Infamous womanizer Don Giovanni makes conquest after conquest, leaving seduced and abandoned women in his wake. When the ghost of the Commendatore he has killed appears he is given a final chance to change his philandering ways or face the terrors of hell. Joseph Losey's hugely successful adaptation of Mozart's greatest opera features wonderful performances from an excellent cast and stunning cinematography.
Full of flash, style and grit, this raw tale of corruption and revenge features one of the most harrowing car chases ever caught on film and a shockingly explosive ending. Federal Agent Richard Chance (William Petersen) has a score to settle, and he's through playing by the rules. Whether that means blackmailing a beautiful parolee, disobeying direct orders or hurtling the wrong way down a crowded freeway, he vows to take down a murderous counterfeiter (Willem Dafoe) by any means necessary. But as the stakes grow higher, will chance's obsession with vengeance ultimately destroy him?
Dustin Hoffman gives an unforgettable performance as Ratso Rizzo, a scrounging, sleazy small-time con man with big dreams. Jon Voight is magnificent as Joe Buck, the good-looking, naively charming Texan 'cowboy' who is convinced that he is the salvation of many lonely, love starved New York Women. These two characters are drawn together in this powerful and compassionate film.
The "Pink Panther Diamond" is stolen with only one clue left behind - a white glove, the trademark of the world-renowned jewel thief The Phantom (Christopher Plummer). Believed to be retired, he immediately becomes the chief suspect on Inspector Clouseau's list. Wanting to clear his name, The Phantom sets out to find the real thief and sends Clouseau bumbling along on a false trail. Inspector Clouseau's antics finally push his boss. Chief Inspector Dreyfus, over the edge and he sets out to murder Clouseau to be rid of him once and for all!
Bussotti is a master craftsman who creates a special violin for his unborn child, but when the child and his mother both die during childbirth Bussotti is obsessively compelled to finish making the instrument. So begins the story of The Red Violin. As it travels across continents, cultures and centuries it continues to inspire passion and obsession in every life it touches.
In this romp, the hapless Inspector Clouseau (Peter Sellers) is assigned to a high-profile murder case, where he finds himself falling, literally, for the prime suspect — a beautiful maid named Maria (Elke Sommer), whose talent for being in the wrong place at the wrong time almost rivals Clouseau's. But as the body count grows higher, and Maria's criminal record grows longer, Clouseau will have to find the real culprit quickly...or his career will be fini!
From director-writer-producer Todd Field comes Tar, starring Cate Blanchett as the iconic musician, Lydia Tar. The film examines the changing nature of power, its impact and durability in our modern world.
Jason Bateman and Rachel McAdams star as Max and Annie, whose weekly couples' game night gets kicked up a notch when Max's brother (Kyle Chandler) plans a murder mystery party that turns out to be more than they bargained for.
From writer-director Martin McDonagh (Three Billboards Outside Ebbing, Missouri) comes a unique film starring Colin Farrell and Brendan Gleeson. Although Padraic (Farrell) and CoIm (Gleeson) have been lifelong friends, they find themselves at an impasse when one abruptly ends their relationship, bringing alarming consequences for both of them.
"Amadeus" triumphs as gripping human drama, sumptuous period epic, glorious celebration of the music of Wolfgang Amadeus Mozart. It's 1781 and Antonio Salieri (F. Murray Abraham) is the competent court composer to Emperor Joseph II. When Mozart (Tom Hulce) arrives at court, Salieri is horrified to discover that the godlike musical gifts he desires for himself have been bestowed on a bawdy, impish jokester. Mad with envy, he plots to destroy Mozart by any means. Perhaps, even murder.
An outstanding accomplishment in every way, this lavishly produced and critically acclaimed screen adaptation of the international stage sensation tells the life-affirming story of Tevye (Topol), a poor milkman whose love, pride and faith help him face the oppression of turn-of-the-century Tsarist Russia. Nominated eight Academy Awards (1971), including Best Picture and Best Director and featuring such classic songs as "If I Were a Rich Man", "Matchmaker" and "Sunrise, Sunset", 'Fiddler on the Roof' is a universal story of hope, love and acceptance - a musical masterpiece.
When Walter Craig (Mervyn Johns) visits a country house, he finds himself trapped in his recurring nightmare that involves the manors guests sharing their experiences with the supernatural. With each bizarre tale told, whether it be about a haunted mirror or a ventriloquist tormented by his dummy, Craig hurtles closer and closer to the nightmare's end, where he knows something awful will happen...
A Man Escaped (1956)Un condamné à mort s'est échappé ou Le vent souffle où il veut
Based on the true story of Resistance fighter Andre Devigny, who was imprisoned and sentenced to death by the Nazis during the Second World War, the film reconstructs his actual cell at the Lyons fortress of Montluc, and follows his meticulous plans for escape. This totally involving and thrilling tale of courage and faith is all the more authentic for its use of non-professional actors and Bresson's spare style.
Cabaret brings 1931 Berlin to life inside and outside the Kit Kat Klub. There, starry eyed American Sally Bowles (Liza Minnelli) and an impish emee (Joel Grey) sound the call for decadent fun, while in the street the Nazi party is beginning to grow into a brutal political force. Into this heady world arrives British language teacher Brian Robert (Michael York) who falls for Sally's charm and soon, the two of them find themselves embroiled in the turmoil and decadence of the era.
The recently dead return to life and seem content merely to go back to their former lives, but their return causes a myriad of complications. Isham and Véronique have their trepidations, but they're generally happy, at first, to see their little boy Sylvain, and the town's elderly mayor welcomes home his wife, Martha . But Rachel, a government health official, cannot bring herself to visit her newly returned husband, Mathieu, at the ad-hoc shelter where the government houses the "zombies" like refugees. Eventually, she relents, and Mathieu returns home, but the living find that their loved ones are not exactly as they remember them. Studies soon reveal that the dead suffer from a form of aphasia. They cannot create new memories, and they cannot be trusted to perform any but the most menial tasks. Perhaps sensing the discomfort they cause the living, the dead gather together at night, and seem to be formulating some kind of secret plan.
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