramp (Chaplin) and the adorable ragamuffin (6-year-old Jackie Coogan) who, rescued as a foundling and raised in the School of Hard Knocks by the Tramp, is this inseparable sidekick. Memorable scenes include a lesson in table manners, the bully brawl and the Tramp's angelic dream.
A proud woman in red draws leers and admiration. A bosomy tobacconist sparks the fantasies of adolescent boys. A mentally challenged uncle takes refuge in a tree and announces: "I want a woman!" They are among moments and events knit by memory...and a legendary filmmaker in peak form. 'Amarcord', which means "I Remember", is Federico Fellini's lusty, often funny look at growing-up perhaps not unlike his own. The setting is a village in 1930's Italy. Teen hormones are surging. Family, church and friendship are proving grounds of love and loyalty. Fascism's rise is just down the street. Sex is around any corner. And life viewed in the local cinema is a touchstone for life lived. The memories, big and small, endure.
Domenico (Marcello Mastroianni) first meets 17-year-old prostitute Filumena (Sophia Loren) in a Neapolitan brothel in the 2nd World War. After the war they become lovers on and off for 22 years. Domenico eventually rents an apartment for Filumena and even lets her run his shop but is always chasing other women. Finally Filumena asks Domenico to marry her on her deathbed, just before he had planned to marry his young cashier, and admits she had his legitimate child. Dominico uses different subterfuges trying to find which teenager might be his son...
It's 1938 and Rome comes to a standstill as Hitler visits Mussolini for the first time. Antonietta is left in her tenement home whilst her fascist husband and the rest of her family leave to attend the historic event. The whole building is empty apart from one man, Gabriele, a radio announcer sacked because of his homosexuality and his political views. Unaware of this Antonietta flirts with Gabriele as they meet by chance in the empty building. They strike up a conversation and the rather naive housewife is surprised by his opinions and shocked when she finally realises his sexual orientation. As the day progresses they develop a very special relationship that will radically alter both their outlooks on life forever...
Four directors tell tales of Eros fit for a 1970's Decameron. Working-class lovers, Renzo (Germano Gilioli) and Luciana (Marisa Solinas), marry but must hide it from her employer; plus, they need a room of their own. A billboard of Anita (Anita Ekberg) provocatively selling milk gives a prudish crusader for public decency more than he can handle. The wife of a count whose escapades with call girls make the front page of the papers decides to work to prove her independence, but what is she qualified to do? A buxom carnival-booth manager who owes back taxes offers herself for one night in a lottery: a nerdy sacristan and a jealous cowboy make for a lovers' triangle. In each, women take charge, but not always happily.
A powerful film about a ruthless journalist and an unscrupulous press agent who'll do anything to achieve success, this fascinating, compelling story crackles with taut direction and whiplash dialogue. Bristling with vivid performances by Curtis and Lancaster, this gutsy expose of big-city corruption is a timeless classic that cuts deep and sends a chilling message. It's late at night in the steamy, neon-lit streets of New York's Times Square, and everything's buzzing with nervous energy. But press agent Sidney Falco (Tony Curtis) is oblivious to the whirlwind of street vendors, call girls and con men bustling around him as he nervously waits for the early edition of The Globe. Whose career did gossip columnist J.J. Hunsecker (Burt Lancaster) launch today… and whose did he destroy?
Inspired by the 1985 true story of a drug runner's plane crash, missing cocaine, and the black bear that ate it, this wild dark comedy finds an oddball group of cops, criminals, tourists and teens converging in a Georgia forest where a 500-pound apex predator has ingested a staggering amount of cocaine and gone on a coke-fueled rampage for more blow - and blood.
‘City Lights’ begins with an uproarious skewering of pomp and formality, ends with one of the most famous last shots in movie history and, from start to finish, so completely touches the heart and tickles the funny bone that in 1998 it was named one of the American Film Institute’s Top-100 American Films. Talkies were well entrenched when Charles Chaplin swam against the filmmaking tide with this forever classic that’s silent except for music and sound effects. The story, involving the Tramp’s attempts to get money for an operation that will restore sight to a blind flower girl, provides a star with an ideal framework for sentiment and laughs. The tramp is variously a street sweeper, a boxer, a rich 0poseur, and a rescuer of a suicidal millionaire. His message is unspoken, but universally understood: love is blind.
Richard Widmark delivers an indelible performance as Harry Fabian, a small-time American nightclub tout and desperate dreamer who tries to worm his way into the wrestling rackets of post-war London. In his path lie the formidable obstacles posed by a vengeful club owner (Francis Sullivan) and the racketeer Kristo (Herbert Lorn). The club owner's sultry wife (Googie Withers) schemes with him, and a long-suffering girlfriend (Gene Tierney) does her best to save him. Like many a noir hero before him, Harry thinks he can outrun his fate. He's wrong. Jules Dassin, under suspicion in Hollywood for his political beliefs, made the film at great speed, shooting night scenes in a London still shattered and skeletal from wartime bombings.
When callous thugs beat Mike Hammer (Ralph Meeker) senseless and viciously murder the gorgeous blonde he's been trying to help, the hard-boiled detective retaliates the only way he can: by hitting first and asking questions later. Cutting a brutal swathe through the city's sleazy underside, Hammer uncovers a mysterious black container whose deadly contents not only solve the murder...but trigger an apocalyptic climax as well!
Barbara Stanwyck sizzles, Henry Fonda bumbles, and Preston Sturges runs riot in one of the all-time great screwballs, a pitch-perfect blend of comic zing and swoonworthy romance. Aboard a cruise liner sailing up the coast of South America, Stanwyck's conniving card sharp sets her sights on Fonda's nerdy snake researcher, who happens to be the heir to a brewery fortune. But when the con artist falls for her mark, her grift becomes a game of hearts - and she is determined to win it all. One in a string of matchless comedic marvels that Sturges wrote and directed as part of a dazzling 1940s run, this gender-flipped battle-of-wits farce is perhaps his most emotionally satisfying work, tempering its sparkling humor with a streak of tender poignancy supplied by the sensational Stanwyck at her peak.
Dana Andrews stars as Mark Dixon, a corrupt cop, in this gritty noir thriller shot on the rain-slicked streets of New York. Already in trouble for his brutal methods, alienated from his colleagues, he pursues a gang leader with vindictive zeal and accidentally kills a possible murder suspect. His guilt deepens when he falls in love with the dead man's wife and her father, an innocent cab driver, finds himself accused of the murder. Dixon finds the ultimate redemption - at a price. Otto Preminger brings a welcome sympathy and complexity to every character on-screen, from the nervous police informer through to the cocky mobster, the exasperated police chief, and Dixon himself, burdened with self-hatred as the son of a thief. Joseph LaShelle's photography lends a seedy glamour to the run-down lodging houses, cheap cafe's and night-time exteriors.
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