griggs's - Favourite Films of the 20th Century List

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To the enigmatic question "Who are Seconds?", the film's original poster responded: "The answer is almost too terrifying for words.... The story of a man who buys for himself a totally new life. A man who lives the age-old dream - If only I could live my life all over again.

" John Frankenheimer directs Rock Hudson as a "second": that is, the newly plastic-surgery altered "reboot" of, in this instance, a listless banker named Arthur Hamilton. Such procedures are carried out by a secret organization known only as "The Company," with the promise of giving an individual a chance at making a fresh start at life... but at what cost? Master lighting cameraman James Wong Howe provides the paranoiac atmosphere to the skewed reality of what came to be widely considered one of Frankenheimer's very best films.

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A young policeman Ethan Bishop (Austin Stoker) is put in charge of a nearly deserted L.A. police station, in the process of moving to another location, that finds itself under siege by an interracial gang of cut-throats and escaped convicts.

Napoleon Wilson (Darwin Joston) is impressive as a heroic convict, so is Ethan as the unflappable cop.

This powerful portrait of urban racial tension sparked controversy everywhere it played while earning popular and critical praise. The hottest day of the year and an explosive day in the life of Bedford - Stuyvesant, Brooklyn. The community will never be the same again.

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Holly Martins (Joseph Cotten) a naive writer of pulp westerns, arrives in Vienna to meet his old friend Harry Lime (Orson Welles) but finds that Lime has apparently been killed in a suspicious accident.

Martins, too, curious for his own good, hears contradictory stories about the circumstances of Limes' death and as witnesses disappear he finds himself chased by unknown assailants. Complicating matters are the sardonic Major Calloway (Trevor Howard), head of the British forces, and Limes' stage actress mistress, Anna (Alida Valli). Will Martin's curiosity lead him to discover things about his old friend that he'd rather not know?

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"Taxi Driver" provoked fierce controversy when it was released, running into censorship problems in America as some of the scenes of violence were described to be "as gory as Clockwork Orange and Straw Dogs".

In addition there was an outcry at a 13-year-old schoolgirl actress (Jodie Foster) co-starring as a prostitute. It won Best Picture at the 1976 Cannes Film Festival and received Academy Award Nominations for Best Film, Best Actor (Robert de Niro) and Best Supporting Actress (Foster).

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Stomping, whomping, stealing, singing, tap dancing, violating. Derby-topped hooligan Alex (Malcolm McDowell) has a good time - at the tragic expense of others.

His journey from amoral punk to brainwashed proper citizen and back again forms the dynamic arc of Stanley Kubrick's future-shock vision of Anthony Burgess' novel.

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Brace yourself as one of the all-time spellbinders possesses you all over again.

Director William Friedkin and producer/screenwriter William Peter Blatty have revisited The Exorcist to integrate 11 minutes of scenes and images deleted before the film's 1973 release and digitally restore the picture and audio elements. The result is an experience more gripping than ever. Now seen are moments deepening the impact of the performances by Linda Blair, Ellen Burstyn, Jason Miller, Max von Sydow and Lee J. Cobb. They include a "nervous disorder" dianosis, expansion of Father Merrin's arrival before the ritual, priestly doubts during the ritual, an epilogue with Lt. Kinderman and Father Dyer and most notably, a shattering staircase descent by Regan. Winner of Oscars for Best Adapted Screenplay and Sound, The Exorcist astonishes time and again like no other movie.

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A deceptively simple tale of a group of strangers trapped in a farmhouse who find themselves fending off a horde of recently dead, flesh-eating ghouls, Romero's claustrophobic vision of a late-1960s America literally tearing itself apart rewrote the rules of the horror genre, combined gruesome gore

with acute social commentary, and quietly broke ground by casting a black actor (Duane Jones) in its lead role. Stark, haunting, and more relevant than ever, 'Night of the Living Dead' is back.

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On a cold, bright autumn day in Suffolk, England, a little girl in a red mackintosh drowns in a pond-the daughter of John (Donald Sutherland) and Laura Baxter (Julie Christie).

Trying to recover from the tragedy, the couple arrive in Venice, Italy, where John has been commissioned to restore a church. In the eerie atmosphere of the lagoon city in winter, they encounter two strange sisters. Laura is suddenly released from her grief when one of them, a blind psychic, tells her that she is in contact with her dead daughter. Angered and sceptical, John carries on with his work, but witnesses an unsettling vision of his own: a little girl in a red mackintosh disappearing into the Venetian alleys. As Venice and his fate close in on John, illusion, reality and sudden terror spiral the story to its grotesque climax.

New York City detectives "Popeye" Doyle (Gene Hackman) and Buddy Russo (Roy Scheider) hope to break a narcotics smuggling ring and ultimately uncover 'The French Connection'. But when one of the criminals tries to kill Doyle, he begins a deadly pursuit that takes him far outside the city limits.

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What do a sexy stewardess (Pam Grier), a street-tough gun runner (Samuel L.

Jackson), a lonely bail bondsman (Robert Forster), a shifty ex-con (Robert De Niro), an earnest federal agent (Michael Keaton), and a stoned-out beach bunny (Bridget Fonda) have in common? They're six players on the trail of half a million dollars in cash! The only questions are... who's getting played...and who's gonna make the big score?

Starkly shot in black and white, capturing a Paris not seen on any tourist map, the film deals with France's intolerance towards outsiders, following Vinz (Vincent Cassel), Hubert (Hubert Kounde) and Said (Said Taghmaoui), three young men trapped in the Parisian economic, ethnic and social underclass.

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This Powell and Pressburger classic is widely considered to be one of the greatest films ever made.

Vicky Page (Moira Shearer), a young ballerina, becomes torn between her love for composer Julian Craster (Marius Goring) and artistic devotion to her profession, which is dominated by impresario Lermontov.

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Rick Deckard (Harrison Ford) prowls the steel-and-microchip jungle of 21st century Los Angeles. He's a "Blade Runner" stalking genetically made criminal replicants. His assignment: kill them. Their crime: wanting to be human.

A visual stunner, remastered for improved home presentation, director Ridley Scott's vision of this sci-fi cinema classic intriguingly differs from what 1982 moviegoers saw. This version omits Deckard's voiceover narration, develops in greater detail the romance between Deckard and Rachael (Sean Young) and removes the "uplifting" finale. Most intriguing of all is a newly included unicorn vision that suggests Deckard may be a humanoid. The result is a heightened emotional impact a great film made greater.

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Alexander Mackendrick's last Ealing comedy and certainly one of the best, William Rose received an Oscar nomination for Best Original Screenplay. Sir Alec Guinness stars in one of his most vivid disguises, in this killingly funny black comedy gem.

The villains plot to kill the old lady who discovers their robbery. But the pensioner is not as harmless as she seems! A rare colour film from Ealing in the '50s, it was premiered in 1955 at the end of the Ealing Green period.